New Genre for me - Let the whippings begin.
Down in the Bahamas I was working with a couple of professionals who liked my stuff enough to ask me to do some lifestyle work with them. It appears that catalogue and lifestyle make much more money for a model than runway or Vogue.
Anyway, here are Ellen Ru and Arlyn Guzman enjoying their shopping and their cruise:
2.
3.
4.
5.
6.Ellen relaxes at the tiki bar
7.
8. and what set from me can end anyway but with a headshot?
Anyway, here are Ellen Ru and Arlyn Guzman enjoying their shopping and their cruise:
2.
3.
4.
5.
6.Ellen relaxes at the tiki bar
7.
8. and what set from me can end anyway but with a headshot?
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
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Comments
Although not a fan of the hands on the lion heads thing, the others are darn nice with 6 and 7 being standouts in my book.
Also, just to beat the dead horse, look how 8 ROCKS with the soft background! I can see it, it sets the scene, but it doesn't scream for attention. Love it!
Who is wise? He who learns from everyone.
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D800
16/2.8, f1.4G primes, f2.8 trio, 105/200 macro, SB900.
It never gets easier, you just get better.
Diva, I should be clear again that you aren't beating a dead horse about bokeh. I really do like it in the tight headshots and in much else. I just don't think it necessary or appropriate every time. With that said, feel free to beat any dead horses, drums or stubborn photographers any old time you feel like it.
bobowc, the lighting in 4& 5 is all there was gonna be. On camera flash bounced off the white wall to camera right through a 12" diffuser. That was one busy bar and NCL was not about to tolerate lightstands etc.
I intend to move into this style a bit more as time (and models) permit. I kind of like it.
BTW, the funny part of 4 was they actually were laughing at some really gross joke I made (moi-seriously?? ). It's just instead of looking at me they are looking at each other.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Diva, Bryce (and others) looks like you were right again.
Her agency has chosen Ellen's headshot (last one) for her comp card and number 6 for her online profile.
Arlyns' agency actually likes number 4 ( the one with the real laugh).
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
And thanks.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen