Natalia - Gift for her father
These pictures were taken a while ago..... about 5 months ago...
I feel confident enough in my PS skills to try and do a good edit of it now.
Please give me your thoughts and opinions... I am open to anything.
I want this to be a gift to her father for letting her be the flower girl in our wedding.
1.
2.
Sony 717 with Sunpak 383 bounced off ceiling
Thanks in advance,
Steven
I feel confident enough in my PS skills to try and do a good edit of it now.
Please give me your thoughts and opinions... I am open to anything.
I want this to be a gift to her father for letting her be the flower girl in our wedding.
1.
2.
Sony 717 with Sunpak 383 bounced off ceiling
Thanks in advance,
Steven
Wandering Through Life Photography
MM Portfolio
Canon 30D | Canon 50mm f/1.8 | Tamron 28-75mm f/2.8 | Canon Speedlite 580ex
MM Portfolio
Canon 30D | Canon 50mm f/1.8 | Tamron 28-75mm f/2.8 | Canon Speedlite 580ex
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Comments
SmugMug Technical Account Manager
Travel = good. Woo, shooting!
nickwphoto
should I USM just her lips or the whole picture?
I thought female shots should be a little soft?
MM Portfolio
Canon 30D | Canon 50mm f/1.8 | Tamron 28-75mm f/2.8 | Canon Speedlite 580ex
IF you have the time and the skills to mask out the little girls head and fine trailing hair strands, you might consider blurring the background to remove the post arising out of her head and the lights to the left of her head - maybe a little desaturation of color and a little burning down to give better emphasis to her over the background highlights. I would not darken the brides gown though, that is a perfect accent. : Lovely flower maiden!!
Moderator of the Technique Forum and Finishing School on Dgrin
SmugMug Technical Account Manager
Travel = good. Woo, shooting!
nickwphoto
Desaturation, darkening with hue/saturation or burning on layer, and G blur after selection, are all tools to help concentrate the viewers eye on the subject and not the background. A cute little girl, like that, deserves her own special place in the spotlight
Selecting with hairs strands can be quite challenging - a good place for using channels I suspect.
Moderator of the Technique Forum and Finishing School on Dgrin
I guess i have a lot more to learn than I thought....
looks like i'm gonna be up for a while figuring this out
Thanks,
Steven
MM Portfolio
Canon 30D | Canon 50mm f/1.8 | Tamron 28-75mm f/2.8 | Canon Speedlite 580ex
But I think it can be better. But it will take a little time and effort to do that seemlessly. As I said, selecting with falling hair strands is one of the toughest things to select for when editing. Using Select>Color Range as a start may work, but a channel may also work as a mask. Or select the background instead. Not easy. Not simple. But worth a try.
Moderator of the Technique Forum and Finishing School on Dgrin
I've never settled for 2nd best....
let's take this to the end
Thanks,,
Steven
MM Portfolio
Canon 30D | Canon 50mm f/1.8 | Tamron 28-75mm f/2.8 | Canon Speedlite 580ex
Moderator of the Technique Forum and Finishing School on Dgrin
so now what do you think?
Steven
MM Portfolio
Canon 30D | Canon 50mm f/1.8 | Tamron 28-75mm f/2.8 | Canon Speedlite 580ex
I think your editing is a definite improvement!!
I tried to warm up the cold green light in the background also. I thought it did not fit the overall tonality in the girls face. I included the white background to her right, as part of her veil, and that may have been a mistake. I don't like the transition between the white and the background on her right side in my image. I do like the greater blur I achieved though - you may or may not.;
Moderator of the Technique Forum and Finishing School on Dgrin
I think I despise the magic wand tool
I think I have a lot more to go to advance in my PS skills
I do know though, that I had a blast learning
I like it, but I want to know what others think.... I am trying to train my eye to see it all, not just settle for what I "Think" is good.
Thank you so much for sticking with me on this path... you truly are a great guy, no matter what the rumors say
Steven
MM Portfolio
Canon 30D | Canon 50mm f/1.8 | Tamron 28-75mm f/2.8 | Canon Speedlite 580ex
And the rumors are probably based on a grain of truth, like most cliche's.
Moderator of the Technique Forum and Finishing School on Dgrin
I think Path is one of the most knowledgable guys I have ever met.
On to the critique:
I think the newest version is better but here are a couple things I noticed.
The band in her hair seems to have a glow around it now, probably from your selection being a bit too close to it. If you used a layer to make your selection on you can easily get rid of it by using the history tool. Try using a feathered brush so you don't get any harsh edges. I think her braids have the same glowing edge to them. I agree with Path that the background could be blurred a bit more also and about the yellow in the background. He's really too smart for his own good isn't he . Her chapped lips do look a lot better now . Hope this helps
SmugMug Technical Account Manager
Travel = good. Woo, shooting!
nickwphoto
Your comments about the history brush are spot on, though!! Great tool for touching up retouching work.
The secret here is to create a new layer with ctrl-J before doing the selection. I used a magnetic lasso because I was just doing a quick demo attempt. Once the selection is made. the edges can be feathered etc as needed. Fine strands of hair sometimes can be selected with Select> Color Range and then adding whatever else is needed.
Actually selecting the background is easier than selecting her hair and inverting, at least I think it is. Then you can do the GB on the selected layer and make any changes in hue, saturation etc to taste. I liked warming the cold green highlights in the background of the original image.
The GB can be overdone because it will then be blended with the original background layer to taste with the blending slider. ( I suspect the Blend IF command I described in the Chapter 7 LAB discussion thread might be useful here also, but that is for another day )
Then the blurred edges of her hat and hair can be touched up with the history brush to bring their sharpness back and avoid the G blur along the edges resulting from the blend of the two layers. My attempt took about 10 minutes, but a good work on the original image will allow much finer control and may take a little longer for best results. BUt I think this little girl deserves to look her best, don't you? :
Moderator of the Technique Forum and Finishing School on Dgrin
I think Path covered it pretty well (better than I could have), but just wanted to say that I prefer the 2nd crop better. Nice shot that I think the dad will love.
Chris
A picture is but words to the eyes.
Comments are always welcome.
www.pbase.com/Higgmeister
One of the best books to learn about the many techniques of masking is Katrin Eismann's Photoshop Masking & Compositing (Voices That Matter) .
If you master even a small number of the techniques described in her book, you will be well on your way to becoming an expert.
Good luck,
Harvey
Nikon D610, Nikon D300S
Sony A6000
http://harveylevine.smugmug.com
You can make a rough selection of her hair and eyes (and whatever else you'd like to sharpen, feather the selection and USM only those. Or, you can make a layer mask and paint back in the parts that should not be sharpened. I would definitely sharpen her eyes though. Very cute kid.
Moderator of the Technique Forum and Finishing School on Dgrin