Fantastic work Gary! Your ability to get close and capture expressions.........clap
Thanks Stumblebum. I never swam competitively. When I looked at what the kids had to do I was amazed ... you have to move fast while not breathing half the time, when you can breathe that breath is half filled with water and the entire time you're pushing against a pool full of water.
Thank you Phil. No, this is California, 90% of the pools are outdoors. The pool was partially shaded by the bleachers and bleacher coverings.
Yep, I thought about that after I posted my comment.
Good to see Maze and Blue (UofM) colors though in the image. :ivar
Tonight our camera club has a presentation of sports photography. FACT - Face, Action, Contact and Toy (ball, stick). I wonder if water is considered the Toy for swimming?
While in general, I think these kids of guidelines are helpful, many of the most iconic sports images in history have laced several of these elements. To me, more than anything, a great sports image is about moment and context. Whether it's Y.A. Tittle in the endzone, Jesse Owens at the Olympics, Ali vs Liston, etc. The context is crucial, as is the moment. Michael Jordan kissing the trophy in the locker room with champagne flowing, or him collapsed in a heap as the emotions of his father consumed him. Two powerful moments. Three black athletes with fists raised in the air. Context was crucial. Greg Lougainis slumped in the water after hitting his head on a diving board.... context.
What I am afraid of is that by encouraging people to mostly shoot "to the formula" we will discourage them from making iconic images that should be pursued.
Tonight our camera club has a presentation of sports photography. FACT - Face, Action, Contact and Toy (ball, stick). I wonder if water is considered the Toy for swimming?
While in general, I think these kids of guidelines are helpful, many of the most iconic sports images in history have laced several of these elements. To me, more than anything, a great sports image is about moment and context. Whether it's Y.A. Tittle in the endzone, Jesse Owens at the Olympics, Ali vs Liston, etc. The context is crucial, as is the moment. Michael Jordan kissing the trophy in the locker room with champagne flowing, or him collapsed in a heap as the emotions of his father consumed him. Two powerful moments. Three black athletes with fists raised in the air. Context was crucial. Greg Lougainis slumped in the water after hitting his head on a diving board.... context.
What I am afraid of is that by encouraging people to mostly shoot "to the formula" we will discourage them from making iconic images that should be pursued.
Excellent points and examples. Moments and Context - will keep that in mind.
Yep, I thought about that after I posted my comment.
Good to see Maze and Blue (UofM) colors though in the image. :ivar
Tonight our camera club has a presentation of sports photography. FACT - Face, Action, Contact and Toy (ball, stick). I wonder if water is considered the Toy for swimming?
Phil
on the Maze and Blue ... I'm more of a Cardinal and Gold fan myself. How was that that sports presentation?
on the Maze and Blue ... I'm more of a Cardinal and Gold fan myself. How was that that sports presentation?
The presentations - two photogs - covering many sports. The first part covered the important sport moments for a number of sports - key word MOMENT. And a number of shots discussed emotions and why some shots were memorable to the photographer - CONTEXT.
So your comment was totally right on. I do think that keeping in mind those two important facets and the FACT guidelines can help somebody just starting out.
I think panning with swimming will require a ton of luck because of the huge volume of water that is constantly in play over the swimmers body. You'd have better luck with the long distance (but slower traveling) swimmers as the long distance swimmer expends less energy per stroke than a sprinter.
Would you mind sharing the exif data for horse and motorcycle shots, which are fine shots I might add!
The cycle is Nikon F, 135mm, Tri-X, maybe 1/30 ... 1/15. For the cycle I purposely went to the turn and positioned myself in the center of the radius figuring that subject would be the same distance to the camera throughout the pan. I'll take any help I can get.
The horse is:
Camera Canon EOS 5D
ISO 160
Focal Length 180mm (180mm in 35mm)
Aperture f/16.0
Exposure Time 0.0166s (1/60)
1/45
1/40
1/15
These were at Santa Anita. They have work-outs in the morning which are free to attend. So check out your local track.
Comments
Thanks Stumblebum. I never swam competitively. When I looked at what the kids had to do I was amazed ... you have to move fast while not breathing half the time, when you can breathe that breath is half filled with water and the entire time you're pushing against a pool full of water.
Gary
Unsharp at any Speed
These are excellent shots.
What was lighting like? I assume it was indoors.
Phil
"You don't take a photograph, you make it." ~Ansel Adams
Phil
Thank you Phil. No, this is California, 90% of the pools are outdoors. The pool was partially shaded by the bleachers and bleacher coverings.
Unsharp at any Speed
Yep, I thought about that after I posted my comment.
Good to see Maze and Blue (UofM) colors though in the image. :ivar
Tonight our camera club has a presentation of sports photography. FACT - Face, Action, Contact and Toy (ball, stick). I wonder if water is considered the Toy for swimming?
Phil
"You don't take a photograph, you make it." ~Ansel Adams
Phil
What I am afraid of is that by encouraging people to mostly shoot "to the formula" we will discourage them from making iconic images that should be pursued.
perroneford@ptfphoto.com
Excellent points and examples. Moments and Context - will keep that in mind.
Thanks, Phil
"You don't take a photograph, you make it." ~Ansel Adams
Phil
Unsharp at any Speed
Bravo!
The presentations - two photogs - covering many sports. The first part covered the important sport moments for a number of sports - key word MOMENT. And a number of shots discussed emotions and why some shots were memorable to the photographer - CONTEXT.
So your comment was totally right on. I do think that keeping in mind those two important facets and the FACT guidelines can help somebody just starting out.
Phil
"You don't take a photograph, you make it." ~Ansel Adams
Phil
I asked the same question of one of the photogs last night - had not tried it.
Phil
"You don't take a photograph, you make it." ~Ansel Adams
Phil
sprint
long distance
I often use slow shutter to show speed.
Unsharp at any Speed
Thank You.
Unsharp at any Speed
The cycle is Nikon F, 135mm, Tri-X, maybe 1/30 ... 1/15. For the cycle I purposely went to the turn and positioned myself in the center of the radius figuring that subject would be the same distance to the camera throughout the pan. I'll take any help I can get.
The horse is:
Camera Canon EOS 5D
ISO 160
Focal Length 180mm (180mm in 35mm)
Aperture f/16.0
Exposure Time 0.0166s (1/60)
1/45
1/40
1/15
These were at Santa Anita. They have work-outs in the morning which are free to attend. So check out your local track.
My fav from that day.
Gary
Unsharp at any Speed