overall it is very nice image. I love the tones and setup but a few things don't seem quite right. You have a lantern in the shot but the light on her face is completely flat..there is no falloff. Also the hair is getting lost in the background. Finally, the choice of props.. the leopard skin rug just doesn't "fit" int h e shot as well as the wall paper, and tiny goblet with the blue liquid.
Hmm, I thought it was pretty nice till I read Daniel's comment. I concur with most of what was mentioned but yes the light on her face should reflect what the lantern is radiating as far as the light goes on her face.
Does that make sense?
overall it is very nice image. I love the tones and setup but a few things don't seem quite right. You have a lantern in the shot but the light on her face is completely flat..there is no falloff. Also the hair is getting lost in the background. Finally, the choice of props.. the leopard skin rug just doesn't "fit" int h e shot as well as the wall paper, and tiny goblet with the blue liquid.
+1. This shot screams for Rembrandt lighting, but there is none. I want it to look like all the light is coming from the lamp, but that's obviously not true.
-Jack
An "accurate" reproduction of a scene and a good photograph are often two different things.
what is going on here?
Something is off. the subject is nicely lit except for the flat light on her face - but it's not what's throwing me off.
Personally, the background looks flat. It looks like something that was assembled in photoshop out of a bunch of different pictures and then just dropped in behind your subject. I'm not sure how you'd go about creating a sense of depth, but maybe some more interactive props would help - lay an arm on a desk with a lamp closer, or something along those lines.
what is going on here?
Something is off. the subject is nicely lit except for the flat light on her face - but it's not what's throwing me off.
Personally, the background looks flat. It looks like something that was assembled in photoshop out of a bunch of different pictures and then just dropped in behind your subject. I'm not sure how you'd go about creating a sense of depth, but maybe some more interactive props would help - lay an arm on a desk with a lamp closer, or something along those lines.
Thanks for the input, this is not a composite picture.
I will see what I can do about the light, but I get your point.
A photographer without a style, is like a pub without beer
All this technical stuff aside, fess up....you're going to be posting the shot from behind soon, and that's when we get the more "controversial" view. ;-)
Comments
Chuck Cassidy,
D300S, 50mm 1.4D,
www.icurdigital.com
Aperture Focus Photography
http://aperturefocus.com
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
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Everything Else: www.pbase.com/bilsen
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Does that make sense?
Royce
www.dannerphotography.smugmug.com
www.cameraone.biz
+1. This shot screams for Rembrandt lighting, but there is none. I want it to look like all the light is coming from the lamp, but that's obviously not true.
An "accurate" reproduction of a scene and a good photograph are often two different things.
Something is off. the subject is nicely lit except for the flat light on her face - but it's not what's throwing me off.
Personally, the background looks flat. It looks like something that was assembled in photoshop out of a bunch of different pictures and then just dropped in behind your subject. I'm not sure how you'd go about creating a sense of depth, but maybe some more interactive props would help - lay an arm on a desk with a lamp closer, or something along those lines.
Jake
Thanks for the input, this is not a composite picture.
I will see what I can do about the light, but I get your point.