Questions
bdcolen
Registered Users Posts: 3,804 Major grins
For number one - no question. Like it or don't.:rofl
For two and three - color or black and white?
For number four - Is this something? What I mean by that question, which is one we should ask every time we look at one of our images yet fail to ask with alarming frequency, is whether there is something here worth having, or whether it's just an 'eh' image of a couple walking.
For two and three - color or black and white?
For number four - Is this something? What I mean by that question, which is one we should ask every time we look at one of our images yet fail to ask with alarming frequency, is whether there is something here worth having, or whether it's just an 'eh' image of a couple walking.
bd@bdcolenphoto.com
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed
0
Comments
#2 B&W
#3 First reaction was eh but when I clicked the full size option I went with oh, yeah. Something about the way their arms are locked that clicks for me.
http://behret.smugmug.com/ NANPA member
How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
#4 I like the composition best. The subject is a yawn but the tree limb and the colors of the tree leaves almost look like a IR converted cam and the subject is well placed
Nice job bd (you gotta work with what's there)
(did I pass? )
#2 - B & W
#3 - :nah
Lensmole
http://www.lensmolephotography.com/
#2 - Black and white. Nice. If it were mine, I'd crop it slightly to put the flag dead center and lose the pavement in the corner.
#3 - Eh, it's okay but an oft seen frame and without an otherwise remarkable feature, like a dog peeing on a tree in the foreground (bad example?), not a keeper (unless as a family or friend momento if you know them). Also the lack of separation between the woman's arm and the lightpole kinda bugs me. If you had taken a half step to the right to deal with that, then the nice converging fenceline and greater sense of depth would have disappeared. The tree limb at the top is very nice though.
1) Yes. Best of the set IMO. Nit: It would have been better to have the full face of the dog in the mirror.
2) None of the above. Sorry.
3) Eh. Nice comp but not a wall hanger.
possibilities for the ground level shooter with a dog, or the dogs, reflected
in the mirror...especially if the cracks in the mirror distort the dogs.
As is, it doesn't do much for me.
#2 - Far too much unrelated stuff in the scene.
#3 - Give me a choice of that shot, one closer, one further away, and I'll pick which.
http://tonycooper.smugmug.com/
Finally, the couple. Closer would have been nothing. Farther away? Perhaps, but then the shot would have been more about the environment than the couple. Seastack may have nailed it in my moving slight to the right - not necessarily because of the light post, but because I think this would have benefited from having some tree trunk rising up to meet the limb, and framing the image on the right. But the bottom line is that there is something about the couple that spoke to me - perhaps the linked arms, which Harry noticed, or perhaps...who knows. But that something that appealed to me may not be there in the image.
Anyway, I appreciate the feedback.
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed