Different Backgrounds
lifeinfocus
Registered Users Posts: 1,461 Major grins
Crucifix at our church in Midland, Mi. I took the shot at a fair distance on a tripod to get a straight on perspective. Closed viewfinder and used remote trigger. Manual white balance and ambient light.
Then I replaced the backgrounds and finally added a black background to the one I like the most. Used refine edge in PS to ensure a good transition - hopefully.
Comments are truly welcome. Phil
1. Original image and true background.
2. Black to white gradient background.
3. Gold to white gradient background. Gold was sampled from the Crucifix.
4. Gold gradient image on a black background.
Then I replaced the backgrounds and finally added a black background to the one I like the most. Used refine edge in PS to ensure a good transition - hopefully.
Comments are truly welcome. Phil
1. Original image and true background.
2. Black to white gradient background.
3. Gold to white gradient background. Gold was sampled from the Crucifix.
4. Gold gradient image on a black background.
0
Comments
You have your gradient running from dark above to white below, left to right, and I might suggest trying it with the gradient matching the original shadow relationship - in other words with the upper right corner white, and the lower left corner black.
A white to black gradient is an artificial background, but I think works better when it matches/complements the lighting pattern in the original image. I can't always do this with all my efforts, depending on the original lighting, but I try to configure the gradient to match the shading on the subject if I can. I think that works better for my eye.
I may be displaying my own eccentricities, but I prefer the simple black to white gradient over the golden gradient
I think this might be interesting as a monochrome image also.
The selection and margins look pretty clean at the size I see them here on the screen.
Was this lit with fluorescent lighting maybe? When I read the screen pixels in the white wall ( i assume it is white ) it actually reads higher in green, than red or blue. Especially along the margins of the cross, but on the wall itself.
I think there is a bit of a green cast to the first image, maybe.
Moderator of the Technique Forum and Finishing School on Dgrin
Thanks very much for your excellent analysis. I will work on this some more given your feedback. I have a few other perspectives and lighting arrangements I would like to try in near future.
Phil
"You don't take a photograph, you make it." ~Ansel Adams
Phil
#3, #1, #2, #4.
Once again Thanks for Jim for detailed analysis! I learn something every time you post!
While I don't know how to create these backgrounds, I know I should at least check for the shadow play!!
Cheers!
I now know I should check for shadows a little more too!
Thanks for comments as always.
Phil
"You don't take a photograph, you make it." ~Ansel Adams
Phil
Thank you Pathfinder!
Phil
"You don't take a photograph, you make it." ~Ansel Adams
Phil
Moderator of the Technique Forum and Finishing School on Dgrin