The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
Wow,
with the forshortening in the shot it looks like seven out of ten people are just waiting to get electrocuted. All but the Motorcyclist, the brown shirted guy on the wooden ladder and the guy holding the black rope and the ladder!
How many does it take to assemble a lamp post?
Don
Don Ricklin - Gear: Canon EOS 5D Mark III, was Pentax K7
'I was older then, I'm younger than that now' ....
My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust , FaceBook.
Wow,
with the forshortening in the shot it looks like seven out of ten people are just waiting to get electrocuted. All but the Motorcyclist, the brown shirted guy on the wooden ladder and the guy holding the black rope and the ladder!
Did you swap out a B&W version of this for color or am I losing my mind? I think the nice composition of this shot came across better in B&W.
Guilty as charged! Here it is. Still undecided on which I prefer
Syncopation
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
Wow,
with the forshortening in the shot it looks like seven out of ten people are just waiting to get electrocuted. All but the Motorcyclist, the brown shirted guy on the wooden ladder and the guy holding the black rope and the ladder!
How many does it take to assemble a lamp post?
Don
I don't think that's rope, looks like a bundle of wires that comes down from the new pole section through the middle of the existing one...
Yeah, the "structure" of the shot is much easier to appreciate in B&W. Was this a pass-by shot or something you had time to work with? I can imagine the people were moving quickly.
Yeah, the "structure" of the shot is much easier to appreciate in B&W. Was this a pass-by shot or something you had time to work with? I can imagine the people were moving quickly.
A bit of both. It was clear that they'd got a job on their hands and were going be there for some time and in actual fact the team were pretty much static in their relative positions. The biggest challenge was trying to get a clean shot as far as the traffic was concerned. It's a really busy junction, hence the need for the lights!
Syncopation
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
Really love the composition with the structure and people and all the lines crisscrossing. Color or b/w, both work for me, with a slight preference for the color version.
Comments
with the forshortening in the shot it looks like seven out of ten people are just waiting to get electrocuted. All but the Motorcyclist, the brown shirted guy on the wooden ladder and the guy holding the black rope and the ladder!
How many does it take to assemble a lamp post?
Don
'I was older then, I'm younger than that now' ....
My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust , FaceBook .
Funny they don't look Polish (I am),
good comp fundamentals
Guilty as charged! Here it is. Still undecided on which I prefer
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951
I don't think that's rope, looks like a bundle of wires that comes down from the new pole section through the middle of the existing one...
No contest--black and white.
_________
A bit of both. It was clear that they'd got a job on their hands and were going be there for some time and in actual fact the team were pretty much static in their relative positions. The biggest challenge was trying to get a clean shot as far as the traffic was concerned. It's a really busy junction, hence the need for the lights!
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking. - Brook Atkinson- 1951