No Drama Here
Yep, this was Grace helping me again. She was quite upset that one of her sisters had come up beside her. As she put it, "she is going to ruin my picture!" I snapped this just to show that she wasn't even in the picture. As far as lighting goes, I think this is getting better. My fill light on camera left is a little too high and still darkens the eyes some. I lowered my key light pretty significantly since I was shooting my kids. I desperately need to find a different backdrop than my old sheet, but it works for now. Adjusting my cameras AF fine tuning help my focus issues greatly!
Anyway.. thanks for the previous help. Any suggestions for lighting with little ones? I have two speedlites stands and umbrellas to work with currently. Always looking to improve!
Camera: Nikon D7000
Exposure: 0.005 sec (1/200)
Aperture: f/2.8
Focal Length: 50 mm
ISO Speed: 160
Exposure Bias: 0 EV
Anyway.. thanks for the previous help. Any suggestions for lighting with little ones? I have two speedlites stands and umbrellas to work with currently. Always looking to improve!
Camera: Nikon D7000
Exposure: 0.005 sec (1/200)
Aperture: f/2.8
Focal Length: 50 mm
ISO Speed: 160
Exposure Bias: 0 EV
-~= Philip =~-
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14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
www.CottageInk.smugmug.com
NIKON D700
Sure VayCay! I will send her right over. :-)
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Then turn your subject away from the closer light that is on a 45 (that will be your main light), Put your fill light on the same side as the main but behind you. The fill should generally not be on a 45 or on the opposite side of you fill as that will cause cross shadows. You should be able to get respectable shots with the reflective umbrellas.
Also don't aim the main umbrella right at the subject but skim it across the front of her face.
An old sheet will work. I use fabric from JoAnn Fabrics all the time and have even used small rugs and shower curtains. The key is to have them about 6 feet behind the subject and at times have a third light with variable power to light it with.
Main light on a 45..........you have to think two planes here........top to bottom 45.........and then from you to the side of your subject as another 45. Adjust that main for these two 45's.
Hope that helps. Keep practicing.
www.cameraone.biz
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Thanks, Qarik. I have quite a bit to learn and am looking forward to the journey. I will have to play with the two different lighting suggestions. One to space them out a little further and one to bring them closer. I believe I understand what each will do, but it will be more helpful (and fun) to take a few pictures. :-)
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Qarik is correct that the closer a light is and the larger it is will give you a soft shadow edge. Make the source smaller and or move it further back and the shadow edge gets more defined. Just look at your shadow on the ground and see the sharpness of the shadow (the sun is pretty far away) and then will the clouds move in and spread the source out the shadow edge gets less defined....softer. The f stop method for light placement is just a quick way to set up lights and get a 3 to 1 ratio.
To soften those lights try putting a sheet over the open end ( we call that a sock when used on a light) and wrap it as much as you can around the open end of the umbrella.
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Exposure Time: 1/200
F Number: f / 11
Exposure Program: Manual
ISO Speed Ratings: 200
Metering Mode: CenterWeightedAverage
Focal Length: 50mm
The lights were closer together than I would have like so I did make a 1 stop difference between them. I could space the out enough. I should have also dialed down the F-stop as I had to bump up the exposure in post quite a bit. I was trying to darken the background, but with her only about 3' in front of it there wasn't much I could do. Anyway... All suggestions welcome. Hopefully I will have more time this weekend.
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Try dropping you ISO as low as it will go and is there any ambient light hitting the bkg? If you can keep the ambient to a min that should help with the bkg. How about adding a vignette to darken the bkg.
I think this attempt is much more pleasing than the other.....what are your feelings on it?
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As for ambient light, there wasn't much at all. The room is lit with three compact florescent, that were only about 8 inches over her head. I opted to turn these off with made the room pretty dark. The light on the background is all from the flash... which was closer to it than I wanted. I did do a little work on the back ground to smooth it out and add a slight vignette. Nothing I would sell, but I am not their yet anyway. :-) To your point, it looks better than what I was doing, and I can visualize where it need to go... I think. I appreciate the help along the way! Hopefully a new attempt later today.
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Since i am a new oldie around here I don't know what everybody has but if you have a some bucks I would invest in a light meter. Nothing can give you more info in a studio setting than one. I use it every shoot to get exact ratio's I want.
But looks like you have willing subjects for lots of practice. Keep up the good work!
Thanks Snady, I am not sure if "willing" is exactly what I would call them. I am not exactly sure what loop lighting is, but I have google for that. :-). I was trying a "form fill" lighting scheme and missed. As for a light meter, I have debated that. Bucks is one thing I don't have, but as with my gear, I can always save and invest. I have looked around here and there though. I expect that I will end up with one if I ever want to get too serious.
Go Shoot Something Already! - Flickr Photostream
Have you performed a few Random Acts of Parenting today?
Go Shoot Something Already! - Flickr Photostream
Have you performed a few Random Acts of Parenting today?