More Portrait Practice...
So my son decided he wanted in on the photo action.... at least for a few minutes. Here are two done with similar form fill lighting as I have been working with recently. I like the images, but still feel the fill light is a little too strong. I am starting to see the benefit of a light meter.
So, this was a reflective umbrella camera right at near a 45/45 to him. Angled more in front of him instead of right at him. The fill was a reflective umbrella behind and slightly camera right stopped down slightly from the Key. I believe the Key as 1/2 and the fill was 1/8th power. Everything was rather close. Love to hear your thoughts.
So, this was a reflective umbrella camera right at near a 45/45 to him. Angled more in front of him instead of right at him. The fill was a reflective umbrella behind and slightly camera right stopped down slightly from the Key. I believe the Key as 1/2 and the fill was 1/8th power. Everything was rather close. Love to hear your thoughts.
1/200 @ ƒ/6.3, ISO 100, 50 mm focal length
The Boy by phil41dean, on Flickr
1/200 @ ƒ/6.3, ISO 100, 50 mm focal length
The Boy II by phil41dean, on Flickr
The Boy by phil41dean, on Flickr
1/200 @ ƒ/6.3, ISO 100, 50 mm focal length
The Boy II by phil41dean, on Flickr
-~= Philip =~-
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So... having been in MANY professional competitions I have learned to kind of think like a judge so here is what I believe the judges would say about these photos.
Love the pose in #2..
Beware of cutting off body parts in #1
Lighting is flat. There is no significant ratio (thus you are finding you might need a light meter) As was said by Hackbone, you might want to try a reflector instead of a light. You can pretty much judge the flatness by where the catchlight lies in the eyes. When they are almost center it means either the positions of your lights are too direct.. Though there are times you want a catchlight there. as in butterfly and beauty lighting but those styles would require either a shadow under the nose or a reflector under the chin... The benefit of a reflector over the light is you an visualize how the light falls on the shadow side of the face, especially if you use a modeling light.
There are some portraits I do with only one softbox and then others I add the reflector for fill.
But.. I personally don't mind flat light. I think it has it's place, just not for the judges
And good for you to keep trying! It's the only way to learn.. and I learned the exact same way 5 years ago and now left nursing and work in the business full time.
And last but not least... if you don't want critique or find what I am saying helpful.. feel free to tell me to shut up :banned
Snady, to also make a good point about judges... my goal isn't to win contests, but to make respectable portraits I can feel good charging people for. I am not sure those are always the same thing. Regardless, I have a ways to go for either.
Mike, you do only see one catch light. the other was far enough over not to be seen. Although it kind of can in the iris of the right (his right) eye.
Thanks again for the comments.... I love the feed back from you all!!
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