Niki Lacy on not quite seamless white
My newest model find is Niki Lacy from upstate New York.
For those who don't like the line between the BKG and the floor, I'm sory but it is intentional. I wanted to vary the look a bit but still play with lighting the white seamless.
Click the first image for the full Gallery of this insanely sexy lady.
2.
3.
4.
5.
6.
7.
8.
For those who don't like the line between the BKG and the floor, I'm sory but it is intentional. I wanted to vary the look a bit but still play with lighting the white seamless.
Click the first image for the full Gallery of this insanely sexy lady.
2.
3.
4.
5.
6.
7.
8.
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
0
Comments
Anyway, that being said, #2 is my pick of the bunch.
Edit: oops just saw the "not quite" part of your title.
By the way, the paper is rolled correctly (over the top, not under it). When we do bring it out for a true seamless shoot, the surface tension holds it toward the floor instead of curling it up.
Thanks again.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
1. The background and ignoring the title, is not seamless, which causes a distracting line between the backdrop paper and the ground. Why not just rolling off the paper and let the model stand on it.
2. The light is very flat, and that makes the pictures far less interesting . Why not trying out different light techniques. It will make the pictures so much more appealing.
As I said in the opening, I wanted to try this separation out and see what happened with that line. Actually, I like it but I fully understand why the more traditional view would call it a negative. I have had a blast this winter experimenting and playing around with lights, bkgs and stuff in the studio but not everything works for everybody ( many times including me ).
Also, perhaps I'm missing the concept but how is this light flat. I see light and shadow differentials on her face and body in these images. Do I have the definition wrong?
It may be that I'm just too stupid to hide my "mistakes".
Anyway, thanks again.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen