First 'studio' setup - need help!
bike21
Registered Users Posts: 836 Major grins
Howdy-
I've been working with a buddy/client who is a rep in the cycling industry and he wants to start doing some product shots indoors. He is looking for some 'studio' style product shots for full bikes and accessories. I'm going to look at building or buying a lightbox for smaller items but was also hoping for some tips on affordable white backdrops. Also any comments on lens choice or focal length would be appreciated!
I have light stands/reflectors to get started so I should be fairly set on that front. Any tips on a first time setup would be greatly appreciated as I've never done anything like this. This was a shot we did outside the other day...
I've been working with a buddy/client who is a rep in the cycling industry and he wants to start doing some product shots indoors. He is looking for some 'studio' style product shots for full bikes and accessories. I'm going to look at building or buying a lightbox for smaller items but was also hoping for some tips on affordable white backdrops. Also any comments on lens choice or focal length would be appreciated!
I have light stands/reflectors to get started so I should be fairly set on that front. Any tips on a first time setup would be greatly appreciated as I've never done anything like this. This was a shot we did outside the other day...
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http://www.adorama.com/BD402SS.html
There's a wider one, too, I believe. I use mine ALL THE TIME. They're not self=standing (I actually hang mine from a hook on top of a bookcase), but you don't need an actual background stand - you can just rig it up with whatever you have handy, securing it with work clips (or whatever)
Other alternatives include the polypaper ones from www.lemondropstop.com. I have a couple of patterned ones, but for white I just reverse them and use the back; I'll sometimes hang one, and use the other on the floor, white side up - looks like seamless once it's shot. The material is ever so slightly shiny which helps getting the high key look; I find it easier to light to pure white than the fabric collapsible (I'm using speedlights, and often only one, so every little bit helps!)
You can probably get by with small strobes too.
We went for some paper from our local store and my speedlights are working well so far with silver umbrellas. Need to control the ambient light from the windows for the daytime shoots but at night we obviously have full control. So far so good! I'll share some pics soon...
And if you keep your ISO low, you'll kill even more ambient. It makes your flashes work harder, but that's what you want in this case
This is exactly what Scott Robert Lim taught in his "Crazy Stupid Light" course on Creative Live! ISO 100, 1/200 - 1/250 shutter speed, and f5.6, as an example, according to his flash chart, you would set your flashes to 1/8 power and you'd be in the ball park for a perfect exposure. He also said that shutter speed controls ambient, and aperture controls flash. So let's say you used the above settings and you'd like to drop the flash a bit, all you'd have to do is change the aperture to f8 and it would drop the flash power 1 stop, equivalent to 1/16 power. If you would like to view his chart for setting the flash power it can be viewed here.
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams