Relaxation in the Park
RSL
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Russ Lewis
www.FineArtSnaps.com
www.FineArtSnaps.com
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I think it would help if you cropped more off the top to get rid of the distractions.
Take Care,
Chuck,
www.icurdigital.com
Aperture Focus Photography
http://aperturefocus.com
Like the B&W and the leash around his foot.
Don't like plastic water Jug.
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Chuck, One thing you always want with a shot like this is a sense of place. The bench in the background is essential. I do wish the cars hadn't been back there though.
www.FineArtSnaps.com
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My "understanding" of street/PJ is that altering of "reality" beyond what was traditionally done in the darkroom is not acceptable. So removing the water jug would be included here... Ditto with the cars.
I think Manuel Alvarez Bravo said it best on the subject of what is acceptable...
I'd buy the argument that PJ should follow the same code of unbiased reporting as any other form of journalism, but street photography is often more about telling a story than reporting an event. The photographer should have the same literary license as as any other story teller.
Hi Rainbow, Ever do darkroom work? I could have removed the cars and the jug in my old darkroom without too much trouble. It just would have taken a lot longer, and I'd never have bothered to do that much work for this picture, which I don't think is that good.
But on the other hand, I'm on your side. You'll notice I didn't make any changes at first, only once the comments made me curious to see what the pic would look like without those distractions. I'm still not completely satisfied with the result.
You may have noticed that I don't crop. Actually, I'd have to say I rarely crop. I agree with Cartier-Bresson that you need to compose on the camera and that any modifications to a properly composed picture can only end in disaster. But, since I'm not a fanatic I occasionally straighten, and I occasionally crop to the picture I saw but couldn't get close enough to capture before it would have disappeared.
Keep on shootin...
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