Old school
D3Sshooter
Registered Users Posts: 1,187 Major grins
A classical portrait for a change.
A photographer without a style, is like a pub without beer
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Chuck Cassidy,
D300S, 50mm 1.4D,
www.icurdigital.com
Aperture Focus Photography
http://aperturefocus.com
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Does that make sense?
Royce
www.dannerphotography.smugmug.com
www.cameraone.biz
+1. This shot screams for Rembrandt lighting, but there is none. I want it to look like all the light is coming from the lamp, but that's obviously not true.
An "accurate" reproduction of a scene and a good photograph are often two different things.
Something is off. the subject is nicely lit except for the flat light on her face - but it's not what's throwing me off.
Personally, the background looks flat. It looks like something that was assembled in photoshop out of a bunch of different pictures and then just dropped in behind your subject. I'm not sure how you'd go about creating a sense of depth, but maybe some more interactive props would help - lay an arm on a desk with a lamp closer, or something along those lines.
Jake
Thanks for the input, this is not a composite picture.
I will see what I can do about the light, but I get your point.