Color management issues :-/
divamum
Registered Users Posts: 9,021 Major grins
Ok, took the plunge and replaced my $29 Canon pixma ip2600 with an Epson 810. It *exactly* fits where I need it on the shelf. Paper printing looks great. Scan autofeed is AWESOME (software pretty good too). But photo prints look AWFUL - I mean really, really, REALLY bad, not merely "not good". Colour way off, dark, or oversaturated.
With the Canon, I just let it manage colour; I usually had to boost brightness a little before printing, but overall they were pretty nice. I've tried every option I can figure out including letting the printer manage colour, deselecting printer management, different profiles in lightroom etc etc, and they are all DREADFUL. This was printing from a tiff (should that be a problem - do they have to be jpgs?!) and it didn't get anywhere close.
Monitor calibrated with a spyderpro.
Suggestions? Bleah. Disappointing, to say the least. If I can't sort this out, it needs to go back, as it's useless for photos with this kind of colour.
With the Canon, I just let it manage colour; I usually had to boost brightness a little before printing, but overall they were pretty nice. I've tried every option I can figure out including letting the printer manage colour, deselecting printer management, different profiles in lightroom etc etc, and they are all DREADFUL. This was printing from a tiff (should that be a problem - do they have to be jpgs?!) and it didn't get anywhere close.
Monitor calibrated with a spyderpro.
Suggestions? Bleah. Disappointing, to say the least. If I can't sort this out, it needs to go back, as it's useless for photos with this kind of colour.
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You did not mention your profiles for your paper. I wondered if there even were profiles for the Epson XP810 - that is your printer isn't it? What paper are you using?
I do find profiles for the Expression series of Epson printers on the Red River paper site. I did not seem to come across profiles for the XP810 on the Epson site, for some reason...
Moderator of the Technique Forum and Finishing School on Dgrin
Win 7.
When I select "color management profile" in Lightroom, I get a dialogue box allowing me to view what's available - it inclues adobeRGB, printer drivers, monitor profile etc. Nothing I've tried so far gets me close.
You can see what I'm up against from the snapshot of the prints (lower photo): the top two were when I switched off the printer's color management and let Lightroom do it; the bottom two are variants on the printer's management after I played around with the gamma in the printer properties. Lower right is full auto, and the closest, but VERY saturated red, so it's still not quite there (original shot underneath the lightroom dialog). I'm using "generic" gloss paper while I'm experimenting (I have a pack of HP "everyday gloss") and selected what I thought was the appropriate paper option for that. I'm not running it at "high quality", since I don't want to burn an entire pack of ink on test shots, but dpi/res isn't the problem, color is.
Advice welcome. There MUST be a way of doing this since it is clearly a color management problem, but I have no idea what to do!! This printer regularly gets raves for its photos (one of the reasons I chose it), and these are just ghastly.
PS Irony much? When I posted these shots here, everybody said they read too hot and a bit yellow..............
And Yes, turn off the printers color management and let LR take care of the color. But you MUST have the appropriate paper ICC profile. Then things should start to come together.
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Are you using Epson paper, or something else?
Moderator of the Technique Forum and Finishing School on Dgrin
Changing paper to Epson stock finally got it in the ballpark; I then tweaked using LR's print brightness slider, and knocked vibrance down a tad (it seems to want to oversaturate).
Next problem was that it started hanging halfway through a print, and then spitting it out only half printed. Google reveals this is a known problem with Epson, usually related to turnaround space for large files. Will have to work on that (wasteful!), but for now dropping ppi to 240 (from 300) seemed to solve it.
Hopefully this thing will settle in better than it's started - it's been a long time since I've had a piece of equipment that was this much of a pain to set up and this aggravating!!!!!!!!!!!
You might want to look at this printer too, which is more of a bookshelf printer. No experience with it. http://www.bhphotovideo.com/c/product/542692-REG/Canon_1446B002_Pixma_iP100_Photo_Printer.html
Link to my Smugmug site
Btw, these are never client prints (I order those from pro labs when needed, and I don't really deal with prints that much anyway), so that's not a consideration - it's for general printing, occasional prints for myself, or "oh sh** I ran out of headshots" the night before an audition, and that sort of thing. So... basically I need a small home office printer with acceptable photo capability.
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Having said that, I admit that I am not all that hot on printing. I sort of, get by. For the gallery quality products -- McKennaPro and BayPhoto.
Be my guest: Alex Braverman Photography
I do wonder, however, why a consumer-grade printer - which many end users WON"T use in anything but automatic - is quite so picky (and how those end-users who aren't color-managing their files atre getting such great shots out of the box)? Weird. For now, it stays. For $130 it will fill my needs for the time being, but you can bet Ill be watching future Canon offerings, since I'm sure in due course they'll come up with something comparable that isn't quite such a spaceship!!
No-no-no. Printers have nothing to do with it, they just place droplets as instructed. It's the "Paper Instruction Manual" for the printer that is missing.
Here's where to find the profiles for Ilford paper: http://www.ilford.com/printer-profile-list
Great paper, not outlandishly expensive, and the profiles are available most for anything that prints photos. Try Ilford Pearl, cheap and stunning.
Be my guest: Alex Braverman Photography
Learning curve for me, obviously!
PS No ICC profile from Ilford specifically for this printer, or even from the Epson XP line of printers (unless they call it something else in Europe -Ilford is, iirc, a British brand)
My expectations would be OK scans for record keeping / internal use. CD printing OK but not stellar. Photo prints should be OK but your not going to get a good color match. It should do better printing photos on full auto.
Try printing one or more of the print targets online. Follow the direction EXACTLY!! Do not use any color management at all!!! This will tell you what the printer will do on it's own without any additional color / paper input. It will provide a base. Let us know the results.
If your serious about getting high quality prints you need to get your checkbook out and yes you will need space. Expect a learning curve.
Sam
Again, for client/ display prints, I send them to a pro lab - anything print at home is for personal or "emergency" use only . Now that I've figured out how to get them looking ok, it'll do just fine.
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Ian,
I agree it should put out an acceptable (defined as something you might get from Piggly Wiggly, or as you said, "something you can at least look at")
My experience with cheap dye based printers has been less than stellar. The fact that the printer interface accepts icc profiles does not mean the printer can actually use them well. The best results I have had are when I let the printer determine colors.
I can't remember if color space was addressed or not. When faced with something like this it is best to start from scratch. Get a good print target from online download it. DO NOT put it in LR! Keep the taget color space as downloaded. Probably srgb, 8 bit. Print from Photoshop or other program and let the printer determine colors. If this doesn't give you a print"you can at least look at" then yes you have some serious issues.
As a side note about a year ago I bought an Epson Artisan 810 all in one. I wanted it primarily to print CD's, but also for general text printing, internet info printing, document copying. Only general office use, and maybe printing CD / DVD covers, rather than fire up a 44" printer for 5" square print.
While Epson may have a good name this unit was totally unacceptable, and I returned. From this experience I am very reluctant to consider another Epson product.
Sam
I looked at the printer spec, it is not defined by Epson as a professional photo printer. Not sure it can even take anything but sRGB.
Be my guest: Alex Braverman Photography
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Now that's out of the way - here's another quick cellphone snap comparing the different results with the paper swap (and a few tweaks of brightness in LR). I still say the cheapo Canon printer took less effort to get to acceptable prints, is much more forgiving over what paper is being used, and if I make another printer purchase I'll do everything I can to go back to Canon brand, but for now.... this will be acceptable for the nominal amount of printing I do at home.
NB: compare them to each other, not empricial color numbers - this was a snapshot taken with my cellphone and thus has its own color-cast. The comparison between them remains obvious, however, IMO. Top two are on the HP generic gloss paper - hideous (#1 LR managing colour #2 Printer on "auto" with added brightness). The bottom two are on Epson's semi-gloss, ICM/printer management off, LR handling everything (including a brightness boost). They're more than acceptable in person (and without question better than Walmart).
Also, just a thought. You haven't actually seen all these photos printed that folks are raving about have you?
I don't want to make it even more difficult, I think this type of info will help you to understand what's going on: http://www.drycreekphoto.com/Learn/profiles.htm
If this little piece of info is inadequate, please google "printer paper icc profiles" or something of this ilk. There bound to be a simple explanation that you will like. Since you are getting some rather professional engagements as wedding shooter and so on, you would really benefit by understanding how color works in the digital world, and why there are so many "color spaces" and why misapplying them could generate horrible results.
Or.... get Canon PIXMA (not all in one), use Canon paper, and use the built-in Canon setting for their papers. (I'd still try to understand these pesky color spaces!)
Be my guest: Alex Braverman Photography
Sounds like it might be good to just start over maybe?
Ian, I am just about ready to revert to defaults and start from scratch.... If I can figure out how to do that without losing all my presets!!!
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YUP. See related (new) thread. I thought of this post of yours as I plugged it up and tried the first print yesterday and, sure enough, perfect right out of the box. No issues AT ALL. I've kept the Epson for office use (it's great at that), but I will never, ever use an Epson for photos ever again - what a pita that thing has been.
The pixma is indeed huge but juuussstttt fits under my desk. Waiting on a small wheeled cart I ordered for it so I can actually get at it (and still have some room for my feet lol).
Link to my Smugmug site