family portrait II
Bountyphotographer
Registered Users Posts: 413 Major grins
Another example of harsh lighting.
1 I got fooled by the Daughter when I was taking shot of her before this picture, because she didnt mind the sun. When the parents joined her they both were squinting, ouch
2 I found an open shade (rare around here) but didnt use the flash thinking that it would be alright.
3 I found a tree (aslo not very common where I live)
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1 I got fooled by the Daughter when I was taking shot of her before this picture, because she didnt mind the sun. When the parents joined her they both were squinting, ouch
2 I found an open shade (rare around here) but didnt use the flash thinking that it would be alright.
3 I found a tree (aslo not very common where I live)
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:photo
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Comments
The light in 2 and 3 is waaaay better than 1, in my opinion. However, you're dealing with dappled light which causes hot/bright spots.
In 2, consider how much space their faces are taking up compared to the rest of the photo. There is a time and place for showcasing the surroundings of a group shot, but in this case, the nearly blown out rocks and water on the right are dominating and the dappled light on them is distracting. If you could have arranged them in a spot where the light on their faces was nice and even but their eyes were reflecting the bright light available, put on a longer lens at about f/4 and stepped back and zoomed in so that their faces were mostly filling your frame, made sure there weren't any super bright spots dominating the background (maybe those rocks in the middle of the photo ?)...that could have been a winner.
In 3, you can see their faces! And most of their eyes! A little reflector or off-camera fill would make them sparkle. Getting someone to hold up a bit of shade or moving them to get out of the hot light as well as a longer lens and shallower DOF and we're getting somewhere!
Also, remember that shooting in shade makes for cool/blue tones, so warming up the white balance might be in order for shady shots. I usually shoot on cloudy WB, no matter the conditions, but often need to warm things up in processing. (I do shoot RAW.)
Remember, these are just my thoughts and opinions. I know there are others out there with a much better grasp on things! Keep shootin'!
Comments and constructive critique always welcome!
Elaine Heasley Photography
Sigma 24-70 2.8 1 & 2 f stop 3.5 , #3 f stop 6.3
The picture can also be cropped like this
I shoot alone so reflector is almost impossible, but fill in flash yes I should use it more often.
Shooting wb?? I have to try that one.
# 3 there was a slope (down) right behind me so I couldnt use a longer lens.
It looks like Im setting myself for failure while shooting under harsh lighting .
I should probably shoot at another time of the day (also mentionned in earlier thread)
Thanks for the comments
Bounty
Not trying to pick them apart but just some hints to make the next time better.
www.cameraone.biz
They look a bit better, but Dad's shirt takes all the attention.
I agree 100% with him.
Y.
If you can rope somebody in as an assistant, you can block bright sun with a scrim (those 5-in-1 reflectors usually have one in the set, and they're supercheap on eBay) OR just use a shoot-thru umbrella - I've done that often and it works a treat (easier to hold than a reflector, too!). And, of course, scout locations with good open shade to use.
If you're stuck with bright sunlight, can sometimes use it as a backlight, and use your flash to fill in their faces; you can underexpose the background a little since you'll have the flash on their face, and/or adjust it further in post when you get it on the computer.
Hope that helps!
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.
Next time Ill be more strict on the way they dress for a family portrait, again it was a free family portrait so they probably didn't take it seriously.
It doesn't excuse me for not setting this shot better, though
bounty
I agree with most of the feedback you have gotten so far on both threads but wanted to chime in with a couple different suggestions I have received locally that are helping me. First, when you are able to find open shade, get your subjects set in the position you want them then pause. Have one person take your exact place at the camera while you take theirs in the frame. By doing this, you make yourself see things from the subject position that the camera records. Also, when doing this, make sure to look up. You may see an opening in the trees, a slightly deeper shadow, etc so you can reposition and get better use out of the light/shade combination you have to work with.
Another piece of advice that has helped me is to scout the areas you want to take the pictures at. Do this at different times of the day so you can see how things change with the position of the sun. If possible, have someone with you to position where you visualize the subjects being. If you don't have someone you can take with you, as weird as it looks, I picked up an old store manikin that I can place to get ideas. For me, and hopefully for you if you try it, this has helped me get more confident with my scene and with people who ask me to photograph them. Simply because of this confidence, I have noticed people become more agreeable to my "suggestions." If you can show a sample of what that area will look like at 10 AM versus 1 PM, it is hard for people to demand the worse of the 2 when they are seeing the difference with their own eyes.
From one beginer to (apparently) another, I hope this helps you.
Tom
Eventhough I have been taking pictures for decades now, portait are very new to me (3 family portrait so far )
What I downloaded on dgrin are my ONLY family portrait that I ever shot .
Im going to take into account all the tips that I received and can only go up from where I started I guess.
Thank you all
Bounty