Best Landscape Lens Focal Lens If Only One Lens
Tom Potter
Registered Users Posts: 226 Major grins
RE: Best Landscape Lens Focal Lens If Only One Lens
Hey Dudes & Duddettes!
Can you please give me some feedback on this. I have the Nikon $1,000.00 12 - 24mm Lens and the $700.00 18 - 200mm lens for my Nikon D300. My question is this: I am considering upgrading from the 18 - 200mm. I wonder, if I was to get just one prime lens, trading in the 18-200mm, and keeping the 12-24, which focal length would be the most practical length to get? My goal is to upgrade in quality from the 18 - 200 mm lens.
Thanks so much for your help & opinions!!
Tom Potter
Hey Dudes & Duddettes!
Can you please give me some feedback on this. I have the Nikon $1,000.00 12 - 24mm Lens and the $700.00 18 - 200mm lens for my Nikon D300. My question is this: I am considering upgrading from the 18 - 200mm. I wonder, if I was to get just one prime lens, trading in the 18-200mm, and keeping the 12-24, which focal length would be the most practical length to get? My goal is to upgrade in quality from the 18 - 200 mm lens.
Thanks so much for your help & opinions!!
Tom Potter
Tom Potter
www.tompotterphotography.com
Email: tom@tompotterphotography.com
Landscape, Nature Photographic Prints For Sale
Focusing On Colorado
www.tompotterphotography.com
Email: tom@tompotterphotography.com
Landscape, Nature Photographic Prints For Sale
Focusing On Colorado
0
Comments
Since you're on DX, 35mm 1.8G would be an inexpensive option and doesn't overlap your existing focal length.
D800
16/2.8, f1.4G primes, f2.8 trio, 105/200 macro, SB900.
It never gets easier, you just get better.
Hey Bobowc,
I really appreciate your help with this. May I impose upon you to go into more specific detail on your thoughts?.....Thanks, Tom
www.tompotterphotography.com
Email: tom@tompotterphotography.com
Landscape, Nature Photographic Prints For Sale
Focusing On Colorado
(You may also discover that a single prime may not be enough. Be open and flexible with your observations and conclusions.)
For static scenes, you may also be interested in using stitched image photography, which has the particular advantage of covering pretty much any wide angle-of-view through multiple, overlapping images. If you include foreground then it does require a panoramic head, but a short telephoto true macro lens can yield astonishing levels of image detail.
Do check out the best panoramic thread ever:
http://www.dgrin.com/showthread.php?t=101529
Results:
http://dgrin.com/showpost.php?p=990541&postcount=274
http://dgrin.com/showpost.php?p=994328&postcount=293
Be sure to see what Baldy did here:
http://www.dgrin.com/showpost.php?p=1039964&postcount=362
http://www.dgrin.com/showpost.php?p=1039966&postcount=363
Moderator of the Cameras and Accessories forums
www.tompotterphotography.com
Email: tom@tompotterphotography.com
Landscape, Nature Photographic Prints For Sale
Focusing On Colorado
On the DX, 35mm is still equivalent to something like 5- mm lens.
Also, the 35mm 1.8G is an inexpensive option compared to other FX lenses and doesn't overlap with your current lens(es).
If you wanted to, you can use a moderate telephoto with good optics, like the 105mm 2.8VR, and pan/stitch the shot together.
It'd be a bit cumbersome, though.
D800
16/2.8, f1.4G primes, f2.8 trio, 105/200 macro, SB900.
It never gets easier, you just get better.
My question is, ...why so bent on the "just one lens" or "just two lenses" philosophy? Get all the lenses you need, and if space really is an issue at certain times, leave some lenses home. Of course I know money is an issue, but I'm just saying that *eventually* you'll want to have all the lenses on your dream list.
Personally, for landscape photography my ultimate setup would actually be different. I'd get the Nikon 16-85 DX instead of the 12-24, at least for general shooting. For general shooting I'd go with the 16-85 DX and the 35 1.8 DX. Can't go wrong with that 2-lens kit on a crop sensor. However, if I were obsessed with stars and other ultra-wide things, which I happen to be, ...I'd also consider the Tokina 11-16 f/2.8 which I have gotten AMAZING results from when shooting stars and other things that require fast apertures at ultra-wide angles... Or, once again, if I were into wildlife and macro, I might get a 105 2.8 or 150 2.8 macro. A lot bigger and heavier, but worth it if you like that type of subject...
=Matt=
My SmugMug Portfolio • My Astro-Landscape Photo Blog • Dgrin Weddings Forum
Thanks a lot Matt - Lots of great info to consider - Appreciate you taking the time!
www.tompotterphotography.com
Email: tom@tompotterphotography.com
Landscape, Nature Photographic Prints For Sale
Focusing On Colorado