lens choice for ceremony

sjbsjb Registered Users Posts: 2 Beginner grinner
edited October 12, 2012 in Weddings
Hello,
What lens do you all find yourself using most during the ceremony? I have been using 35 mm and enjoy it but I wonder if I'm making life harder than it should be by not using the 24-70 or 70-200
Thought on pros and cons
Steven

Comments

  • Matthew SavilleMatthew Saville Registered Users, Retired Mod Posts: 3,352 Major grins
    edited October 8, 2012
    70-200 for any larger churches where I am restricted. 24-70 for smaller venues, or double-camera with a 16-35 on one body and an 85 prime on the other. (Especially beautiful shots in super dark, super small venues)

    =Matt=
    My first thought is always of light.” – Galen Rowell
    My SmugMug PortfolioMy Astro-Landscape Photo BlogDgrin Weddings Forum
  • joshhuntnmjoshhuntnm Registered Users Posts: 1,924 Major grins
    edited October 8, 2012
    24 - 105. Depending on the wedding, you often don't have a lot of time to change glass.
  • babowcbabowc Registered Users Posts: 510 Major grins
    edited October 8, 2012
    Isn't the 24-105/120 f4 too slow?..
    I've been a third/assistant and I used 24-70 and 70-200 on separate bodies.
    -Mike Jin
    D800
    16/2.8, f1.4G primes, f2.8 trio, 105/200 macro, SB900.
    It never gets easier, you just get better.
  • ChiversChivers Registered Users Posts: 4 Beginner grinner
    edited October 8, 2012
    I'd go with the 24~70 as often you need a wide shot if i had to opt for only the one lens & body, it's possible to crop the images but not get any wider with a telephoto zoom.

    I guess it boils down to what type of shot you want
  • tenoverthenosetenoverthenose Registered Users Posts: 815 Major grins
    edited October 8, 2012
    I shoot most ceremonies with a 135 and a 24. It's just right for me.
  • Matthew SavilleMatthew Saville Registered Users, Retired Mod Posts: 3,352 Major grins
    edited October 9, 2012
    Another thing to consider is that most weddings are photographed by a team of two. Often, that means that one person is relegated to 24-70 duty while the other has 70-200 patrol. Or whatever lenses you need... Usually I shoot as part of a team where one photographer does wides on a 16-35 while the other keeps an eye on the action, but then we both switch to 70-200 or one 24-70 and the other 70-200, for the bulk of the ceremony...

    =Matt=
    My first thought is always of light.” – Galen Rowell
    My SmugMug PortfolioMy Astro-Landscape Photo BlogDgrin Weddings Forum
  • joshhuntnmjoshhuntnm Registered Users Posts: 1,924 Major grins
    edited October 12, 2012
    babowc wrote: »
    Isn't the 24-105/120 f4 too slow?..
    I've been a third/assistant and I used 24-70 and 70-200 on separate bodies.

    it would be nice if it were 2.8, but it is what it is. today's cameras do pretty well in high ISO so taht helps. I like close ups so the 24 - 105 work better than the 24 - 70 2.8 for me.
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