Tanis in the Evening

BilsenBilsen Registered Users Posts: 2,143 Major grins
edited June 25, 2012 in People
Got to do another evening shoot, this time with Tanis who is an actress/physical trainer. In the fitness images, the idea was to show off her body and I already know about the armpit thing but that's what she liked.

The sunset "River of FIre, was actually harder than I thought it would be but I like the colors.

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2.
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3.
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4.
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5.
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6.
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Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen

Comments

  • HackboneHackbone Registered Users Posts: 4,027 Major grins
    edited June 22, 2012
    2 and 6 have my vote. 2 shows off her physic very nice. On 6 not keen on the horizontal line. Love the colors.
  • puzzledpaulpuzzledpaul Registered Users Posts: 1,621 Major grins
    edited June 23, 2012
    Re 6 - I don't know if this is a practical possibility, but something you might consider is finding a location where the bg is being illuminated - so's you get that (oof) together with its reflection ... and when things go right it's possible to obscure the horizon to a fair extent ... even when shooting from a low pov. Changing bgs under such conditions gives a fair amount of control over clean - but nicely (imo) textured backdrops.

    I'm shooting smaller subjects with a longer lens - but it might be worth a go when you have light as per 5/6?

    eg
    http://www.dgrin.com/showthread.php?t=189538

    pp
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited June 24, 2012
    Thanks Paul.

    The sun has just set behind the mountain in the bkg. The only possible way to light the area across the river ( approx a mile away) is to be there at 5:30 AM. That's more dedication than I have at the moment.mwink.gif

    Thanks for the comments. That image of the duck is just gorgeous. My models are a bit bigger though so I'm not quite sure how to accomplish that.
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
  • Bryce WilsonBryce Wilson Registered Users Posts: 1,586 Major grins
    edited June 24, 2012
    Hi John.

    The past month or so, I've been experimenting with getting the proper mix between ambient and strobe in outdoor settings and creating the look I want. Have had some success and some failures, but have done a lot of learning by doing.

    On numbers five and six, (ducks and horizon lines aside) my gut tells me that you needed the strobe closer to the model and the SS kicked up to about 500 in a high speed sync situation.

    This gal's physical condition is marvelous. She is way on the low side for body fat percentage in a female. Great for lighting the body, but makes it tough to light the face. Notice how much more feminine she looks in five and six with a flatter lighting on the face than she does in two where the light is more directional.
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited June 24, 2012
    Thanks Bryce.

    I amost never think of hi speed sync and I should. That's a great thought. As for placement, no assistant that day so no voice activated light stand. Lol

    You also picked up on the fact that shooting hard light for her body necessarily was a bit harsh on her face. However, the whole concept of the shoot was "hardbody" so, to that extent, we were successful.

    Thanks again.
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
  • puzzledpaulpuzzledpaul Registered Users Posts: 1,621 Major grins
    edited June 24, 2012
    ...The only possible way to light the area across the river ( approx a mile away) is to be there at 5:30 AM. That's more dedication than I have at the moment.mwink.gif

    Ditto ... that's why - at absolute best - I could only ever be a *half* reasonable w/life snapper ... the dawn shoot just isn't part of my agenda, thereby cutting pic ops by 50% :)


    ... My models are a bit bigger though so I'm not quite sure how to accomplish that.

    Yes, I did wonder ... but thought it worth a mention, just in case there might be other suitable locations that offered similar potential (at a more convenient time?). I could say I'd try to get one of my daughters to pose instead of a duck ... but I suspect the answer would include words like freezing, hell and over :)

    Thx for your comments, btw -appreciated.

    pp
  • divamumdivamum Registered Users Posts: 9,021 Major grins
    edited June 24, 2012
    5/6 are very close to being spectacular.

    On 5, lose the ducks. Why one earth do we want DUCKS when we have gorgeous light and an attractive bikini-clad gal? They add nothing to the composition or the setting and look like they're going to swim into her head rolleyes1.gif

    On 6: do you carry a stepladder? I know Nik will pull out an ouzi and shoot me for the sacrilege of shooting from above but... er.... just a foot or two higher, and you could have had ALL of her against that amazing, kicka** background like you do in 5.

    Agree with Bryce on the flash - just a teensy bit less to balance the gorgeous (did I say gorgeous?!) ambient and you can keep these up from good to spectacular thumb.gif
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited June 24, 2012
    Hi Diva, how you been?

    Thanks for the comments. I have soo fallen in love with evening light.

    I guess the ducks could go. I thought they added atmosphere but maybe not. I will say that right after 5 was shot, we stopped because they looked like they were going in one ear and out the other. Laughing.gif

    As far as the stepladder, I don't travel with one and, if I had, I doubt I'd have been smart enough to think of it. With Nik's constant theme rolling in my ears, I was trying to get as low as I possibly could.

    By the way, Tanis texted me tonight that she used #1 and 2 ( and 2 others) to respond to a casting (she's an actress, remember?). Well she got TWO fitness commercials yesterday. Regardless of the technicals of photography, I have to think we did our job that night.deal.gif
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
  • TinstaflTinstafl Registered Users Posts: 355 Major grins
    edited June 25, 2012
    I too like number 2 and 6. Love the light in the last shot. Number 2 shows that she sspends a lot of time in the gym... I have no issue with the armpits in this shot as it is a fitness shot more than glamour though she is very glam anyway. I love evening light too.
  • GothamGotham Registered Users Posts: 187 Major grins
    edited June 25, 2012
    Great shots, John. Your portraits are getting better and better. I agree with Tinstafl -- no problem with armpits in a fitness shot.
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited June 25, 2012
    Thanks Tin and Gotham.

    Tanis is not the typical "glam" model but she does a helluva job. OF course, an actress will have better expressive range than most models.
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
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