Sometimes I just keep my shutter open with bulb and a cable release, and keep my hat over the front of the lens ( without touching it of course ) and remove my hat off and on to capture multiple bursts.
Make certain your tripod is on SOLID ground, or you may pick up vibrations with the air bursts. I made the mistake of shooting from a steel bridge once, and assumed it was immobile. Steel bridges vibrate with traffic and loud noises.
Shooting with water in the foreground gives a nice reflective surface for nice reflections
Comments
Sometimes I just keep my shutter open with bulb and a cable release, and keep my hat over the front of the lens ( without touching it of course ) and remove my hat off and on to capture multiple bursts.
Make certain your tripod is on SOLID ground, or you may pick up vibrations with the air bursts. I made the mistake of shooting from a steel bridge once, and assumed it was immobile. Steel bridges vibrate with traffic and loud noises.
Shooting with water in the foreground gives a nice reflective surface for nice reflections
Moderator of the Technique Forum and Finishing School on Dgrin
Moderator of the Technique Forum and Finishing School on Dgrin
On the way into the city I stopped at Sleepy Hollow Cemetery but the stones all face west so no good shooting at 11 am. The church is pre 1700.
Washington Square and a few shots of the new WTC from a rooftop on Broadway not far from NYU.
13 floors up I believe.
http://nachtflug.smugmug.com/Travel/7412/23983511_zx7Jdm#!i=1946624885&k=BZ5FpKM
Moderator of the Technique Forum and Finishing School on Dgrin