Softproofing two PP shots.
Blooze
Registered Users Posts: 63 Big grins
I'm getting ready to send in an order to Bayphoto and have a question about two of my photos. I've typically not used color correction with BP and have rarely had a problem, but these are the first two photos I've done a lot of saturation/color change on and would appreciate some advice on what to do with them. I've softproofed them using BP's profile and adjusted them back to where they are close to the originals, but obviously when I toggle the profile they are way oversaturated and screwy looking. So would it be better to send off the softproofed and adjusted files with no color correction, or the original with color correction?
Thanks for the help!
Thanks for the help!
0
Comments
Author "Color Management for Photographers"
http://www.digitaldog.net/
Far as I know they ask for sRGB or adobe RGB. I was able to bring them into gamut and close to the originals when softproofing, so I think I'm OK. I'm having to use my work laptop (which I calibrated with my Spyder) so it's gonna be a crap shoot anyway.
If you deal with Bay Photo directly, and choose their highest level service, I believe that you may have some additional choices of file types as well as color spaces. Contact Bay Photo for assistance.
If you deal with Bay Photo directly, and choose their Economy service (no color correction), then I believe that you will use their ROES system which only allows sRGB and Adobe RGB (1998) in a JPG file. (Make sure that the color space profile is embedded in the file.)
http://www.bayphoto.com/bayweb/pro_colormanage.htm
If you use SmugMug as an intermediary, they greatly prefer sRGB in a JPG file. (They will attempt to convert any Adobe RGB files to sRGB for you.)
http://help.smugmug.com/customer/portal/articles/93362
http://help.smugmug.com/customer/portal/articles/93278-what-types-of-files-can-i-upload-to-smugmug-
Moderator of the Cameras and Accessories forums
First I do most of my own printing in house but when I have or do outsource
I try and get an icc profile from the vendor and find out what file formats, bit depth
and color space they accept.
For an example I could convert my pro photo 16 bit file to an 8 bit jpg srgb file.
I would soft proof the jpg file and do the best I could with out of gamut colors etc.
I would send this off to the printer and request no color correction.
Another option is to order a small say 8X10 test print and see where your at.
and then adjust as necessary for the final large print.
Now to my arodney question:
When I copy an image from say digital grin and paste into CS6 it is always less vibrant
with the colors muted and less contrast. Can you explain what's going on here??
Thanks,
Sam
Author "Color Management for Photographers"
http://www.digitaldog.net/
Stephen Marsh
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
There's no point really. The profile will take the image into gamut (and you have two options for how assuming you have the profile and can use it, which you can't). See the 2nd video. IF you prefer the Perceptual mapping (and soft proof) but the lab forces Relative Colorimetric, there goes that part of the workflow out the window. If they lab uses a different or updated profile, your soft proof is incorrect. IOW, unless you have the output profile and can use it, soft proofing is just a feel good result and is half baked color management workflow.
Author "Color Management for Photographers"
http://www.digitaldog.net/