Options
The Black (Dress) Kat
Third look of the four that I shot with Kat last weekend.
Click the first image for her full gallery
2.
3. We borrowed the dog and he seemed happy to be there.
4.
5.and, of course, a couple of headshots of her GORGEOUS head
6.
<!-- / message --><!-- sig -->
Click the first image for her full gallery
2.
3. We borrowed the dog and he seemed happy to be there.
4.
5.and, of course, a couple of headshots of her GORGEOUS head
6.
<!-- / message --><!-- sig -->
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
0
Comments
http://www.facebook.com/rt2photo
Great series
#5 looks like you caught her in between poses.
#6 I think it would help to crop some off the bottom.
Take Care,
Chuck,
www.icurdigital.com
Aperture Focus Photography
http://aperturefocus.com
Who is wise? He who learns from everyone.
My SmugMug Site
Gicom, I know what you mean. I think it may be the arm positioning but we were using motion (as suggested on here many times) at that point rather than static pose/click so it may be I just caught it awkwardly.
Chuck #5 was intentionally a dreamy look away. I may have just missed it. Looking again, I agree that a crop right below the neck beading would be better.
RT - thanks again. As to # 5, see my answer to Gicom.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen