Cyndi Makes me uncomfortable

BilsenBilsen Registered Users Posts: 2,143 Major grins
edited August 6, 2013 in People
Well, not really but I've been hearing a lot lately about outside my comfort zone so let's see:

Voodoo shoot (New Orleans from the World Tour):

Avec window
p1741909563-4.jpg

2.Sans window
p1766327816-4.jpg

3.
p1663584806-4.jpg

4. Alas poor Yoruck, I knew him Horatio
p1753942956-4.jpg

5.
p1650558743-4.jpg

6.
and sometimes you go for mystical and end up with Doug Henning LOL
p1690878410-4.jpg
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen

Comments

  • HackboneHackbone Registered Users Posts: 4,027 Major grins
    edited August 5, 2013
    Enjoyed #6. Everything about it is great.
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited August 5, 2013
    Laughing.gif Of course Hack, the one that I thought didn't work.
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
  • lensmolelensmole Registered Users Posts: 1,548 Major grins
    edited August 5, 2013
    #5 works well for me except for the bright spot on her shoulder.
  • D3SshooterD3Sshooter Registered Users Posts: 1,188 Major grins
    edited August 6, 2013
    Love 4 & 5.
    Maybe a local Temp. adjustment would make it even better.
    A photographer without a style, is like a pub without beer
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited August 6, 2013
    Thanks D3.

    Curious what local adjustment(s) you'd suggest. (serious question not an argument).
    Part of the "discomfort" zone in these images was lighting to match the candlelight. It took about 4 gel changes to get to this point.
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
  • pathfinderpathfinder Super Moderators Posts: 14,708 moderator
    edited August 6, 2013
    D3Sshooter wrote: »
    Love 4 & 5.
    Maybe a local Temp. adjustment would make it even better.

    Wow, I like 4 and 5 a lot also; but the green yellow fluorescent tonality in the earlier photos I find less flattering, and not nearly as warm as I would expect candle light to normally appear.

    Bilsen, I have seen your website, and your skin tones are normally spot on, but these images look yellow green to me. I just can't decide if that was your artistic vision, or not.

    When I use the black cloth of the table for a neutral tone to set a curve, I think her skin tone readings on her shoulder are more preferable, as the cyan tone on her shoulder disappears. Ultimately, of course, color temperature is an artistic choice. The candles suggest a warm tone to me, but maybe others prefer the greener, more exotic, color scheme.
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited August 6, 2013
    Thanks a ton pathfinder.

    The WB is pretty much SOOC in this set but after reading your analysis I do think I would have expected a warmer (translation: redder) tone to it.

    I had no intention at all of getting "natural" skin tones in this shoot. I gelled the key strobe to try and match the candle temperature. That could very well be where I missed with the combination gold and yellow gels that I ultimately used. Possibly I should have tossed a light red in there also. As indicated by the thread title, I was totally winging this shoot from start to finish.

    In # 5 I also used a very light blue gel on the hairlight to get a "moonlit" sort of feel to the scene. That one seems to be the focus of interest on here.

    I'm gonna go back and do a global warming (no pun intended) and see what that does. I'll post one here for comment later this morning.
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
  • michaelglennmichaelglenn Registered Users Posts: 442 Major grins
    edited August 6, 2013
    Solid set! #5 here is the winner for me. The composition, angle, elements, and stare really do this shot good justice. My only nits are that the skin looks a tad too yellow and the last shot is a little too crazy on the grain.

    Big improvement from the last set too. Interesting use of light, and the elements totally fit the mood you portrayed with the model here thumb.gif
    wedding portfolio michaelglennphoto.com
    fashion portfolio michaelglennfashion.com
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited August 6, 2013
    Thanks Michael.

    I think this type of stuff reflects your comment in Japan about getting out of the comfort zone. This whole shoot was wing and prayer.

    As I dais, I'm going to revisit the RAWs and see if adding a bit of red improves the WB.

    BTW, here's the original "Stage magician" image with no artistic treatment:
    p1809664509-3.jpg

    To Cyndi and me, we went for Voodoo and ended up with "nothing up my sleeve". rolleyes1.gif
    To be honest, I'd have no problem watching her on stage even if all she did was burp. mwink.gif
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
  • D3SshooterD3Sshooter Registered Users Posts: 1,188 Major grins
    edited August 6, 2013
    Bilsen wrote: »
    Thanks D3.

    Curious what local adjustment(s) you'd suggest. (serious question not an argument).
    Part of the "discomfort" zone in these images was lighting to match the candlelight. It took about 4 gel changes to get to this point.

    A mix of present light is always a challenge,and indeed gels can work. On the other hand, you can in LR5 brush with a color temperature brush or even use a degrade to change the color temperature in certain parts of the picture.
    A photographer without a style, is like a pub without beer
  • DemianDemian Registered Users Posts: 211 Major grins
    edited August 6, 2013
    Not sure how I feel about the grain, but otherwise #6/Stage Magician is by far my favorite. Beautiful shot.
  • BilsenBilsen Registered Users Posts: 2,143 Major grins
    edited August 6, 2013
    Will take a loo9k D3. I don't use LR but I'm sure CS6 can do that also.
    Bilsen (the artist formerly known as John Galt NY)
    Canon 600D; Canon 1D Mk2;
    24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
    Model Galleries: http://bilsen.zenfolio.com/
    Everything Else: www.pbase.com/bilsen
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