A few shots with a few new modifiers. What do you guys think?
I showed these off in the accessories forum in an old post. But I thought these would get more play over here about the photos.:D
Here are a few examples from this week using my new 86" Extreme Silver PLM combined with a 11" Longthrow reflector. What do you guys think?
1. Some action stopping with the Einsteins. PLM is directly left of subject. You can see that there is hardly any light spilling onto background. Similar shots with my 60" umbrella light this wall.
2. In close. With PLM directly left of the subject and Long throw diagonal and back right about 10ft away. Bare sb700 used as fill to camera right at 1/128
3 Lighting a bigger subject! PLM moved back about 15ft from subject. Slightly camera right. I was standing in the corner of it. Longthrow high to the left about 15-20ft away SB600 and 700 as little accent in the back of the bike. Still very little light spilling on background. Rod aimed right at her butt.
4 In close. PLM and Longthrow about 5ft away. Using 50mm @1.8 to soften things up. The center rod of the PLM aimed right at face. Ok someone tell me how to fix the loose eyelash. I have struggled to use warp and make it look right. Is there a better way?
Here are a few examples from this week using my new 86" Extreme Silver PLM combined with a 11" Longthrow reflector. What do you guys think?
1. Some action stopping with the Einsteins. PLM is directly left of subject. You can see that there is hardly any light spilling onto background. Similar shots with my 60" umbrella light this wall.
2. In close. With PLM directly left of the subject and Long throw diagonal and back right about 10ft away. Bare sb700 used as fill to camera right at 1/128
3 Lighting a bigger subject! PLM moved back about 15ft from subject. Slightly camera right. I was standing in the corner of it. Longthrow high to the left about 15-20ft away SB600 and 700 as little accent in the back of the bike. Still very little light spilling on background. Rod aimed right at her butt.
4 In close. PLM and Longthrow about 5ft away. Using 50mm @1.8 to soften things up. The center rod of the PLM aimed right at face. Ok someone tell me how to fix the loose eyelash. I have struggled to use warp and make it look right. Is there a better way?
0
Comments
Moderator of the People and Go Figure forums
My Smug Site
Lighting on the first two has been mentioned and I agree, +1. Also, on number 4, it seems like a bit too much light skin. My eye isn't drawn to any particular spot but wants to drift all over. More contrast and shadow to focus my eye on something. What is the intent. Where should I be looking? Turn it upside down and all I see is shoulder and forehead.
I am going to try liquefy and puppet warp to see what works best. I suck at photoshop. I'm a LR guy all the way.
Yes #4 was also intentional. Bright and soft looking. Love lighting the ladies this way.
www.cameraone.biz
Gee, all this time I thought it was the Hokey Pokey.
And yes, really nice lighting and results in the first three. In number three, her underwear could have been a bit smaller
Not a fan of four though. Like the concept, the mechanics need to be worked on in my opinon.
I hope you'll pardon the image stealing and quick rework, if you want I'll delete it, but I thought this would be better than trying to describe.
Eyelash courtesy of 2 mins with the clone tool.
If you want to keep the back in the shot, consider putting a dark vignette on it so all that bright shoulder skin doesn't compete with the face.