Light Experiments with Erica
OK guys, as threatened, I'm back indoors playing with my new studio strobes and who better to play with than the gorgeous Erica.
These are a sample of some stuff we I tried out so C&C is more than welcomed.
2.
3.
4.
5.
6.
These are a sample of some stuff we I tried out so C&C is more than welcomed.
2.
3.
4.
5.
6.
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
0
Comments
Gotham, I think I just made the wrong call on the hairlight. The key was metered at f7.1 and Erica is brunette so I metered the hairlight at f9 I probably should have gone to f11 or f 13. Next time I'll bring it down a touch.
Tin, I definitely blew her out in # 4 but, as you said, the pose was so good I posted it anyway for comment. Honestly, I'm not seeing the hotspots in #s 1-3 but that doesn't mean they aren't there.
I haven't processed my Saturday shoot with Cyndi yet, and Kay (remember her) comes in on Sunday, so there will be much more to rip up this week and next.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
For pics 1 and 2: remind the model to separate her arm from her body.
In Pic #2: make sure for this particular pose and size of the model: too much bend/lift in the arm is causing her flesh to push out a little too much.
Pic #3: the angle and her arms are not elongated enough / compare the illusion of elongated arms to pic #4 and the difference is obvious -- in addition her hand in #3 is cutting off the natural curve of the dress against her body.
Pic #4: Great job / if this were a commercial shoot - the creative director would have wanted to go with the delicate appearance you have going on here. The mua would have taken care of the hair - well done.
Pic #5: Great job / watch your dodging on the bottom of her dress --- I think thats what it is "the halo effect"
Pic #6: Too sharp on the eyes - skin is too perfect --- go for invisible finishing.
PS: I didn't mention anything about your photography - because you clearly know what you are doing. I didn't comment on your lighting because you clearly know what you are doing there as well - a little tweaking on a few things - but that applies to all of us.
My best advice: find what works best for the model asap during a shoot - and go with that. Shoot tethered - this will assure that you only press the shutter when you know its the shot.
I hope I didn't step on any toes --- You are very gifted
KLinh
Klinh Evelyn Grace Photography
Fashion & Commercial
(2)Mamiya RZ67 IID, Mamiya 645 AFD II, Leaf Aptus 65, Profoto D1's, Capture One.
http://www.klinhevelyngracephotography.com
Far from stepping on toes, you've given great advice. Writing it all down in my shoot notes.
If you look through my threads on here you'll see I take a stomping with some regularity and I never take offense. Please feel free to critique away at any time.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
I think your fine w/o the critiquing. Just keep your models comfortable and feeling beautiful, breathe and shoot. I'm not one to critique - I do much better on the admiring side of things.
Here is a quick tip: When it comes to studio shooting: Grey background will never be trendy, and the rule of thirds tend not to apply. Center / allow room for cropping outside of your cameras ratio, Pose / shoot = a possible a career and a means to pay the bills = happy photographer. Keep it up - that's the last critique from me
Klinh Evelyn Grace Photography
Fashion & Commercial
(2)Mamiya RZ67 IID, Mamiya 645 AFD II, Leaf Aptus 65, Profoto D1's, Capture One.
http://www.klinhevelyngracephotography.com
Sorry to hear that but thanks a ton for what I got.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen