I like the guy counting his money... I wish you could have framed it differently with him being slightly more prominent than the shoppers.
I disagree with Richard's and Russ' commentaries about the lighting as that is beyond your control here. So many street shots have this problem, and we rarely can choose the sunrise/sunset time like landscape photographers might.
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black mambaRegistered UsersPosts: 8,323Major grins
I like the guy counting his money... I wish you could have framed it differently with him being slightly more prominent than the shoppers.
I disagree with Richard's and Russ' commentaries about the lighting as that is beyond your control here. So many street shots have this problem, and we rarely can choose the sunrise/sunset time like landscape photographers might.
Rainbow makes a valid point. Think of the gazillion shots a street shooter would miss if he had to always wait on favorable light. You do the best you can. Sometimes, judicious PP work can help.
Tom
I always wanted to lie naked on a bearskin rug in front of a fireplace. Cracker Barrel didn't take kindly to it.
I'm liking it if only for the presentation of something happening across the world from me I'd never experience personally.
As for the tones, blacks and whites I suppose the critiques come from differing potential uses of the image. For example, wouldn't a framed gallery print be more subjected to critical analysis than, say.... an image for a newspaper or on-line story of yam sales in China?
I understand all too well the problems of harsh light when shooting on the street. At least we don't have to get up at 4AM and hike 15 miles with our gear like the landscape crowd. Still, unfavorable light is, well, unfavorable. In many cases, it doesn't much matter if stuff in the background is blown or plugged, but I don't like that to happen with the subject. Reducing the exposure by maybe a third of a stop might have helped here.
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I disagree with Richard's and Russ' commentaries about the lighting as that is beyond your control here. So many street shots have this problem, and we rarely can choose the sunrise/sunset time like landscape photographers might.
Rainbow makes a valid point. Think of the gazillion shots a street shooter would miss if he had to always wait on favorable light. You do the best you can. Sometimes, judicious PP work can help.
Tom
As for the tones, blacks and whites I suppose the critiques come from differing potential uses of the image. For example, wouldn't a framed gallery print be more subjected to critical analysis than, say.... an image for a newspaper or on-line story of yam sales in China?