Cyndi - Seductive or Sinister??
At a quiet, beautiful waterfall somewhere in the land of BilCyn, when dusk starts to fall the dark fairy comes from her lagoon to prowl her world. Do you hunt for her or run for your life?
The entire gallery of this shoot (including model shots) is being worked on here:
Zenfolio | Bilsen Galleries | Cyndi Dark Fairy
2.
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5. That Caution sign is not kidding
6.
7.
8.Ahhh she has spotted something (or someone)
9.
10. NOW WHAT?? Do you run or do you risk?
The entire gallery of this shoot (including model shots) is being worked on here:
Zenfolio | Bilsen Galleries | Cyndi Dark Fairy
2.
3.
4.
5. That Caution sign is not kidding
6.
7.
8.Ahhh she has spotted something (or someone)
9.
10. NOW WHAT?? Do you run or do you risk?
Bilsen (the artist formerly known as John Galt NY)
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
0
Comments
I do have a few as you discuss like this. I just didn't show them here.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
www.cameraone.biz
I don't know about a patent BUT we call it BilCyn Falls and I am not allowed to use that location with anyone else. It's a small price to pay. OL
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
I take it your vote is for seductive.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
That's not what I had in mind. The concept is great, the execution of the technicals is where it falls short. This doesn't scream predator or anything else described in your concept idea. The pose looks like she is about to run a track meet, not sinister or seductive. She gets lost in the backgrounds.
Substitute bird with the model. This was at 300mm on a DX body and I was good distance away so I wouldn't bother the bird. It was stalking crawfish and was focused on the task at hand. I don't separate wildiife, landscape, or portrait work into different categories. I apply what I learn in each genre and apply a little bit into the other. For a crawfish there is a quite a bit of danger in that pose and look. It is focused and ready to pounce. For your concept I would apply that focus with seduction for the model shoot. Seduction and Sinister are primal, this is why stalking animals would be my inspiration for this concept. I would also use a long lens to make it look like I just happened to come across the scene from a safe distance away. Shooting from a distance conveys danger, shooting close conveys calm and peace. I think your concept is great, the technicals is where it falls short because your choice of how to frame and what lenses you used doesn't convey what you describe as what you were trying to accomplish. If the shoot was just a fantasy shot by a waterfall in costume then you got some good shots. If you are trying to convey something dangerous, seductive, or sinister it doesn't come across like that and the costume choice doesn't help.
Of course, everyone's mileage will vary. That's what's great about this hobby.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
Love the sharpness and the model. The only thing I do find a bit less , and that is a small detail is the light temp. Its a bit on the blue side , a bit to cold.
Otherwise great work and what a luxury to have such an area to shoot.
I'm not sure if I get the images or mjust the title wrong but you're the second " neither". Actually, your take reverses Cyndi from prowler to victim. Really interesting comments from both you and Jon.
Anyway, the bulish WB is intentional. These were shot in mid-afternoon but I cooled them off to reflect dusk ans some darkness.
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen
6,7,8 comes close, minus a few hot spots in the background. I've always thought that dusk was between sunset and darkness, and these show sun peeking through in spots. The others clearly show areas brightly lit by the sun. If these can't be re-shot, I would darken those bright areas in PS to match the rest of the background.
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
Canon 600D; Canon 1D Mk2;
24-105 f4L IS; 70-200 f4L IS; 50mm 1.4; 28-75 f2.8; 55-250 IS; 580EX & (2) 430EX Flash,
Model Galleries: http://bilsen.zenfolio.com/
Everything Else: www.pbase.com/bilsen