Cool. And, I can actually focus on the shot. Too many to enjoy in the other post IMO - you can help your viewers out by "editing" your keepers a bit more - and then just giving the link to your galleries for more
Just trying to help you get more comments etc Nik,
Cool. And, I can actually focus on the shot. Too many to enjoy in the other post IMO - you can help your viewers out by "editing" your keepers a bit more - and then just giving the link to your galleries for more
Just trying to help you get more comments etc Nik,
I always appreciate your comments!
I also added the original!
the sepia looks very cool shot like a meusum
if you tear the edges it will look like a photo printed from PAST and will be super cool
i was just going to ask "did you scanned an old shot ? "
Thine is the beauty of light; mine is the song of fire. Thy beauty exalts the heart; my song inspires the soul. Allama Iqbal
the sepia looks very cool shot like a meusum
if you tear the edges it will look like a photo printed from PAST and will be super cool
i was just going to ask "did you scanned an old shot ? "
Dixie Photographs by Dixie | Canon 1Ds | Canon 5D Mark II | Canon 5D | Canon 50D | Canon 10D | Canon EOS Elan 7 | Mamiya Pro S RB67 |
...and bunches of Canon lenses - I'm equipment rich and dollar poor!
Dixie Photographs by Dixie | Canon 1Ds | Canon 5D Mark II | Canon 5D | Canon 50D | Canon 10D | Canon EOS Elan 7 | Mamiya Pro S RB67 |
...and bunches of Canon lenses - I'm equipment rich and dollar poor!
actually, though I had said I would not have picked that particular one to do, I love it now that it is done!
I saw it last night on the challenge.
How did you do the burnt edges? Not that I want you to have to give a tutorial, but was it a program, or in a book, or???
looks wonderful. And i also like the fading sepia, it is not your average sepia treatment, it truly looks "old".
ginger
Ginger, thanks a lot for your kind words!
Burnt edges kinda came free with "tearing". My main layer had a couple of adjustment layers (which in essence provide the sepia look) AND style layer that drops tha shadow. After than I simply picked up an small soft eraser (I know, I know: a big "no-no" in a modern "non-destructive" workflow, but sometimes you gotta break out of what experts say and do what you yourself think would wrok best) and kinda "walked my way" through the edges, trying not to be very accurate:-) Since the "shadow" dilligently follows the non-transparent edge, I got my "uneven edge". And since my adjustment layers were above my style one, the shadow/edges also got this burnt look, which I immediatley liked.
Actually, I don't know that much about duotones. I'm just regurgitating some DM stuff from Chapter 8. There is a sort of long digression about why not to make sepias in LAB, basically that you can't get clean whites and blacks. Take a look, it's sure to confuse at first and then enlighten in the long run.
Actually, I don't know that much about duotones. I'm just regurgitating some DM stuff from Chapter 8. There is a sort of long digression about why not to make sepias in LAB, basically that you can't get clean whites and blacks. Take a look, it's sure to confuse at first and then enlighten in the long run.
I got stuck in the middle - again..
Funny, with Scott's and Kevin's books I went straight from cover to cover. But with Dan's it seems to be the whole different story.. Prolly because the subject is so much more complex..
I really like the sepia, especially how it goes from bright to higher contrast. It really does it for the photo. Keep it at sepia and do more to make it look older. It looks excellent right now but I am sure you will make it look even better.
I really like the sepia, especially how it goes from bright to higher contrast. It really does it for the photo. Keep it at sepia and do more to make it look older. It looks excellent right now but I am sure you will make it look even better.
I'll probably stop fiddling with it for now - there are more pictures to process:-)
Cheers!
Comments
Just trying to help you get more comments etc Nik,
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I always appreciate your comments!
I also added the original!
.. it needs "more authenticity" added?
Warped? Cracks? Torn/damaged edges?
I'm open to suggestions...:):
Thank you!
if you tear the edges it will look like a photo printed from PAST and will be super cool
i was just going to ask "did you scanned an old shot ? "
My Gallery
ginger
N.
Such writing, a novel of a true story if anyone is interested that writing is out of this world.
ginger
I will try some more in this direction:-)
Cheers!
I picked this picture becuased it had distinctive shapes of the rifle barrels. Many other pictures do need color to accentuate the details.
Thanks for looking!
Thank you very much, apreciate it!
Kinda gives it a little more kick, IMHO...
Thanks for sharing
Tim
Photographs by Dixie
| Canon 1Ds | Canon 5D Mark II | Canon 5D | Canon 50D | Canon 10D | Canon EOS Elan 7 | Mamiya Pro S RB67 |
...and bunches of Canon lenses - I'm equipment rich and dollar poor!
Thanks for looking!
Cheers!
Thanks for the idea:-)
Photographs by Dixie
| Canon 1Ds | Canon 5D Mark II | Canon 5D | Canon 50D | Canon 10D | Canon EOS Elan 7 | Mamiya Pro S RB67 |
...and bunches of Canon lenses - I'm equipment rich and dollar poor!
I saw it last night on the challenge.
How did you do the burnt edges? Not that I want you to have to give a tutorial, but was it a program, or in a book, or???
looks wonderful. And i also like the fading sepia, it is not your average sepia treatment, it truly looks "old".
ginger
ginger (I don't mean it isn't good now, I mean how best to show the effect of age.)
Ginger, thanks a lot for your kind words!
Burnt edges kinda came free with "tearing". My main layer had a couple of adjustment layers (which in essence provide the sepia look) AND style layer that drops tha shadow. After than I simply picked up an small soft eraser (I know, I know: a big "no-no" in a modern "non-destructive" workflow, but sometimes you gotta break out of what experts say and do what you yourself think would wrok best) and kinda "walked my way" through the edges, trying not to be very accurate:-) Since the "shadow" dilligently follows the non-transparent edge, I got my "uneven edge". And since my adjustment layers were above my style one, the shadow/edges also got this burnt look, which I immediatley liked.
HTH
I will try it, but I kinda like the way it is now
I'm flattered:):
Thanks, man!
BTW - are you coming for the post-shootout? Didn't hear you on it for a long time...:cry
What ginger said
Actually, I don't know that much about duotones. I'm just regurgitating some DM stuff from Chapter 8. There is a sort of long digression about why not to make sepias in LAB, basically that you can't get clean whites and blacks. Take a look, it's sure to confuse at first and then enlighten in the long run.
I got stuck in the middle - again..
Funny, with Scott's and Kevin's books I went straight from cover to cover. But with Dan's it seems to be the whole different story.. Prolly because the subject is so much more complex..
Lee
Thank you, appreciate it!
Cheers!
Setup: One camera, one lens, and one roll of film.
ginger
I'll probably stop fiddling with it for now - there are more pictures to process:-)
Cheers!