These are all quite nice. I even like the somewhat cliche-ish #1. And I like the variety of expressions. The OOF in #4 is very cool!
I do wonder about the choice of the bottom (the photo and the body) crop in 2, 3, and 5. Removing the full length of her legs makes "that part" look disproportionately heavy. I would not shoot this woman 3/4 length while she's wearing tight pants. A loose dress would fix it, full length will fix it, or waist up would fix it also. Unless, of course, this is the way she wants it.
These are all quite nice. I even like the somewhat cliche-ish #1. And I like the variety of expressions. The OOF in #4 is very cool!
I do wonder about the choice of the bottom (the photo and the body) crop in 2, 3, and 5. Removing the full length of her legs makes "that part" look disproportionately heavy. I would not shoot this woman 3/4 length while she's wearing tight pants. A loose dress would fix it, full length will fix it, or waist up would fix it also. Unless, of course, this is the way she wants it.
Alex,
Thanks for the critique! I see what you mean. If we ever do a formal shoot I will try to remember your tip.
Peoples is hard to take pretty pictures of.................:D
What is interesting is my favorites are #2 and #3. #2 simply because I know her and this is not really her typical look. I asked her not to smile and this is what I got, she really looks angry but was laughing immediately after the shot.
Great job on color and exposure. I would change some of the posing but that is personal preference. Biggest nit is the lighting is mostly flat. Need some shadowing to add depth.
Great job on color and exposure. I would change some of the posing but that is personal preference. Biggest nit is the lighting is mostly flat. Need some shadowing to add depth.
On the second glance: there's a heavy shadow behind her back in #2, and the same shadow on the railing in #2. There's also the elbow shadow in #5, and I don't care for her reflection there as well.
Forgive my nitpicking, but there could be something useful in it. So... without lighting up the background I wouldn't put a model so close to the wall or anything that displays shadows; if you must shoot next glass either use a polarizer or make the reflection a part of the composition. How does that sound?
Comments
My nit: In # 4 she has pulled her chin in making her face appear a bit rounder/heavier than it is.
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Thanks!! Good catch on #4. I didn't see this at all until you pointed it out.
Sam
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
I do wonder about the choice of the bottom (the photo and the body) crop in 2, 3, and 5. Removing the full length of her legs makes "that part" look disproportionately heavy. I would not shoot this woman 3/4 length while she's wearing tight pants. A loose dress would fix it, full length will fix it, or waist up would fix it also. Unless, of course, this is the way she wants it.
Be my guest: Alex Braverman Photography
Alex,
Thanks for the critique! I see what you mean. If we ever do a formal shoot I will try to remember your tip.
Sam
Peoples is hard to take pretty pictures of.................:D
What is interesting is my favorites are #2 and #3. #2 simply because I know her and this is not really her typical look. I asked her not to smile and this is what I got, she really looks angry but was laughing immediately after the shot.
#3 for the processing.
Always interesting to see what others see.
Sam
www.cameraone.biz
Yes......another good thought.
Thanks!!
Sam
On the second glance: there's a heavy shadow behind her back in #2, and the same shadow on the railing in #2. There's also the elbow shadow in #5, and I don't care for her reflection there as well.
Forgive my nitpicking, but there could be something useful in it. So... without lighting up the background I wouldn't put a model so close to the wall or anything that displays shadows; if you must shoot next glass either use a polarizer or make the reflection a part of the composition. How does that sound?
Be my guest: Alex Braverman Photography