Having trouble settling on an all-around lens (Nikon)
Since switching from Sony to Nikon the only difficulty I've had is settling on a standard zoom. On the Sony, the 16-85 CZ was my go-to lens. With Nikon, I tried the 18-200 and 18-105 and wasn't pleased with the IQ of either. Now I've got the 17-55 f/2.8 and, while the image quality is excellent, the range is rather limiting. F/2.8 is nice, but this lens is almost always used outdoors where 2.8 isn't really necessary (I use primes indoors).
I'm thinking of trying either the Sigma 17-70 f/2.8-4 or the Nikon 16-85 next. I'd love to hear about some real-world experience with either of these lenses and suggestions of what I should do. I may just start renting lenses and see what sticks, but sometimes it's cheaper to buy (used) and resell than to rent. :dunno
I'm thinking of trying either the Sigma 17-70 f/2.8-4 or the Nikon 16-85 next. I'd love to hear about some real-world experience with either of these lenses and suggestions of what I should do. I may just start renting lenses and see what sticks, but sometimes it's cheaper to buy (used) and resell than to rent. :dunno
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There is always the 24-70 f2.8
(I have never used any of these lenses tho)
You don't take a photograph, you make it. ~Ansel Adams
Blue Moon Originals
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Nikon's 16-85 is the original 16-85, and if you get a good copy it is flawlessly sharp. I wouldn't hesitate to buy it in an instant.
As you can see on at least one review site, even the CZ 16-80 is out-classed by the Nikon 16-85:
http://www.slrgear.com/reviews/showproduct.php/product/973/cat/83
http://www.slrgear.com/reviews/showproduct.php/product/1177/cat/13
...My advice? Forget about f/2.8 zooms on a crop sensor, and just stick with "all-around zooms" and then get primes for when you really need the low-light performance. There's nothing like hitting f/1.8 or f/1.4 on a crop sensor, it lets you keep your ISO 1-2 stops lower without having to sacrifice shutter speed and rely on VR...
You can find a used 16-85 DX on KEH for about $500, and I'm sure on Ebay for slightly less even. Good luck deciding!
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
Fred - I may well rent it, but as I said, sometimes it's cheaper to buy used and re-sell.
Tom - Thanks for the recommendation, I'll check it out!
Matt - I think you're exactly right. On the crop sensor there's just no reason not to have a handful of primes for indoors. I've been very, very pleased with the D7000 low-light performance - but low ISO is always to be preferred. I had hoped to score a used D700 by now but, unfortunately, prices have gone up rather than down in the last several months.
Steve
Hope you like your 16-85.....Have a great week.
http://clearwaterphotography.smugmug.com/
This advice is spot on. My 16-85VR was my go-to lens on my D90 and it serves the same purpose on my D7000. I like it much better than the 17-55 I owned for several months. For low-light or subject isolation I use primes.
Yep, I owned a 17-55 2.8 for about a year before it was stolen, and when it was I didn't replace it. Sure, it's a burly, powerful workhorse lens for crop sensor shooters. But honestly, it always just felt like a stepping stone to a D700 and 24-70. The 17-55 2.8 has a WEIRD issue with focus shift, and my copy was REALLY bad when stopping down. For example, you would think that at 17mm on a crop sensor, f/5.6 would give you great depth of field when focused to 10-20 ft away, right? Wrong. My copy of the lens basically acted like a tilt-shift lens; it completely "wobbled" the plane of focus such that my DOF would be fantastic in the center of the frame, (from 5 ft to nearly infinity, when stopping down a few stops) ...however towards the edges, things would get totally out of focus. It was so annoying, I literally stopped using that lens for group formals, and started using an old 24mm AIS that I had originally purchased for use on a film SLR!
Anyways, my point is just that the 16-85 is a great all-around lens, while lenses like the faster f/2.8's are HIGHLY specialized, and should only be used for specific tasks, in my opinion.
Bottom line: With the D7000 as a "casual" photographer, shooting everything from landscapes to portraits and general friends-and-family candids, ...I'd be most happy with a 16-85 and then maybe something like the 35 1.8 or 50 1.8 AFS-G....
(I wish Nikon would hurry up and make a nice ~18mm or 24mm f/1.8 DX prime as well, but I dunno if that will ever happen unfortunately...)
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
Matt - I had the 50mm f/1.8G but found 50mm just a bit too long for indoor candids on a crop sensor. I just acquired the 35mm f/1.4 but I haven't given it much of a workout yet either.
Oh, and, for the record, my copy of the 17-55 f/2.8G doesn't have any of the weird focus issues you describe.
Included are a couple samples from my D7000 and 16-85VR.
Ron
http://ront.smugmug.com/
Nikon D600, Nikon 85 f/1.8G, Nikon 24-120mm f/4, Nikon 70-300, Nikon SB-700, Canon S95