Goinf way different
For those who have been hitting me for doing all commercial work, here we go:
1. Keep an eye on that parking lot outside.
2.
3.
4. Took me a good 20 min to get this lined up and lit
Like them or not, you gotta give me they're different from me
1. Keep an eye on that parking lot outside.
2.
3.
4. Took me a good 20 min to get this lined up and lit
Like them or not, you gotta give me they're different from me
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
0
Comments
I think #1 is the strongest for a variety of reasons. More specifically it's sharp focus.
I also like what you were trying to do in #4. Maybe focus more on the glass and it's image as a very close shot?
4 is the best concept but the lighting is off. You need dramatic lighting for this type of shot and the color doesn't add anything. I think maybe one light directly to the side of the model and an another also directly to the side of the glass would be better.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen