Trying my hand at DSS #121
TJRidgway
Registered Users Posts: 26 Big grins
I really haven't participated much in this forum in the past, though I've watched for a while. Going to go ahead and give this challenge a go.
This was a kind of proof of concept using the lighting in the hanger at 0400. I can also do a natural light shot at dawn/day on the line as well. A flash shot is likely a nogo due to equipment restriction on the flightline.
Looking forward to a critique!
(For any who are curious, this is the optical and IR sensor portion of a Missile Warning System on an MH-60S).
This was a kind of proof of concept using the lighting in the hanger at 0400. I can also do a natural light shot at dawn/day on the line as well. A flash shot is likely a nogo due to equipment restriction on the flightline.
Looking forward to a critique!
(For any who are curious, this is the optical and IR sensor portion of a Missile Warning System on an MH-60S).
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Comments
In regards to framing, have you given thought to having the subject more prominent with less background? It'd be a bit more abstract, but show more texture.
Thanks! I thought it looked a bit steampunkish and rather like that look.
The only other thing I've been considering is trying for an HDR effect on the lens, as it is a complex subject and show up significantly differently at different exposures. Thoughts?
Let me build an example with the Helicopter. Image a photo of the heli in the air on a dark night. On the right side of the image is a barrage of missiles glowing bright casting light onto that side of the helicopter just before they start to make impact. Now the subject is the helicopter and the story is right beside it. Naturally this image is best composed with the helicopter on the left of the photo. Centering the helicopter is going to do nothing but make a bad image.
Now imagine that same image with the helicopter pointing directly at the camera. Instead of the missiles just being on the right of the helicopter, there is also a matching barrage on the left. Now then the Subject becomes best composed by breaking the rules of third and making it the center of the frame with matching story on both sides.
I think you nailed my problem: I was lost on what I'm doing here. I was simply picking an interesting subject and taking a snapshot, not composing an image.
I'll take some time this weekend during my r and r at the beach (11 day, 12+ hour a day workweeks suck) and compose a bit, pick something more photogenic.
I truly appreciate the criticism!