Rutt's Butt
rutt
Registered Users Posts: 6,511 Major grins
OK, Lynn. You asked for it. As you said before, I'm an man and don't know anything about makeup. What should happen to my challenge candidate to make it generally more wonderful? This is really not my usual sort of topic and in fact, my particular brand of PS knowledge is probably 180 degrees away from what's required here. I'd like to see a little more roundness here and there if you know what I mean. What else? Are the skin blemishes a problem or a asset? But first off, I think roundness is what we are after, no?
If not now, when?
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moderator of: The Flea Market [ guidelines ]
With a little help from a FM denizen.
tsssssssssssssssssssssssssssss!
that's hot
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Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
I'd like to know too. I've done a few portrait style shots this weekend with my 50mm f/1.8, and I got too much detail. When I try to smooth it out, the skin starts to look like plastic.
Dave
http://www.lifekapptured.com (gallery)
- The area was selected and a gaussian blur was applied to smooth out the skin.
- The area was fixed using a really big healing brush.
- The area was fixed using the clone brush ( this would take wayyy too long I think).
- Neat Image might have helped out too. (The image below was filtered in Neat Image with the "remove all noise" setting.
Just my .04 cents.- Heal blemishes
- Make duplicate layers - flesh, everything else, with flesh below
- Use Neat Image on flesh layer
- Erase the flesh from the top layer, so the Neat Image flesh shows through.
- Select background in top layer and darken it with CMYK curves (LAB would be easier.)
- Sharpen the top layer (which now has no flesh) to make the suit pop.
- Make tons of puns and other bad jokes. Wink wink nudge nudge.
I think this story might not be quite over. As usual, there seem to be a lot of ways to, er, skin this particular cat. But it certainly is interesting to get to see what the pros can do and get some insight into how. In this case my image was enough fun to make them want to play.Please explain more exactly how and why use used the clone brush on the edges. Thanks.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Nobody can keep his/her hands off this one. One of the FM pros did this:
But that's why. Plus I really, really love the clone brush. I've done lotsa damage with it in my time.
moderator of: The Flea Market [ guidelines ]
I asked for help with the half assed image here, on FM, and on Dan Margulis' Color Theory mailing list. The FM post produced the information I needed most, how to make the skin smoother and more beautiful. In fact, I got quite a bit more help with this image than I ever would have guessed.
The CT mailing list question was a little different. I wondered how to add contrast and varying saturation in order to make the subject look rounder, more 3D. It was shot under very flat light (fog actually) depending on what I was looking for at the moment, this was a problem.
Dan has a section in his book about plate blending to make things look rounder. His example uses fruit, food, flowers, and clothes, and is pretty dramatic. (Plate Blending as Poetry) But this is one of the most challenging topics that Dan teaches and I have to admit I've never really mastered it. And given what I do understand about it, the application to this shot is not obvious.
Anyway, I got a very interesting reply on the topic. Dan also replied. Keep in mind that these people are trying to solve a different and much more subtle problem than the obvious cosmetic issues that I've already posted a recipe for. Ideally, these techniques would be applied before the glamorizing steps and amplify their effect.
Making the color theory and glamorizing work together has a lot of moving parts. Deciding when to stop is a good test of the enough-is-enough gauge. Still all knowledge is useful so long as it's used appropriately.