Black Nightie with Jessica
No, I don't just shoot BilCyn images with Cyndi (thouh it wouldn't bother me :rofl)
Studio shoot this weekend and Jessica showed up with this incredible black lingerie. Aside from that gorgeous face, I'd have to say she showed some considerable other assets.
Click the first image for the entire gallery.
2.
3.
4.
5.
6.
7.
8. and there's a gold corset waiting to be processed
Studio shoot this weekend and Jessica showed up with this incredible black lingerie. Aside from that gorgeous face, I'd have to say she showed some considerable other assets.
Click the first image for the entire gallery.
2.
3.
4.
5.
6.
7.
8. and there's a gold corset waiting to be processed
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
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Comments
First two aren't bad, although the angle of the #2, with distortion, makes her look a bit bobble-headish. #4-6 give me a bit of a trashy feel. #7 had potential but I keep wanting to look under the cushion for some change.
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As for the rest, thanks for the comments.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
http://clearwaterphotography.smugmug.com/
Thanks for the look and the comments.:D
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
The light seems a bit too direct and harsh. This just gets accentuated in the shots where she is too close to the wall.
http://clearwaterphotography.smugmug.com/
Moderator of the People and Go Figure forums
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Alex my friend, I think I've spoiled you with Cyndi (actually myself too). Maybe I should just shoot with her for the rest of my life. I could live with that.rofl
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Moderator of the People and Go Figure forums
My Smug Site
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
I ALWAYS go to you gallery. I just don't tell you.
Moderator of the People and Go Figure forums
My Smug Site
Here's my question to you (and one that Cuban and myself have both alluded to before): what are you seeing that blinds you to the harsh shadows in these? Even if you didn't see those technical problems while shooting, what is preventing you from seeing them once they're on your hard drive and you're going through the shoot?
Be ruthless with your culling - you produce enough EXCELLENT work that can afford to be more selective. Pretty girl in sexy underwear does not necessarily a great photo make...................
Diva, I'm not blind to the shadows. They just don't bother me enough to trash can the image. Of course, like sharp bacgrounds, I am aware I'm in the distinct minority. YMMV
Tin, I understand your point on angles. In fact, I did pretty much exactly that in the gold corset set.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
First, I've been gone a while and I must say after looking at many of your studio sets, I think they are really good and in my opinion a step up from much of your early outdoor work as well as the in studio work from last year. It would seem you are getting comfortable in that environment. Kudos!
This set. Yes the lighting is harsh and in some, as Diva said, they look a bit "tawdry". But hey, tawdry can be a good thing if that's what your shooting for.
Looking at these, some remind me of color versions of some of the photography used in the "detective" and "true crime" magazines from the late 40's and early 50's. These publications went out of their way to be "tawdry", that's why people purchased them. Although far from tawdry by today's standards, at that time it was pretty racy and the photographers used the harsh lighting to give the images that seedy look on purpose.
Personally, I would play around with black and white processing with a few of these images, and presto, you have some vintage recreation of that era. Recreating a vintage look takes it from tawdry to art!
3 and 7 would be my picks for the tawdry "true crime", "sleazy detective" magazine look from that era.
Thanks for the comments. I'll play around with the B&W and see what happens.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Btw, "tawdry" was Mitchell's word, not mine. I just recycled it because I was in a hurry and too lazy to think of a good word of my own
Credit to Mitchell for the word "tawdry".
Speed reading will get you every time.
Mind if I play with one in my newly found spare time?
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Beauty!
Could play with this a lot longer, but this is a quickie of what I had in mind. Kind of "seedy/campy" for lack of a better description.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen