Long-ish Exposures
Earache
Registered Users Posts: 3,533 Major grins
So, jumping on the bandwagon and into the very interesting threads and discussion of Long Exposure, here's a couple of mine - Windansea Beach in San Diego.
When shooting water, I like to keep a sense of texture and motion so my exposure times are relatively short compared to the 30+ sec. examples.
Both techniques yield beautiful results, it's just that I learned from a mentor that preferred the approx. 0.5 to 4 sec. range.
60D ~ 17-40mm f4L ~ 17(27 eqv)mm @ f22 ~ ISO 100 ~ 0.8 sec ~ ND8 + 25%GND filters ~ LR5
0.5 sec.
When shooting water, I like to keep a sense of texture and motion so my exposure times are relatively short compared to the 30+ sec. examples.
Both techniques yield beautiful results, it's just that I learned from a mentor that preferred the approx. 0.5 to 4 sec. range.
60D ~ 17-40mm f4L ~ 17(27 eqv)mm @ f22 ~ ISO 100 ~ 0.8 sec ~ ND8 + 25%GND filters ~ LR5
0.5 sec.
Eric ~ Smugmug
0
Comments
Sorry to say I have not tried ND nor GND filters. May I ask are you using two filters at the same time?
Thanks
"You don't take a photograph, you make it." ~Ansel Adams
Phil
Eventually I will get past the novelty and only use it when the scene calls for it. However, until then, it's super-duper-milky-misty-heavenly shots for me.
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Yes, I am using threaded filters here... which can be problematic when stacked - vignetting, distortion, etc. are possible.
Results vary, depending on lens model and focal length, quality, number and order of filters (2 is usually not a problem), however,
using slim-mount filters helps with these problems - I manage to stuff the circular polarizer in there too sometimes, with decent results.
Give it a try - it's challenging, fun, and rewarding when you're surprised with a cool image - you never quite know what you've got 'til processing time.
imo, the long exposure technique is fairly resistant to the novelty pitfall - unlike HDR, which - when noticeable - gets pretty poor reviews these days.
When all the other elements of a desirable image are present, adding the "super-duper-milky-misty-heavenly" effect still seems to resonate with many viewers.
Have fun man, and stay afloat!
First one has components adding up to a leading-line effect and drawing my attention to light penetrating from the sky.....
Second one has nice milk fountain affect...
I would have liked something more grand though......or dream like state.....or something gnarly......something that makes you wonder......etc etc. Cheers!
Thanks for the feedback Taz... always appreciated, and sometimes worth up to 3 cents... j/k !!
I understand your preferences and can agree to the extent that they are very subjective (define grandeur) and would argue that if you study the foreground of #1, you might find some "dreamy".
These are certainly not the the finest examples of this technique to be seen (the sky was unremarkable that evening),
just some examples for the sake of discussion - I have a friend/mentor who's work will actually bend your mind... truly humbling.
Gnarly is probably tangible... maybe this one will be more so?
This is good advice Taz... the key to learning and growth for all of us... I know I gots lots to learn!
It also helps to study the work of masterful photographers - so, please, please, check-out this artist:
http://www.scapeshots.com/
imo, this is how to do it!
Thanks Eric! No one is more enthusiastic about learning than me so every time I pick up bits and pieces of knowledge, I celebrate.
I checked out the site......its okay......nothing jaw dropping or something WE can't handle. What I see in most of the scape-shots is color in sky, some reflection, some milky water in foreground......no unique POVs.......challenge it so create more impact....produce what is NOT obvious......evoke emotions......urge to be there.....JMO! Cheers!
Owing to the fact that appreciation for most forms of art and media is highly subjective, I can understand if this work does not strike you... but I could not disagree more.
I think you have identified some worthwhile objectives for the photographer, but the path there, and the measure of success is, again, often individual, subjective, and can be shared by many/most, but of course, not all - that's the nature of the beast.
Also, please don't include me in the WE - I am but a pimple on the butt of actual *good* photographers.
I am waiting to graduate to pimple hood!
Here's a stab at #1 - I slapped it around pretty hard with LR5 trying to get the contrast up...
My reaction is, that it's not un-pleasant (I like B&W a lot anyway), however, I think the distinction
(what little there was) between sea and sky is lost due to the blandness and tonal similarity of the sky.
Overall I think I prefer the color version for the above reason and the pastel color effect... what do you think?
Gallery: http://cornflakeaz.smugmug.com/
Hi Don,
Thanks so much for weighing-in... being a bit familiar with your work, and liking it a lot, I trust your eye
and your taste... you made me take another look and find that potential. Cheers to AZ!
Link to my Smugmug site
You da' man in landscapes, so, it's very nice to catch your eye...
So, I guess I won't pawn my kit this week... :lol
Cheers!
Gallery: http://cornflakeaz.smugmug.com/