How to handle an enquiry
Just been approached by somebody (friend of a bride I shot last year) for a small synagogue ceremony. I've asked her the usual questions, but having never personally been to a Jewish wedding, am not sure if this is something my inexperienced self should even consider (with a mere two weddings under my belt). She says it's small/short service, but I'm hesitant to commit until I know more.
Photographic pitfalls/limitations/things I should know about Synagogue weddings? Specific questions I should ask? Thanks in advance....!!
Photographic pitfalls/limitations/things I should know about Synagogue weddings? Specific questions I should ask? Thanks in advance....!!
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Unsharp at any Speed
Care to elaborate? Since I"ve never been to or participated in a synagogue service, I have no idea what to expect other than what I've seen in the movies (canopy, glass-breaking etc), and would hate to presume.... lol At this point I don't even know what questions to ask her, really, so trying to information gather
"Ketubah signing is before the ceremony, and I'd like that in pictures. Ceremony will be relatively short, probably about 20-30 minutes if that. That will be worked out more when we actually sit down with our Rabbi after the Chagim. Very small reception afterward in the same building...like an hors d'oeuvres hour sort of thing. We won't have a wedding party per se. Two official witnesses. Then a guest list of between 30-50 depending on who can make it. So the Ketubah signing and ceremony, definitely shot, and maybe the beginning of the reception, but as it's very low key."
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Gary
Unsharp at any Speed
PS Protocol stuff taken on board for sure if I do the gig but before that... gotta figure out what the gig IS!
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=Matt=
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Usually you're not actually going INTO the synagogue itself, at least not the worship area like you'd expect from a christian ceremony. Most Jewish ceremonies I see take place outside, or in a different type of sanctuary.
=Matt=
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See? I rest my case. This is why I need to know more than I do
1.) To say that all weddings are "essentially" the same is a gross, in fact dangerous understatement. Hindu weddings in particular, lol, can be absurdly complex and require incredible amounts of explanation, direction, and hopefully, experience.
2.) Like Israeli airline security, Jewish folks don't mess around. Heightened security is a permanent thing for certain areas, especially the most devout / orthodox. I've had my car searched before, and was almost turned away because I once had an empty gas can in my trunk. I don't mind, I understand that they gotta do what they feel is necessary so that any enemies of that religion don't get any ideas.
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I may only have shot two weddings, but I've sung more than a few. All weddings are NOT the same. No freaking way. Some of those differences can be dealt with via communication before the fact, but not all of them. You simply have to KNOW what's coming ... and, as a photographer, position yourself accordingly. Even within the Christian tradition there can be pretty big differences between orders of service, as I'm sure there is between any other denominations.
I like to do my homework. I feel if I am taking a good sized chunk of money from somebody to do a job - be that singing, taking headshots, or shooting what is THEIR important life-event - I have to be sure *I* am prepared. Which includes reaching out to people who may have done the job and can at least guide me towards what questions to ask to get the information I need. Isn't it just due diligence? Given the squillions of "why do so many clueless people shoot weddings? Why don't people prepare? Why does every Uncle Bob think he can do the job?" threads that are all over the internet, it's highly amusing that anybody would jump down my throat for trying to ensure I'm NOT one of the Idiot Factor because I didn't bother to learn what was needed.
Back to my client: she is still a bit vague herself on what she wants, but I"ve suggested we meet and talk it through over coffee so I can figure out what the heck is needed. At which point I can give her a quote (I gave her a "starting from" number, although having started with "Just a couple of hours coverage" she's now talking "artistic bridal portraits as well" so it's definitely NOT going to be the bottom end once that's involved). And once she has talked to her Rabbi and confirmed the details with him as well, I can make plans accordingly. If she wants to use me, then I'll do the best job I can... which includes learning what I need to know BEFORE the even itself.
Just keep doing your due diligence and caring about your clients. It's a good thing.
Sam
I agree, on one level it's all still shutter speeds, flash power, good timing, and such.
However it's still really important to know when to be where, otherwise you WILL miss stuff. Is it a Garba, a Sangeet, a Mehndi? A Pooja, a Baraat, a Vidai...
And why did EVERYBODY just start bawling their eyes out, lol?
Uh oh don't change lenses now, or you'll get rice inside your camera...
Admittedly, at some events they sit in the same place for 90 minutes, however for other rituals they move all over the place, going outdoors to bury something in the yard even while other proceedings carry on with or without you.
Much of the time, on-the-go rituals involve everyone cramming extremely close together, sometimes things even get quite rowdy.
Bottom line, it's very smart to invest a fair amount of time to talk with the couple and/or their parents about what is going to happen where and when, otherwise you'll wind up looking like an idiot on the day-of if you continually ask people to wait for you to get into position, or re-do something that you missed. Or depending on how devout the couple is, (or their parents!) you can repeatedly make an ass of yourself by asking the coupe to do things they're forbidden from doing on this day or that! Even then, with all that prep, the first few events will be terrifying and hectic.
Sorry for the rambling reply, I just happen to work for a studio that does a LOT of high-end Hindu weddings, and they're definitely some of the most intense conditions I've ever photographed in. Call me dangerously dramatic, but I just want photographers to avoid getting blindsided by something they weren't expecting, and brides to avoid getting the wrong photographer for their level of expectation.
=Matt=
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Preparation is what enables you to recognize opportunity as it happens.
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I have a checklist I run through for every wedding I book and a HUGE check for me is the itinerary. I've photographed one Jewish wedding and I did it having never been to a Jewish wedding and with no rehearsal (I always try to attend rehearsals). If there's no rehearsal, I required an itinerary ahead of time without a question. That way, when I have questions, I can ask them.
Do what I did for my Jewish wedding. Go online and look up all of their typical traditions and then when you have the itinerary, you can go over it with the couple and know what you're talking about. They get to hear you fumble through traditions you've only read about but will appreciate your effort to understand their special day. At least mine did.
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Sarah, she already mentioned the Shabbat restriction, but they're getting married on a Sunday, not a problem
Diva, don't miss the glass-breaking, it can happen quickly and is easy to miss. Think about where you want to be positioned when it occurs.
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There is usually never any rehearsal for any of the Hindu ceremonies, just a priest and a couple relatives who know what to do, and guide the couple through the various rituals.
Thankfully however, there is TONS of info online about the various ceremonies, so if the client says they're doing XYZ, you can easily google it and read up on what is the most important part. Otherwise you risk sitting through a 90+ min ceremony of relatively slow-paced stuff, only to miss the one instant where you absolutely gotta be ready to click. ;-)
=Matt=
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Indeed, however depending on the level of their orthodox-ness, (sorry if that's not politically correct) ...you can find yourself in a similar situation as to where to position yourself and what to shoot, and being in situations so crowded that if you don't preemptively get to exactly the right spot, you'll miss the photo altogether...
Either way, good luck! I'm sure that with just a little bit of talking and preparation, you'll be fine.
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