C&C w PJ Copy
torags
Registered Users Posts: 4,615 Major grins
PJ seems to be a step son in favor of some higher artistic calling. Here is a shot I would like C&C on;
in addition, for those who like the J in PJ, label or write a few sentences supporting the shot (no holds barred).
I'll leave it for a couple of days then fill in the context.
in addition, for those who like the J in PJ, label or write a few sentences supporting the shot (no holds barred).
I'll leave it for a couple of days then fill in the context.
Rags
0
Comments
www.FineArtSnaps.com
Really?
OK, I looked at a few times. I can't see anything other than something I would not have shown to anyone (Sorry Rags). Obviously Rags thinks it's a good shot and you think it's a great shot. I need some enlightenment here.
// richard <http://www.richardmanphoto.com>
richardmanphoto on Facebook and Instagram
I'll confess I may have been a victim of somewhat irrational exuberance, but the shot really hit me. It reminds me somewhat of a night shot I made on a street in San Francisco in the mid sixties.
The first question that comes to mind is: who is this person? I can't tell whether it's a man or a woman, though I'd guess woman. What is she doing? Is she a street vendor plying her trade at night? Is she homeless, wandering the streets with her belongings in a grocery cart? Is she both? The mystery deepens when you see the mostly hidden face in the upper right, and what looks like a reflection of a face -- his face? -- in a mirror a bit to the left. The lighting, of course, adds to the mystery. In this case I can't decide whether a greater sense of place would add to or detract from the effect of the image.
I think it's interesting that nobody else has commented on this picture. I suspect that's because nobody can make sense out of it. The ambiguity is pretty overwhelming.
To respond to Rags's comment abut those who like the J in PJ, the picture is a long way from PJ as it stands -- without comment and without supporting pictures. I'd title it "Woman on the road to Hell with a grocery cart."
Eventually Rags is going to tell us the true story and it'll be nothing like what I've surmised.
www.FineArtSnaps.com
(As part of the underlying story on the porn industry?)
It's an interesting shot for sure....
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Also, my monitor is a calibrated Eizo, and I don't see the hidden face on upper right. I will check it on my wife's Mac, she adjusts her display per the Mac standard of "too bright..."
// richard <http://www.richardmanphoto.com>
richardmanphoto on Facebook and Instagram
Interesting shot to say the least!
Don
'I was older then, I'm younger than that now' ....
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Richard, That may be your problem. There's also a hand over there on the right, behind the face.
I have a hunch that this is one picture people either are going to love or hate and nothing in between.
www.FineArtSnaps.com
First thanks to the folks who looked in & commented
M38A1 hit the nail on the head & Russ caught the ambiguity.
Simple pictures of expressions of human behavior usually don't need titles or text. Complicated pictures from different places do (re: Reuters 100 best pix). Some pictures tell a story; some can't if the viewer is deaf. Verbal context can help allow the viewer to better "see" the picture
For context: People living in the southwest have a third world country within walking distance. at the border crossings coming into the US the lines of cars are long and the waits can be 1-2 hours or more.
During the wait, rivers of humanity pass between the cars; selling goods, venders desperately looking for eye contact to hopefully make a sale. Not only vendors, but cripples & beggars and the guys whose rags have wiped a hundred wind shields). I always fall for the guy with no legs sitting on a dolly. People throw money on the ground for him and its tragic to watch him get coins or dollars that blow under cars.
A title that I would put on the shot; Worlds Brush Without Contact
What I see in the picture, is a man in a car with the windows rolled up, a virtual prisoner in his car (1/4 mile away from freedom); avoiding the presence of a light painted vendor from another world. The red light supports the "other" world aspect. Hey M38, I didn't notice her product. I'll have to keep an eye out for her next time I go thru..
Shot at night with available light (headlights and tail lights) thru the windshield. Grainy , yes - underexposed, perhaps.
In any event that's my take (from one of the bubbles), if a vendor would comment on the shot - it would be entirely different. We all bring baggage when looking at an image.
I enjoyed the comments ... thanks
WooHoo! What did I win?
I suppose it helps that I'm just a few hours from a border crossing...
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// richard <http://www.richardmanphoto.com>
richardmanphoto on Facebook and Instagram
www.FineArtSnaps.com
My respect and admiration.... Oh wait, I have neither...