I really lilke this set - great feelings of loneliness. I don't agree with Taz about the footprints in #3 - I like the mystery of "who was here, where has that person gone?", but I agree with his suggestion about the crop.
Just being nit-picky: in #2 I'm a little bugged that the crop on the archway is not dead center. And in #4 I wish the snow were less blue.
"Photography is partly art and partly science. Really good photography adds discipline, sacrifice and a never ending pursuit of photographic excellence"...ziggy53
Nice set - really speaks to Montana! In #4, I would use the lasso tool, circle that little sapling and use the Content-Aware Fill to remove it. No one would know, except us of course .
I spend a lot of time in Montana and these are some great Montana winter images.
Definitely #3, great shot thumb. I agree with Anna, I would warm this up just a tad.
#4, the small sapling works for me. I see it as an integral part of the story, the small sapling struggling against the elements, and the large tree, success of survival. Maybe a crop off of the bottom, half way between the two diagonal blue shadows.
Phil
I don't know where I'm going, but I'm going anyway.
#1 is about as minimal as it gets. One can imagine the tourist board's poster, "Montana: Get away from it all"
My favorite is #4. It leaves you wondering what those shadows are from (if that's what they are, dunno). Very nice.
, I'm sure Montana would love that
Yep, shadows it was one of those opportunistic moments as I'd been driving in the hills behind Helena, Montana looking for a more 'epic' viewpoint then decided on some minimalism instead.
My first reaction was that it's brilliant. Then I noticed that the horizon and hence the pole were tilted and I thought, "you had one job to do...."
Really a delightful and slightly quirky set.
I've been a called a lot of things, but I'll take *almost* being called brilliant for my work Nothing was straight in that scene, I actually wondered about your comment and took another look in LR. Straighten the p;ole and the horizon is off and vice versa. It's perfectly imperfect.
I really lilke this set - great feelings of loneliness. I don't agree with Taz about the footprints in #3 - I like the mystery of "who was here, where has that person gone?", but I agree with his suggestion about the crop.
Just being nit-picky: in #2 I'm a little bugged that the crop on the archway is not dead center. And in #4 I wish the snow were less blue.
Thanks for sharing!
CHeers, Sara
Thanks for the comments Sara, definitely could've got the crop more centered and I agree I should re-work the blue snow a bit.
Nice set - really speaks to Montana! In #4, I would use the lasso tool, circle that little sapling and use the Content-Aware Fill to remove it. No one would know, except us of course .
Comments
My favorite is #4. It leaves you wondering what those shadows are from (if that's what they are, dunno). Very nice.
My first reaction was that it's brilliant. Then I noticed that the horizon and hence the pole were tilted and I thought, "you had one job to do...."
Really a delightful and slightly quirky set.
Link to my Smugmug site
Cheers!
Just being nit-picky: in #2 I'm a little bugged that the crop on the archway is not dead center. And in #4 I wish the snow were less blue.
Thanks for sharing!
CHeers, Sara
Photos: jowest.smugmug.com
Book1: http://www.amazon.com/dp/B00LUBMI1C
Book 2: https://www.amazon.com/dp/B079V3RX6K
Facebook: http://www.facebook.com/jo.west.16
www.cameraone.biz
Definitely #3, great shot
#4, the small sapling works for me. I see it as an integral part of the story, the small sapling struggling against the elements, and the large tree, success of survival. Maybe a crop off of the bottom, half way between the two diagonal blue shadows.
Phil
Luck happens when preparation meets opportunity!
Gallery: http://cornflakeaz.smugmug.com/
Yep, shadows it was one of those opportunistic moments as I'd been driving in the hills behind Helena, Montana looking for a more 'epic' viewpoint then decided on some minimalism instead.
I've been a called a lot of things, but I'll take *almost* being called brilliant for my work
Thanks for the comment!
Get rid of the footprints?! I'm too lazy for that
Thanks for the comments Sara, definitely could've got the crop more centered and I agree I should re-work the blue snow a bit.
Thanks!
Ahh I like my little sapling.