fuji x100s
went to wedding in san francisco this weekend. I snapped off a few as we were leaving the hotel room.
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D700, D600
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
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Comments
They look fantastic!
REALLY nice.
http://clearwaterphotography.smugmug.com/
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
http://clearwaterphotography.smugmug.com/
However...Sometimes the in-camera JPEG engine is...too good. I recently took the X100s to photograph a dance in a dark hall. I used my Canon speedlite in manual mode and although the photos looked awesome in the EVF and on the back screen, when I uploaded them into LR they were VERY overexposed. I can't figure out whether it's because of how ACR interprets the files or if the JPEG engine is just that good . :P
An "accurate" reproduction of a scene and a good photograph are often two different things.
www.cameraone.biz
www.cameraone.biz
I'm an every-day carry X100s shooter. The two cameras are meant to solve different challenges. The x100s is, in my opinion, all about stealth. You can't hear the thing. It is small. You look like a tourist. It does one thing - get close, take shots unnoticed. You can't change lenses, which can be bad or good depending on your point of view (though adapters exist). It is just about the perfect camera for snapshots, family stuff, documentary, street, and similar work. The line should improve over time in this regard. I use it to keep a sort of visual diary. Lots of examples on my SM site. There is a reason so many people love this camera.
The XE-2 is a rock-solid camera aimed at tackling the high quality interchangeable lens APS-C compact camera market in a way that doesn't blow the budget. Similar systems in the range can cost twice as much as the X-E2. Many people are using it as a DSLR replacement. With a growing lens lineup you have a much greater degree of flexibility. It is a phenomenal camera. I know several wedding shooters and portraitists in the area asking if they can get rid of their DSLR setup for this thing. The general answer they've seem to come up with is: Mostly, but not entirely. I don't know anyone locally that regrets purchasing it (we have a great local Fuji fan club). Your answer may be more complicated.
You have to play with both cameras. It is worth it to rent or borrow them. Both cameras do different things, which should make it easy to pick what you want. The xtrans processor is magical. However, Adobe doesn't quite have the bits down to make pretty RAW conversions. For this reason most people are shooting JPGs (and they really are good enough). If for some reason you want more, the best converter out there is Iridient. It has a number of weaknesses and issues. However, once you learn its xtrans conversion magic you can get some impressive results: http://www.iridientdigital.com
If someone is serious about getting in to one of these systems I can offer more specific advice. PM me if you'd like.
Website | Galleries | Utah PJs
www.cameraone.biz
Here is a great example I shot!
http://www.flickr.com/photos/95607642@N04/12160737215/
Mathew Irving
www.irvingphotographydenver.com
6d | 24-70 II L | 70-200 L | 135 F2 L | 85 1.2 L | 100 2.8 | 35 1.4 (Sigma/Art)