Oasis in Snow
AlexShark
Registered Users Posts: 198 Major grins
Thank you for your comments.
Photography is about what does not meet the eye
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Interesting comment, thank you. I am more inclined to crop the top. The vast run-up induces the sense of desolation, while the sky signifies nothing.
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I agree with cropping the top, just a little bit above the top of the power poles.
I'd also burn in the buildings and trees, or raise the black point to make them 'pop' a little bit more.
It's an interesting image now, with just a little more emphasis, I think it'd be powerful.
zou bij mij in de polder (Noord-Holland) genomen kunnen zijn.
mee eens, om er wat van de onderkant af te halen.
grt,boco.
Hi JC, thank you for the feedback.
A question: why would the pesky "pop" make it more powerful?
The photo is perfectly exposed, all I need to do is delete a couple of layers and it will pop. But... wouldn't it become a perfectly boring photo of practically nothing?
I'm hopeless at landscapes, I don't understand them and don't like them. And don't shoot them. But let us assume for a moment that "Oasis in Snow" is a metaphor -- and not of an object, but of state of being. Emptiness of mind and soul, desolation, being the last person on the planet... The cold is not a weather report, but a personal experience. Then what? Then how do we shoot and process?
The rest can be found here: http://alexbraverman.smugmug.com/Photography/Landscapes-and-Nature/Oasis-in-Snow-1/
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Also have difficulty understanding why everything apparently has to 'pop'
pp
Flickr
I certainly like the concept and the minimalist view.
Phil
Phil
Luck happens when preparation meets opportunity!
Why?
Briefly? It's what I'd do(as I said) because of the title.
In depth?
The title implies to me that the emphasis is on the homestead/ranch" the buildings, trees and power, as distinct from the storm. You didn't call it 'lost in the storm' or 'fading away' which would indeed give a different lead in to the picture.
It's a high key image, I get that, but burning the shadows or raising the black point for the buildings and trees would retain the high key, but provide more details for the eyes to see in the homestead, making it 'pop' more out of the landscape and emphasizing the anthropogenic aspect. Even the best sensors/film still struggle to replicate what the eye can see. So, to my mind, and my perception, making it easier to see the homestead as something distinct and standing out from the landscape fulfills the title more, or helps to carry out the perceived intention of the title.
I don't really know what you mean by deleting layers. IMHO, the most mathematically correct exposure may still leave room for post processing interpretation.
Thank you for your thoughtful reply.
Technically, i have a number of post processing layers in Photoshop. Some of them are aimed at reducing the "pop," making the scene more of a mirage. All I need to do is delete these adjustment layers and the "pop" will be right back.
i understand where you're heading with it, and I am grateful for your time and interest.
Best,
Alex
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