Cheap lenses or a cheap body?
ecphotoman
Registered Users Posts: 109 Major grins
I'm curious, I've seen a few blog post's online that say one thing or the other. Some people think a cheap body and quality glass will yield far better images than a good body with cheap glass. What does everyone else think?
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But, wedding photography? No Rebels, thank you very much. I'd rather have a Nikon D700 and the new f/1.8 AFS-G primes, than a beginner DSLR and ANY f/2.8 pro zooms. Yes indeed. In fact I'd rather have a third-party f/2.8 zoom than a Nikon kit 4-5.6 zoom.
The question is, how much do you have to spend, what will you shoot, and how serious are you about photography?
=Matt=
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Same goes for sports/action. I started getting very good good keeper ratios once I purchased "both" a sports lens "and" a sports body. (That was a Canon EF 70-200mm, f2.8L USM plus a Canon 1D MKII body.) It's all about the right tools for the task.
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Nikon. Easy enough!
;-)
Okay, really, it depends what you shoot and how the camera feels to you. I prefer Nikon for what I do. (Weddings professionally, landscapes and adventures casually)
And indeed, in both situations I prefer to have roughly equally good lenses and camera bodies. The whole "amazing lenses on a mediocre body is better" is really ind of a misnomer; because there really are no "bad" lenses these days. Just mediocre ones and great ones, although even that is second to the specific function of the lens. (prime vs zoom, fast aperture vs extra range, etc. etc. THAT is what I'd prioritize when getting equipment...)
=Matt=
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I prefer Canon DSLR's but I agree lens are important. Most choose a particular lens for different situations and some inexpensive (cheap?) lens are actually pretty good.
What is it about Canon that you like better than Nikon?
As additional perks, I've found the general programability of the Nikon system to be more flexible (assigning control buttons on the camera body) and the AF works better in low light (no head-to-head compares, just a sense). Though I went from 24Mpix down to 12Mpix, I'm not feeling a loss in fidelity. As someone pointed out at 30x24 @ 200dpi you need 27Mpix to get there, however there is a trade-off here. One is you can do resizing (which is pretty good in LR) or try the RealFractals (which is now OnOne's Perfect Resize) to get to the large sizes when you need to. From an optics point of view, you shouldn't be viewing a 30x24 so close that you need that much resolution. There have been several articles written about how the dpi requirements drop as the size increases. That said, you will have clients who take their freshly printed 60" portrait and hold it up to their nose...
On Canon I liked the 580EX2 flash better than the SB900. It didn't have the thermal issues the SB900 suffers from. You can work around them, but the 580EX/2 just worked. Nikon is shifting on the D4 (and perhaps the D800?) to decoupling FEC and EC so if you use a flash while shooting in S/A modes, adjusting the ambient EC doesn't effect the FEC. Not sure why they did that in the first place, but at this point in my photo life, I don't shoot flash in anything other than manual now, so not a big deal. If you think you'll want to go with pocketwizard's TT1/TT5, note that the 580EX/2 puts out so much RF you have to put RF mitigation stuff around it to not mess up the radio signals. PW sells the stuff you need, but it is an annoyance.
Both systems will enable you to make stunning images, and both systems have really amazing glass. For me, my really sore thumb was what got me to make the switch, and I've be very happy with the thoughtfulness of the system design on Nikon.
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Cheap lenses used optimally will do a good job for most subjects.
Of course low light, wide open. You need a great body and great lenses.
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Join a local camera club and you will see. I shoot with a bunch of Canon, Nikon, Sony people. On photowalks many times we are all shooting at the exact same thing and invariably the one's shooting with Canon just look better. And that's with less expensive bodies and lens!
That's because the PROS are all using Canon
I prefer to trust decisions / opinions made by people who have been able to handle both cameras *themselves*, not two separate people who have spent very little time actually using the other brands. Second of course to shooting with both brands YOURSELF, which is what I prefer. :-)
=Matt=
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I prefer it MYSELF - that's why I choose Canon !
My old paper's main camera was a nikon. I used it, and even bought new stuff when I was there. I see little difference between the two, these days.
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If I shot a photo with a Canon and then with a Nikon. I am sure it would end up looking pretty much identical after I processed it.
Just different color tools.
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There ya go! That's the way to choose (Canon) :hide
Glad you were able to try them both and choose what you like!
Ben
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Either way I'm upgrading since I'm leaving my crappy sony DSLR behind.
This is exactly my biggest problem with Nikon vs Canon - Nikons ergonomics aren't that good to me, especially the messy menus. And I'm a macro freak so I want the MP-e 65 lens with full functionality
Yes, let us know what gear you've gotten And if you need advice on any I may be able to assist.
Well i havent purchased it yet. I sent adorama my sony a330, a flash, two lenses and my old 35mm minolta vectis with two lenses.
Im hoping i will get at least 400 for everything plus about 200 in my own cash.
I might get the xsi, t1i or the 40D. Im not getting a very expensive
body so I can get a few lenses and a grip.
If I can save enough I can hopefully buy my self a 7D for Christmas.
Part of the problem I had with Sony was the ergonomics. I have huge sausage fingers and it would eventually hurt because it was kind of small and oddly shaped. Lack of support and lack of gear prompted my move away from Sony as well.
If you value AF accuracy, especially in low light, Nikon is your only choice. There are some things that Canon is generally better at, but shooting people/sports/other moving objects definitely isn't one of them.
Up until the release of the D3, Canon had an absolute death grip on the pro sports shooter market, but since then, you don't see nearly as many ugly white lenses in the endzones anymore...
...and as far as cheap body or cheap lens? I shot a Nikon D90 for 3 years while I built up my pro glass arsenal. Now the D90 belongs to some guy on the Mexican border, and I'm still shooting away with my f/2.8's...
Don't cheap out on glass! But you don't have to buy it all at once, either...
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Nikon D90 is one of the worst for people and sports ! (and low light!)