New stabilised 24-70 from Tamron
divamum
Registered Users Posts: 9,021 Major grins
http://www.tamron.eu/uk/news/read/data/tamron-develops-full-size-high-speed-standard-zoom-with-built-in-image-stabilization-sp-24-70m.html
If that thing has the optical quality of some of its siblings - and faster AF - it should be a fabulous lens!
If that thing has the optical quality of some of its siblings - and faster AF - it should be a fabulous lens!
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That's the current rumour. Along with $1700-1800. OUCH! Course, who knows until it's released.... I'm following this particular race closely, I have to admit. I love my 24-70L, but as anybody who's ever used one knows, it tends to be like the little girl with the curl and "when it's good it's very very good, and when it's bad it's horrid"! It would be nice to have a more modern version that is at its best ALL the time.
Yeah :cry http://www.dpreview.com/news/2012/02/07/Canon_24-70mm_F2p8_II_24mm_f2p8_IS_28mm_f2p8_IS
And no news on 5DIII/X :-(
However, it DOES make the Tamron an attractive lens to watch for. I can live with my 24-70L I (especially once it comes back from the Canon hospital), but if I decide I really must have IS, then Tamron, here I come.............
My 10-22 is awesome and I don't think the 17-40 quite matches it so would need to go to the 16-35 for easily $1000 more
My 17-55 2.8 IS is awesome and has IS. The new 24-70 doesn't and costs over $1000 more
The 5D III will likely be at least $1000 more than the 7D replacement.
While I do sell my landscape work, I can't imagine realizing the $6000 it would cost to purchase a 5D III and replace the lenses above.
Meanwhile, Nikon brings out a 36 MP full frame behemoth at under $3k...
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Well, in all honesty, since I had a first-hand experience with both "(20D | 30D | 40D | 50D | 7D) + 10-22" and "5D2 + 16-35", I can tell you this: yes, it costs significantly more; and yes, the image quality is significantly better.
Of course, it's only my personal take on it. "Depending on circumstances", YMMV, etc.
― Edward Weston
I'm struggling with the same dilemma. The other added expense of moving from the 17-55 EF-S to the 24-70 (either Canon or Tamron) is that all my expensive B+W 77m filters won't fit the 82mm diameter of the 24-70's.
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I've had a complete change of heart since that post - mostly prompted by my taking a friend's 5DmkII and 24-70 mk I out for a shoot.
The difference between my 50D and her 5D was eye-opening. While the APS-c sensor and a good lens like the 17-55 can produce great shots, I decided to bite the bullet and move to full frame. Just sold my 17-55 and am planning to start with just the 17-40 and 70-200. The 17-40 will still take my 10-stop ND at 77mm. Going to wait and see how much I miss the 24-70 range but may end up shooting portraits with the 35/2 and 85/1.8 instead to save a chunk of change.
Will be waiting to see the first reviews of Tamron's new lens...
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I admit I'm VERY interested in this lens - I would actually find IS (VC) helpful (frankly, I"m such a crappy hand-holder I probably should have it on ALL my lenses, although at this point I don't), and have always been very pleased by the optics on my Tam 17-50. If this one can match/surpass that, I will definitely consider it.
www.dpreview.com/news/2012/04/06/tamron-24-70mm-2p8-VC-price
― Edward Weston
― Edward Weston
a first technical review with 21MP sample images can be found here.
To me this looks very good!!
― Edward Weston
http://www.ephotozine.com/article/tamron-sp-24-70mm-f-2-8-vc-usd-lens-review-19056
It's looking good, although $1299 is a higher initial price than I was expetcing :-/ Still waiting and watching as this one hits the streets....
same link as above
― Edward Weston
Mac Fly
HomePageLink
http://www.lensrentals.com/blog/2012/04/quick-tamron-24-70-mtf-data
That link also has a brief review and comparison to the Canon equivalent. Recommended reading. thumb
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Also, what about those "onion" highlights? I only saw one particular highlight which did that in the sample - I'm curious as to why it WAS only one higlight in the image (which seems weird), and also what that kind of bokeh indicates.
The problem with MTF charts is that there is no single standard or even a single agreement on MTF testing methodology or testing limits. In other words MTF charts only allow comparison between lenses from the same manufacturer or tests at the same testing facility. You cannot directly relate MTF from one source to another source.
To drive home how important this is, almost every manufacturer of lenses does optical MTF testing for quality control and versional testing. Canon uses "calculated" MTF methodology for it's public MTF tables, which only loosely compares to optical methods. Both results can be valuable, but only in the context of each manufacturer and not between each manufacturer.
In general, the horizontal scale is lens center to lens edge, while the vertical scale is contrast and resolution (global contrast versus micro-contrast).
The dotted and dashed lines represent the visual OOF qualities and generally the closer the dotted and dashed lines follow each other, the better the bokeh will appear.
Here is a pretty good video explanation of MTF charts and what they mean:
http://youtu.be/DjCoD0_V2RM
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http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=786&Camera=453&Sample=0&FLI=0&API=0&LensComp=101&CameraComp=453&SampleComp=0&FLIComp=0&APIComp=0
The reviewer mentioned he had some problem with bad lenses, so IDK how accurate these shots are, but.... they don't look too hot. At every focal length except 70, the Canon 24-70 is sharper at f2.8 than the Tamron is at f8 :x
At 24mm, I see that too. (... That the Tamron is sharper in the center than the Canon.) The difference is not great, however.
Overall, I agree that the Canon has a better showing. The Tamron images do look like they might respond very well to post-processing sharpening techniques.
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