First Time HS BB Try With SB800's

OldGuyOldGuy Registered Users Posts: 301 Major grins
edited February 23, 2012 in Sports
I decided to try my luck with 2 PW fired, balcony mounted SB800 units at my high school last night. I had each at the top of the key at both ends about 25-30 ft. up and started out trying to bounce off the ceiling at full power. No luck as the light was dispersed too much in the "erector set"... I then dialed down to 1/8 power and aimed directly at the foul line. I ended up at 1/4 power, shooting at 1/200, ISO 800, f2.8-3.2, autoWB, 70-200, on my D700.

Any C&C would be greatly appreciated. :bow

1. One light position upper right corner, bounced. I found it is not good to shoot toward the lights... :huh
DSC9875a-L.jpg

2. 1/8 Power
DSC9859a-L.jpg

3. 1/4 Power
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4. 1/4 Power
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5. 1/4 Power
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6. 1/4 Power
DSC9940a-L.jpg

Thanks for looking. :wink

Comments

  • JimKarczewskiJimKarczewski Registered Users Posts: 969 Major grins
    edited February 19, 2012
    #1 - That's NOTHING. I did much worse yesterday shooting into my lights, that's barely noticeable compared to some shots. :) Good example of bad light shooting into them: http://www.jimkarczewski.com/Sporting-Events/HSBasketball11/Lew-Wallace-Roosevelt-021712/i-T9dvF5C/0/M/IMG0009-M.jpg

    That being said, I can't even see the light on them. If you were shooting 2 lights on #1, I can't see much of an effect other than the fact that you were shooting into it. Other than that, had I not seen the flash, I would had thought you were shooting natural light.

    #2 - under powered. I can't even tell there is a flash again. What was the ambient reading of the light in the gym? How many stops over were your settings with flash vs Ambient????

    #3 - Now I can see the flash. At least one of them. Typically if you have them cross court from each other you will see a rim light of sorts, which I don't see? Doesn't mean it's not there, but seems like the light is coming from camera left and that's it.

    #4, 5, 6 - Exposure seems good, again I can only really tell there is one light? Or so it looks...

    What I mean about a highlight is like this image: http://www.jimkarczewski.com/Sporting-Events/HSBasketball11/Lew-Wallace-Roosevelt-021712/i-CkqLptN/0/M/IMG0008-M.jpg

    You can see it's front lit by a strobe, but you can also see a rim light coming from behind him to give separation to the player. I don't see that in your images and if you had 2 lights, I would assume that it would be there...
  • JimKarczewskiJimKarczewski Registered Users Posts: 969 Major grins
    edited February 19, 2012
    Also, I don't see what you had your zoom on the flash set to? Was it at least 50mm, but <= 80mm? If it was too wide (28, 35, etc) or too long (105) you are either loosing (wide angle) power and dispersing it too far across the court or your beam is so focused into an area (105) that the players have to be in the perfect position or you don't get anything.
  • IcebearIcebear Registered Users Posts: 4,015 Major grins
    edited February 19, 2012
    Even at 1/4 power, you're still getting ghosting. Look at the ball in #4. Why aren't you shooting at 1/250th? That should help just a little bit. These are looking pretty good IMO.
    John :
    Natural selection is responsible for every living thing that exists.
    D3s, D500, D5300, and way more glass than the wife knows about.
  • OldGuyOldGuy Registered Users Posts: 301 Major grins
    edited February 20, 2012
    #1 - That's NOTHING. I did much worse yesterday shooting into my lights, that's barely noticeable compared to some shots. :) Good example of bad light shooting into them: http://www.jimkarczewski.com/Sporting-Events/HSBasketball11/Lew-Wallace-Roosevelt-021712/i-T9dvF5C/0/M/IMG0009-M.jpg

    That being said, I can't even see the light on them. If you were shooting 2 lights on #1, I can't see much of an effect other than the fact that you were shooting into it. Other than that, had I not seen the flash, I would had thought you were shooting natural light.

    #2 - under powered. I can't even tell there is a flash again. What was the ambient reading of the light in the gym? How many stops over were your settings with flash vs Ambient????

    #3 - Now I can see the flash. At least one of them. Typically if you have them cross court from each other you will see a rim light of sorts, which I don't see? Doesn't mean it's not there, but seems like the light is coming from camera left and that's it.

    #4, 5, 6 - Exposure seems good, again I can only really tell there is one light? Or so it looks...

    What I mean about a highlight is like this image: http://www.jimkarczewski.com/Sporting-Events/HSBasketball11/Lew-Wallace-Roosevelt-021712/i-CkqLptN/0/M/IMG0008-M.jpg

    You can see it's front lit by a strobe, but you can also see a rim light coming from behind him to give separation to the player. I don't see that in your images and if you had 2 lights, I would assume that it would be there...
    Also, I don't see what you had your zoom on the flash set to? Was it at least 50mm, but <= 80mm? If it was too wide (28, 35, etc) or too long (105) you are either loosing (wide angle) power and dispersing it too far across the court or your beam is so focused into an area (105) that the players have to be in the perfect position or you don't get anything.

    Thanks Jim for your comments.
    I had two lights set up on the same side of the gym but at opposite ends, that is why you don't see any evidence of back lighting.
    The zoom was set at 70mm.

    Obviously, I have much more practice ahead of me.<img src="https://us.v-cdn.net/6029383/emoji/mwink.gif&quot; border="0" alt="" >
  • OldGuyOldGuy Registered Users Posts: 301 Major grins
    edited February 20, 2012
    Icebear wrote: »
    Even at 1/4 power, you're still getting ghosting. Look at the ball in #4. Why aren't you shooting at 1/250th? That should help just a little bit. These are looking pretty good IMO.

    Thanks Icebear.
    Good question... I don't remember why I wasn't shooting @ 1/250.ne_nau.gif
  • MDalbyMDalby Registered Users Posts: 697 Major grins
    edited February 21, 2012
    I like to have my lights on light stands along the baseline off of the sideline. I tape my stands to the floor. They are very stable. I have had the ball hit them several times and they don't budge at all. What this does its it gets the light into the face. I am assuming you are shooting from the baseline. I generally sit where the three point arch meets the baseline. If you are getting ghosting with your speedlights, you need to get your SS back up to 250 or you need more power in your lights to overpower the ambient. You probably don't want to exceed 1/4 power much due to recycle time. When I used speedlights I would go up to 1/4 +2/3 and that was about the limit for burst shooting.
    Nikon D4, 400 2.8 AF-I, 70-200mm 2.8 VR II, 24-70 2.8
    CBS Sports MaxPreps Shooter
    http://DalbyPhoto.com
  • OldGuyOldGuy Registered Users Posts: 301 Major grins
    edited February 21, 2012
    MDalby wrote: »
    I like to have my lights on light stands along the baseline off of the sideline. I tape my stands to the floor. They are very stable. I have had the ball hit them several times and they don't budge at all. What this does its it gets the light into the face. I am assuming you are shooting from the baseline. I generally sit where the three point arch meets the baseline. If you are getting ghosting with your speedlights, you need to get your SS back up to 250 or you need more power in your lights to overpower the ambient. You probably don't want to exceed 1/4 power much due to recycle time. When I used speedlights I would go up to 1/4 +2/3 and that was about the limit for burst shooting.

    Thanks for the comments Mark,
    How far off the baseline are your lights? If I read your set-up right, my brain says that players chasing the ball ob and cheerleaders, etc. would do serious damage. eek7.gif

    How about posting a shot of your set-up?

    Thanks,
  • MDalbyMDalby Registered Users Posts: 697 Major grins
    edited February 21, 2012
    No, I don't have them in range of cheerleaders or players. They are wider than the players/coaches on the sideline. I have a shoot tonight. I will take some shots.
    Nikon D4, 400 2.8 AF-I, 70-200mm 2.8 VR II, 24-70 2.8
    CBS Sports MaxPreps Shooter
    http://DalbyPhoto.com
  • MDalbyMDalby Registered Users Posts: 697 Major grins
    edited February 21, 2012
    I use heavy duty 15' light stands, not the lightweight stands. Duct tape and Gaffer tape are your friend.
    Nikon D4, 400 2.8 AF-I, 70-200mm 2.8 VR II, 24-70 2.8
    CBS Sports MaxPreps Shooter
    http://DalbyPhoto.com
  • JimKarczewskiJimKarczewski Registered Users Posts: 969 Major grins
    edited February 21, 2012
    Goes to show there are several ways to light the same thing. I only light on the baseline if I know the bleachers I normally mount to are going to be packed, which, now that Sectionals are upon us for boys, they will be (sectionals for girls are not busy like the boys!)

    OK, these are from 2 different high schools, so each school I go to I try to adapt as I can. Typically though, unless the interior is really bright, I'm always at the same settings in the end, 1/200@3.2 (or 3.5) @ ISO 640.

    Setup #1
    i-2SRTJRZ-L.jpg

    Setup #2
    i-qMzt7x3-L.jpg

    Setup #3 (lights on side I was shooting were setup the same way as cross court lights, down court to the left was to try, TRY and help the back court but I ended up turning it off because I shot into it too many times.)
    i-5HR4CxV-L.jpg
  • OldGuyOldGuy Registered Users Posts: 301 Major grins
    edited February 21, 2012
    MDalby wrote: »
    No, I don't have them in range of cheerleaders or players. They are wider than the players/coaches on the sideline. I have a shoot tonight. I will take some shots.
    MDalby wrote: »
    I use heavy duty 15' light stands, not the lightweight stands. Duct tape and Gaffer tape are your friend.
    Goes to show there are several ways to light the same thing. I only light on the baseline if I know the bleachers I normally mount to are going to be packed, which, now that Sectionals are upon us for boys, they will be (sectionals for girls are not busy like the boys!)

    I have some setup shots around here somewhere... when I find them, I'll post them as well. Right now I'm panicking about getting a backboard cam setup for Friday. Testing, testing, TESTING!!!

    Thanks guys thumb.gif
    I look forward to the set-up shots. Good luck Jim. mwink.gif
  • JimKarczewskiJimKarczewski Registered Users Posts: 969 Major grins
    edited February 21, 2012
    Images from those setups:

    #1
    IMG5053-M.jpg

    #2
    IMG0162-M.jpg

    #3
    IMG0362-M.jpg
  • MDalbyMDalby Registered Users Posts: 697 Major grins
    edited February 22, 2012
    Here is my setup and a few shots from last night. I was playing around with my settings some last night. In the end, I settled in at ISO 500, f/4.0 and SS 250

    MD

    i-KpnvdPN-L.jpg


    i-VVKfgV5-L.jpg

    i-gh89xJ3-L.jpg

    Shot #1
    MTD38922-L.jpg

    Shot #2
    MTD37822-L.jpg

    Shot #3
    MTD38852-L.jpg

    Shot #4
    MTD38022-L.jpg

    Shot #5
    MTD38212-L.jpg

    Shot #6
    MTD37712-L.jpg

    Shot #7
    MTD37692-L.jpg


    Shot #8
    I had to throw in a shot of my son... Yes, we are intense!

    MTD38792-L.jpg
    Nikon D4, 400 2.8 AF-I, 70-200mm 2.8 VR II, 24-70 2.8
    CBS Sports MaxPreps Shooter
    http://DalbyPhoto.com
  • IcebearIcebear Registered Users Posts: 4,015 Major grins
    edited February 23, 2012
    These are great, Mark. You really have your setup dialed in, and you captured the players wonderfully.
    John :
    Natural selection is responsible for every living thing that exists.
    D3s, D500, D5300, and way more glass than the wife knows about.
  • johngjohng Registered Users Posts: 1,658 Major grins
    edited February 23, 2012
    Mark - those are the best I've seen from you yet. Really getting a good balance now - not as many hot spots on the skin! Looking good!
  • MDalbyMDalby Registered Users Posts: 697 Major grins
    edited February 23, 2012
    Thanks guys. It has definitely been a work in progress. All of you and Jim have really been a lot of help in giving pointers. Jim was the one that first got me using strobes. I think it is really a game of inches. Minor changes in setup, settings and approach can make a marked improvement.

    MD
    Nikon D4, 400 2.8 AF-I, 70-200mm 2.8 VR II, 24-70 2.8
    CBS Sports MaxPreps Shooter
    http://DalbyPhoto.com
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