Foggy Day in Yosemite
CWSkopec
Registered Users Posts: 1,325 Major grins
It's been a while since I've posted anything (mainly because I'm horribly behind on actually processing anything) but here's a few from a foggy morning at Tunnel View back in December.
All of these were processed in Nik Silver Efex Pro 2, which is still pretty foreign to me, so any C&C are much appreciated!
1| The Grand Vista:
This one was the most work, it is 6 vertical frames, 2 images (one over exposed/one underexposed) per frame combined with LR/Enfuse, then processed in Nik and finally stitched to a panorama in Photoshop. Lots of processing, but it could be printed HUGE if I ever get around to printing any of my own work. :wink
Once I had captured the "Grand Vista" I tried searching with my telephoto lens for smaller scenes within it:
2| Bridalveil Pours into the Clouds
3| Then it was time to start focusing on the fog drifting through the trees. The patterns were quickly changing and I shot way too many frames of this. I'm still not sure I've identified/processed the best of them. This one is only 1 frame, but I liked the panorama style crop on it.
4|
5| I added a little warmth to this one (because I just learned how in Silver Efex) so I know it stands out a little from the series, but a little experimenting never hurt anyone!
Thanks for looking!
All of these were processed in Nik Silver Efex Pro 2, which is still pretty foreign to me, so any C&C are much appreciated!
1| The Grand Vista:
This one was the most work, it is 6 vertical frames, 2 images (one over exposed/one underexposed) per frame combined with LR/Enfuse, then processed in Nik and finally stitched to a panorama in Photoshop. Lots of processing, but it could be printed HUGE if I ever get around to printing any of my own work. :wink
Once I had captured the "Grand Vista" I tried searching with my telephoto lens for smaller scenes within it:
2| Bridalveil Pours into the Clouds
3| Then it was time to start focusing on the fog drifting through the trees. The patterns were quickly changing and I shot way too many frames of this. I'm still not sure I've identified/processed the best of them. This one is only 1 frame, but I liked the panorama style crop on it.
4|
5| I added a little warmth to this one (because I just learned how in Silver Efex) so I know it stands out a little from the series, but a little experimenting never hurt anyone!
Thanks for looking!
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Cheers, Richard.
Thank you, Dan! It was really fascinating to watch how the clouds of fog interacted with the various elements of Yosemite Valley that have become so iconic. I'm sure plenty of other folks have shot Yosemite in the fog, but I enjoyed seeing the Valley in a new way (to me)!
Thank you, Richard! I've never felt extremely confident in my B&W conversion competence, but I felt the scene here dictated that I convert these image. Plus, I'm really enjoying playing with Silver Efex 2.
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Thank you, Joel! I imagine the bigger I print that pano, the better it might look... I just don't know if I have a wall that's big enough to hang it huge. Time to start knocking down interior walls!
Thank you, Werner! It was awesome watching the fog move and create different patterns through the trees. I took way to many frames of just the fog through the trees, but it was hard to stop!
Thank you, John!
Thank you, Aaron! It was definitely well worth getting out of the house long before dawn so I could get to the valley early enough to see this. As soon as I came into the valley on 140, I hit a dense wall of fog. I have to shame in saying I was giddy with excitement as I raced up to Tunnel View!
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The first shot posted is a great shot and timed perfectly with the layered fog. The only thing it may have against it is that same view has been done to death in every weather condition possible. Very nice conversions on all of these.
"You miss 100% of the shots you don't take" - Wayne Gretzky
Thank you, Karl! It's all new to me, but the YouTube tutorials have really gone a long ways towards making me feel more comfortable in converting with Silver Efex!
Thank you, David. And truth be told, I was fascinated to see the scene in #1 with my own eyes, but I had that same exact thought that it has been done before. With as many photographers that pass through Tunnel View on a daily basis, I knew the fog wasn't going to be unique to me. Which is what really pushed me to look for the smaller scenes after I had captured my version of the foggy vista.
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