Really lovely set, Sara. Gorgeous light, and masterful use of it. I would, however try to burn down the ball somewhat, as it immediately grabs the eye in otherwise captivating images. Glad to see you here!
Thanks, guys. Basically, while the adults are enjoying cocktails and conversation, I prefer playing with the children and messing with my fairly new 70-200 (love it, but what a heavy monster). Good idea Re the balloon, though it hadn't bothered me much until you mentioned it And yes, I've been out of this loop somewhat - busy, busy, busy - it's good to reconnect.
Really nice work, Sara. It's readily apparent you had good rapport with the children. I hope we'll be treated to more of your photography now.
Tom
Thanks, Tom. Truth be told, this is my favorite kind of photography - unfettered, unposed, unscripted, fly-on-the-wall. I will make a point to check in more often
Thank you. I do a fair amount of family photography, predominantly lined up and posed, with mom and dad hovering nearby yelling out, say cheese. I live for opportunities to do this free-style, candid type of shooting; rare, in a way, unless you happen to know the children (as I did here - godforbid, you can't photograph random children playing in a park the way we once could), or unless specifically hired to do so (not as often as I'd like). But yeah - just set me free with a pack of kids - don't talk to me or to them - that's when I'm happiest.
Thank you. I do a fair amount of family photography, predominantly lined up and posed, with mom and dad hovering nearby yelling out, say cheese. I live for opportunities to do this free-style, candid type of shooting; rare, in a way, unless you happen to know the children (as I did here - godforbid, you can't photograph random children playing in a park the way we once could), or unless specifically hired to do so (not as often as I'd like). But yeah - just set me free with a pack of kids - don't talk to me or to them - that's when I'm happiest.
Well, it really shows that you loved doing this shoot, candid portraits/scenes are the best. Nicely done!
Your shots have evoked a wonderful sense of childhood and its wonders. Lighting and processing are magical. (but) I do feel a sense of distance from the kids due to the use of the telephoto/zoom FL. When shooting these types, I reach more for my wide angles (17 - 40, 5D) and get close. Not sure if that is just a personal preference or if the impact on the emotional feel of the shots would change just as much as the FL.
Your shots have evoked a wonderful sense of childhood and its wonders. Lighting and processing are magical. (but) I do feel a sense of distance from the kids due to the use of the telephoto/zoom FL. When shooting these types, I reach more for my wide angles (17 - 40, 5D) and get close. Not sure if that is just a personal preference or if the impact on the emotional feel of the shots would change just as much as the FL.
I agree, photography is different with a long lens. Shooting with a short lens affords an intimacy, and connection with the subject, without a doubt. I often prefer the closeness that, say, a 50mm lens allows, but on the other hand, this "fly on the wall" style offers a candidness and unposed quality that is also fun and difficult to get with a shorter lens and closer presence. I grow very weary of photographing children who are trained to say cheese and put on a fake face whenever they see a camera nearby. Two different styles, I enjoy them both. Also, you can't beat the bokeh on the 70-200, imo. I sometimes shoot with a 20mm, but I don't care for the way the faces are distorted.
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Tom
Thanks, Tom. Truth be told, this is my favorite kind of photography - unfettered, unposed, unscripted, fly-on-the-wall. I will make a point to check in more often
www.SaraPiazza.com - Edgartown News - Trad Diary - Facebook
As a note though.............in image #2 if Ethen pulls the tail on that there kitty he might just learn something about cats he isn't expecting.
Sam
Ha ha - yes, it's a delicate balance, isn't it? But he's had many hours of practice at home with Tom and Nutmeg, so there will be no surprises here.
Thanks, Sam :-)
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I agree. Very nice set!
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Thank you. I do a fair amount of family photography, predominantly lined up and posed, with mom and dad hovering nearby yelling out, say cheese. I live for opportunities to do this free-style, candid type of shooting; rare, in a way, unless you happen to know the children (as I did here - godforbid, you can't photograph random children playing in a park the way we once could), or unless specifically hired to do so (not as often as I'd like). But yeah - just set me free with a pack of kids - don't talk to me or to them - that's when I'm happiest.
www.SaraPiazza.com - Edgartown News - Trad Diary - Facebook
Well, it really shows that you loved doing this shoot, candid portraits/scenes are the best. Nicely done!
www.mind-driftphoto.com
Did wanted to say however how much I enjoy #2
And yes wonderful lighting!
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Thanks, Ben. Yeah - will he or won't he pull that tail??
www.SaraPiazza.com - Edgartown News - Trad Diary - Facebook
I agree, photography is different with a long lens. Shooting with a short lens affords an intimacy, and connection with the subject, without a doubt. I often prefer the closeness that, say, a 50mm lens allows, but on the other hand, this "fly on the wall" style offers a candidness and unposed quality that is also fun and difficult to get with a shorter lens and closer presence. I grow very weary of photographing children who are trained to say cheese and put on a fake face whenever they see a camera nearby. Two different styles, I enjoy them both. Also, you can't beat the bokeh on the 70-200, imo. I sometimes shoot with a 20mm, but I don't care for the way the faces are distorted.
www.SaraPiazza.com - Edgartown News - Trad Diary - Facebook
www.SaraPiazza.com - Edgartown News - Trad Diary - Facebook
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