Testing a new portrait lens
I decided to start upgrading my lenses, and purchased a Tamron 28-75 f2.8. I wanted to test this lens out, and got a friend to pose for a few shots. These were all available light, on an extremely overcast day (pending hurricane Sandy, which never got as bad as predicted), under the roof of the gazebo in the park in town here. I just wish I would have purchased this lens sooner.
All PP was done in LR4, mainly to clean up a few blemishes, and brighten her eyes a little.
1. Ashley without her glasses and her usual smile.
2. This is a smile I got from her after some joking around with her.
3. Ashley and her friend Tasha
4. Ashley & friend again
Ashley's mom loved the photos I showed her and now wants me to shoot her other 2 daughters, and shoot a family photo for Christmas. Next thing on the list to buy is a device to calibrate my new LED monitor. Then it will be back to upgrading lenses.
Thanks in advance for any C&C or tips to make these better, especially getting skin tones/color more accurate.
GaryB
All PP was done in LR4, mainly to clean up a few blemishes, and brighten her eyes a little.
1. Ashley without her glasses and her usual smile.
2. This is a smile I got from her after some joking around with her.
3. Ashley and her friend Tasha
4. Ashley & friend again
Ashley's mom loved the photos I showed her and now wants me to shoot her other 2 daughters, and shoot a family photo for Christmas. Next thing on the list to buy is a device to calibrate my new LED monitor. Then it will be back to upgrading lenses.
Thanks in advance for any C&C or tips to make these better, especially getting skin tones/color more accurate.
GaryB
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
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The eyes and teeth look too white to me as well.
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The images look soft on both a calibrated screen and an iPad. Maybe a bit too heavy on the PP for the skin also.
Pretty kids though. Keep shooting.
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Put your camera on a tripod and do some test shots at various f/stops and make sure the lens and camera are performing well. If the shots are clean and sharp then start looking at your technique.
Sam
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I think I was a little too heavy on the skin touchup as both girls had blemishes that I tried to fix in LR4. As for the softness, I think what might of happened is 1. My monitor is not calibrated, which will be as soon as ColorMunki (sp?) arrives. 2. I think a preset got accidently selected to do noise reduction to be run on import in LR4 that I had created when I had to use a high ISO. I just read a good tip on how to create presets based on lens and ISO, so I'm going to delete my old presets and start working on this.
My question now is, is there a way to have all my photos that I already edited to go back to "As Shot", short of deleting and re-importing, so I can correct this problem? As soon as the monitor calibrator arrives and I get the monitor calibrated, I will re-edit the photos and post them to see if I am headed in the right direction. Is there a good book or video tutorial on skin touch-up?
Again, thanks for the C&C! You don't know how much I appreciate it!
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
Just select all the photos in the lower preview window, go to edit (I think), and hit reset photo. This removes all changes performed and takes it back to SOOC. I do this mysef when I took a left turn and should have taken a right lol.
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
I agree with the others as well. These are soft. Something wrong with lens or technique. Maybe too slow shutter speed?
I just checked, and a preset had gotten used on import by accident, and it had applied some noise reduction from when I played with some really high ISO's as a test. I checked the metadata on a few of them and shutter speed ranged from 1/125 to 1/640, so I don't think it was too slow of a shutter speed. I also zoomed in on the eyes on the first two and the eyes seemed sharp.
I deleted the offending preset and then I reset them back to as shot, then created a preset that does lens correction only for the lens used (as mentioned by Icebear in the Finishing School forum), and then deleted the raw files and then re-imported them. Now they are back to original with just lens correction applied. I'm going to wait till my monitor calibrator arrives to go any further. Hopefully, that will be here by Friday. Once I finish re-editing them I'll post the re-edits to find out if I went in the right direction this time.
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
#2, 1/125, unflattering angle and pose.. too much retouching on that one too..
#3, 1/500 and no blur, but poses aren't doing much for me. The girl on camera right looks too-retouched...
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It never gets easier, you just get better.
Thanks to all that provided C&C If you have any tips to make this better, I'm all !
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
Sorry to tell you this but this isn't any better.
You need to work on getting a well exposed in focus image to begin with, before worrying about post processing.
Several things could be contributing to the unacceptable soft image. f 2.8 at 1/40 of a second at 75mm. 1/40 of a second is too slow a shutter speed for me to hand hold. That coupled with a relatively shallow DOF can easily explain the softness.
Start with putting the camera on a tripod and take a shot of a stationary object. Try different f stops, and look at the results. Next you could try taking photos of a ruler placed at a 45 degree angle to determine if you have any front or back focus issues.
These images are unacceptable. I recommend you start with the basics and work you way through testing and evaluating your camera and lenses to determine if the problem is with you or your gear.
Once you know what the problem is you can solve it.
Sam
With my tamrons, I was never able to get a tack sharp image wide open. at f/3.5, i'd get a sharp image every 5-7 shots fired. Naturally, I thought, it was due to the lack of knowledge.. However, while shooting a band session, I borrowed my partner's 24-70, and could see the difference nearly right away. once I went pixel peeping, the difference just became that more obvious.
Then, there is what Sam is suggesting. 1/40th is truly way too slow for a handheld shooting
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When in doubt about shutter speeds to make sharp images, try using the inverse focal length rule. So say you're shooting at 75mm, don't shoot any slower than 1/75s or on a nikon, 1/100 would be the next closest speed. I find this to be helpful when shooting without a tripod.
Also, to echo what Foques said above, I sold the one tamron I had because it was NEVER sharp. Third party, I stick to Tokina. Nikkors are the only other option IMHO.
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GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
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I agree with the others - take some new shots, being very careful about your shutter speeds and stopping it down just by by a little (even 1/3 of a stop can significantly improve sharpness). Make sure you've got good light, and don't underexpose (boosting in post will increase grain which will make it look softer even if it was originally sharp).
Post what you get and let's have a look!
Throw these away....................
Sam
Diva. below is the shot SOOC, only thing done is the watermark added on export from RAW. I made sure that all sliders were at 0, and white balance was set to "As Shot" before exporting. Only thing that was done was the lens correction thing at import, done the way Icebear mentioned in another post.
Note that the shots were taken like 4 to 6 hours before hurricane Sandy went to the east of us, and was extremely overcast, plus she was standing under the roof of a gazebo. I figured this would be a good test for this lens in general. It was in no means intended as a portrait session.
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
These were not ment to be used for anything, other than a test of a new lens. Trust me, I'll be taking others as soon as things slow down at work a bit. I've been working a lot of overtime lately, and now it's dark when I leave for work, and not much time till it's dark after work. I guess it's time to start investing in flashes and radio triggers and start working on that, otherwise I'll only get one day a week to shoot with available light.
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
Take it to LR, do quick WB/Exposure adjustments, import it to PS and start cloning her imperfections like pimple spots, moles, etc.
I think your portrait program is WAY overdoing the skin..
I can try a go at it, if you have the RAW?
I did a quick clone/edit on PS for the color/exposure adjustment, her imperfections, "bags", and something that looked like a unibrow...
I'll take it down if you don't like it.
D800
16/2.8, f1.4G primes, f2.8 trio, 105/200 macro, SB900.
It never gets easier, you just get better.
What mode are you shooting? If Aperture Priority, you should have used exposure compensation for this. The camera chose to expose for the background and left your subject highly underexposed.