Eric, I love the clarity and would really like to know how you did it - exposure, lens etc. On the critical side, I am slightly unsettled by the crop - I wish there were more room on the left side of the picture (or less room on the right). If the entire moon was showing then the left side of the moon would be kissing the edge or out of frame. Is this what you were aiming for?
Eric, I love the clarity and would really like to know how you did it - exposure, lens etc. On the critical side, I am slightly unsettled by the crop - I wish there were more room on the left side of the picture (or less room on the right). If the entire moon was showing then the left side of the moon would be kissing the edge or out of frame. Is this what you were aiming for?
Thanks so much for looking-in Sara, and your comments! I'm happy to explain my process!
Btw... thanks again to everyone for the feedback - this shot was a bit of an experiment in processing and I appreciate hearing your impressions.
First... the crop. The placement in-frame is the result of my strong aversion to centering... aversion to a fault sometimes, I think.
I thought about your point when I first cropped and I decided to center what was visible... but, I had similar reservations then, and now that
you mention it, I tend to agree with you because - although not visible - the full disc is strongly implied and we expect it to be there.
Technical: 5D3 ~ EF 100-400mm L ver. I + 1.4 Extender ver. III ~ 560mm @ f11 ~ ISO 100 ~ 1/13 sec. ~ Manual mode ~ Tripod (IS turned off).
Processed from RAW in LR... I adjust the image using all the tone and curve tools to maximize the visibility of light and dark areas.
Controlling highlights and contrast, and not over-sharpening, are important factors...
Even with ISO 100 I use some noise reduction to smooth-out the graininess that results from cropping magnification.
I live in a inland rural area with a bit of altitude, so, I have relatively low light pollution, and, at times, fairly clear air.
When shooting the moon for detail, I catch it as close to overhead as possible - the air is thinner and clearer as compared to sight-lines closer to the horizon.
The half moon is, of course, better for craters and mountains with the side-lighting.
I use 10x magnified Live View for focusing and shooting... sometimes manually, this time I let AF do it...
Tripod bounce is an issue with these long-lens set-ups, so, cable release is best.. or, in this case,
I was too lazy to walk up to the house to get one, so, I used the 10sec. timer to release shutter - watching magnified Live View confirms that the tripod has settled-down.
The mirror is already locked-up in Live View... anything that reduces vibration is crucial.
The "experiment" part is the extent to which I cropped the original.
I am constantly amazed at how much the 5D3 can be cropped and still maintain image quality...
This image is a huge crop - I pushed it way further than I am usually inclined, just to see how far might still be acceptable...
Based on y'all's feedback, I conclude that this magnification works!
Thanks for the detailed explanation Eric. It's so interesting to learn how it's done. You're lucky to live somewhere with such little light pollution! Congrats again on the great image.
Haha! I agree! Green looks great on lawns and frogs - not cheese!
Thanks Phil!
Thanks so much for looking-in Sara, and your comments! I'm happy to explain my process!
Btw... thanks again to everyone for the feedback - this shot was a bit of an experiment in processing and I appreciate hearing your impressions.
First... the crop. The placement in-frame is the result of my strong aversion to centering... aversion to a fault sometimes, I think.
I thought about your point when I first cropped and I decided to center what was visible... but, I had similar reservations then, and now that
you mention it, I tend to agree with you because - although not visible - the full disc is strongly implied and we expect it to be there.
Technical: 5D3 ~ EF 100-400mm L ver. I + 1.4 Extender ver. III ~ 560mm @ f11 ~ ISO 100 ~ 1/13 sec. ~ Manual mode ~ Tripod (IS turned off).
Processed from RAW in LR... I adjust the image using all the tone and curve tools to maximize the visibility of light and dark areas.
Controlling highlights and contrast, and not over-sharpening, are important factors...
Even with ISO 100 I use some noise reduction to smooth-out the graininess that results from cropping magnification.
I live in a inland rural area with a bit of altitude, so, I have relatively low light pollution, and, at times, fairly clear air.
When shooting the moon for detail, I catch it as close to overhead as possible - the air is thinner and clearer as compared to sight-lines closer to the horizon.
The half moon is, of course, better for craters and mountains with the side-lighting.
I use 10x magnified Live View for focusing and shooting... sometimes manually, this time I let AF do it...
Tripod bounce is an issue with these long-lens set-ups, so, cable release is best.. or, in this case,
I was too lazy to walk up to the house to get one, so, I used the 10sec. timer to release shutter - watching magnified Live View confirms that the tripod has settled-down.
The mirror is already locked-up in Live View... anything that reduces vibration is crucial.
The "experiment" part is the extent to which I cropped the original.
I am constantly amazed at how much the 5D3 can be cropped and still maintain image quality...
This image is a huge crop - I pushed it way further than I am usually inclined, just to see how far might still be acceptable...
Based on y'all's feedback, I conclude that this magnification works!
Hope this helps Sara!
Best, Eric
Thanks for sharing the technical details. Great shot my friend.
black mambaRegistered UsersPosts: 8,323Major grins
edited September 13, 2016
Very well done, Eric. The key elements to your success here are, I believe, the tripod ( of course ) and getting your hands off the camera using the delayed timer for shutter release. The quality lens plays a huge role as well. Kudos to you for pulling all that stuff, and more, together to make the shot.
Take care,
Tom
I always wanted to lie naked on a bearskin rug in front of a fireplace. Cracker Barrel didn't take kindly to it.
Thanks for the detailed explanation Eric. It's so interesting to learn how it's done. You're lucky to live somewhere with such little light pollution! Congrats again on the great image.
Very well done, Eric. The key elements to your success here are, I believe, the tripod ( of course ) and getting your hands off the camera using the delayed timer for shutter release. The quality lens plays a huge role as well. Kudos to you for pulling all that stuff, and more, together to make the shot.
Take care,
Tom
Thanks much Tom! Yes, I'm got every reason to think my gear is working very well!
I am a bit romantic about the Moon... I so clearly remember sitting with my grandfather and watching the Eagle land...
his employer had a production contract for parts of the Lunar Excursion Module (LEM), and so, I felt extra excitement and family pride because of that connection...
Comments
+1
Thanks guys!
You know... it's made of green cheese... I think I captured that clearly here. :giggle
TravelwaysPhotos.com ...... Facebook
VegasGreatAttractions.com
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Phil
Luck happens when preparation meets opportunity!
Haha! I agree! Green looks great on lawns and frogs - not cheese!
Thanks Phil!
Thanks so much for looking-in Sara, and your comments! I'm happy to explain my process!
Btw... thanks again to everyone for the feedback - this shot was a bit of an experiment in processing and I appreciate hearing your impressions.
First... the crop. The placement in-frame is the result of my strong aversion to centering... aversion to a fault sometimes, I think.
I thought about your point when I first cropped and I decided to center what was visible... but, I had similar reservations then, and now that
you mention it, I tend to agree with you because - although not visible - the full disc is strongly implied and we expect it to be there.
Technical: 5D3 ~ EF 100-400mm L ver. I + 1.4 Extender ver. III ~ 560mm @ f11 ~ ISO 100 ~ 1/13 sec. ~ Manual mode ~ Tripod (IS turned off).
Processed from RAW in LR... I adjust the image using all the tone and curve tools to maximize the visibility of light and dark areas.
Controlling highlights and contrast, and not over-sharpening, are important factors...
Even with ISO 100 I use some noise reduction to smooth-out the graininess that results from cropping magnification.
I live in a inland rural area with a bit of altitude, so, I have relatively low light pollution, and, at times, fairly clear air.
When shooting the moon for detail, I catch it as close to overhead as possible - the air is thinner and clearer as compared to sight-lines closer to the horizon.
The half moon is, of course, better for craters and mountains with the side-lighting.
I use 10x magnified Live View for focusing and shooting... sometimes manually, this time I let AF do it...
Tripod bounce is an issue with these long-lens set-ups, so, cable release is best.. or, in this case,
I was too lazy to walk up to the house to get one, so, I used the 10sec. timer to release shutter - watching magnified Live View confirms that the tripod has settled-down.
The mirror is already locked-up in Live View... anything that reduces vibration is crucial.
The "experiment" part is the extent to which I cropped the original.
I am constantly amazed at how much the 5D3 can be cropped and still maintain image quality...
This image is a huge crop - I pushed it way further than I am usually inclined, just to see how far might still be acceptable...
Based on y'all's feedback, I conclude that this magnification works!
Hope this helps Sara!
Best, Eric
I don't know anything about 'live view' focus (shame shame....) but have to figure it out....
Thanks for sharing the technical details. Great shot my friend.
www.mind-driftphoto.com
Take care,
Tom
Thanks much Tom! Yes, I'm got every reason to think my gear is working very well!
I am a bit romantic about the Moon... I so clearly remember sitting with my grandfather and watching the Eagle land...
his employer had a production contract for parts of the Lunar Excursion Module (LEM), and so, I felt extra excitement and family pride because of that connection...
Best,
Eric
Thanks,
-Len
I used an: Canon Telephoto Extender EF 1.4X III
E.
-Len
Besides, Tom is smarter, and very likely better-looking than I... :giggle