Boston Ballet Nutcracker III (Act II reshoot)
By an unprecidented act of rudness to family and friends, I made it to the final dress rehersal in time to reshoot the second act. This time I knew better than to try to shoot from the balcony and I knew what lens to use and where to be.
Hooray! I got some better shots of the Spanish dancers:
The sugarplum fairies:
The Cossacks:
Best of all (for me) a few passable shots of the Arabian dance...
...though I still don't think I've managed to convey just how sensuous a dancer she is.
Lastly, I got quite a few of the children and the woman with the big dress. I'm thinking I can sell some of these to the parents:
Hooray! I got some better shots of the Spanish dancers:
The sugarplum fairies:
The Cossacks:
Best of all (for me) a few passable shots of the Arabian dance...
...though I still don't think I've managed to convey just how sensuous a dancer she is.
Lastly, I got quite a few of the children and the woman with the big dress. I'm thinking I can sell some of these to the parents:
If not now, when?
0
Comments
Sam
Very interesting and terrific shots.
Excellent set, Rutt! But this one is definitely my favorite. She has room to move on the left and is just frozen there. Awesome!
moderator of: The Flea Market [ guidelines ]
I swear, if I get any more green with envy, I'm gonna turn into the incredible hulk!
Beautiful shots. I'll be posting mine from the show I just finished in a bit.
http://framebyframe.ca
[Bodies] Canon EOS 20D - Canon EOS 500
[Lenses] Sigma APO 70-200 f/2.8 - Canon EF 85mm f/1.8 - Canon EF 50mm f/1.8 - Tamron XR Di 28-75mm f/2.8 - Canon EF-S 18-55mm f/3.5-5.6
[Flash] Sigma EF500 Super DG Flash
[Tripod] Manfrotto 055 Pro Black
[Head] 484RC2, 200RC2
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
Email
Really nice!
ginger
g
Excellent Rutt
Cincinnati Smug Leader
But my compliments are not for free , i need some info from you:
What setup did you use? (lens/camera-settings)
How was the lighting in the theater?
-- Anton.
When I hear the earth will melt into the sun,
in two billion years,
all I can think is:
"Will that be on a Monday?"
==========================
http://www.streetsofboston.com
http://blog.antonspaans.com
Thanks, but of course, she did the actual hard part. Can you imagine the lifetime of discipline that must take?
I just figured out to use AP and open up that 85 f/1.2 all the way. And stay down in the orchestra.
Thanks so much. 5D with 85mm f/1.2mm. ISO 1600. The magic trick was AP to oopen the lens all the way with safety overide so it would stop down a little if it had to. The light was mostly pretty dim, but also variable.
Look here for exif. Thaks very much. I fought the lighting all the way, especially for the Arabian dance, my favorte, but dim blue light. Each second act vignette had very different lighting. All I can say is that it's a good thing I'm a darkroom rat.
Thanks, Ginger. Yes, "Mother Ginger".
g
How did you gain access to the dress rehearsals?
http://clearwaterphotography.smugmug.com/
Aperture priority. Set the dial to "AV"
Thanks. That's the best question anyone asked. My wife is a dancer; not pro, but lifelong and devoted. And she is a huge Boston Ballet fan. So she takes class at their school and goes every chance she gets and generally networks with the people there. So, I just had to realize that all I had to do was ask.
I'm hoping they are going to like the shots.
I do have one suggestion that might be of interest. The dancer is lovely
Do you have the rest of her reflection on the stage floor, perhap?? It would make for nice balance in the image. :
Moderator of the Technique Forum and Finishing School on Dgrin
Thanks very much.
The post processing was pretty much out of the LAB book, just the sort of stuff we've been kicking around in the reading group: get rid of the cast as early as possible, make the best possible B&W version to use as a luminosity blending layer, bring out the color and contrast with MFMs curves, custom LAB curves, or overlay blends, sharpen (conventional and HIRALAM) maybe a trip to CMYK to clean up the blacks. Should be starting to sound pretty familiar by now.
Thanks for the suggestion. But unfortunately I didn't miss that trick, though I did crop this one. Here is the relevant page of the proof sheet: http://rutt.smugmug.com/gallery/994448/3/45966837 Fixing this takes a kind of post processing mastery I don't have at all.
Erich
How in gods name were you allowed to do it...they would haul you out the back & shoot you for that here...well ..talk to you very sternly & throw you out anyway (we have a lot of rules here)
Gus
I asked permission ahead of time. My wife is a lifelong (nonprofessional) ballet dancer, takes class at the Boston Ballet school, knows the dancers, artistic director, many others. There were professionals shooting at both rehersals.
Thanks, Gus!
That would be lots of fun to take photos of. Maybe I will buy some tickets and have some buddies come along with me......... haha yeah right like they would ever go. Great photos !!!!
Setup: One camera, one lens, and one roll of film.
I'm very envious of your lens (and camera).
Someday I'll really fast glass and get shots like that!
My friend on FM did this:
Actually, it's a crop. The full image is: http://img208.imageshack.us/img208/8007/46024538l3df.jpg
See his thread here: http://www.fredmiranda.com/forum/topic/317004
Yours are dazzling. Really great. So good, I can hear the music . . .
I knew, of course, that trees and plants had roots, stems, bark, branches and foliage that reached up toward the light. But I was coming to realize that the real magician was light itself.
Edward Steichen