Tequila Anyone
Well I have been in the woodshed for a while and thought I would pop in a share a shot or two from recent shoots.
Tequila
Pretty Valentine
Cold Heart
Ignored
Tequila
Pretty Valentine
Cold Heart
Ignored
Bobby Deal - Commercial Photography * Vegas Vision Studios The Pro's choice for studio rental in Las Vegas
Studio Photography Lighting and Modeling Workshops For the Discerning Taste
"The only photographer we ought compare ourselves to is the one we used to be"
Studio Photography Lighting and Modeling Workshops For the Discerning Taste
"The only photographer we ought compare ourselves to is the one we used to be"
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Comments
Matty
We never know how something we say, do, or think today, will effect the lives of millions tomorrow....BJ Palmer
Thanks for sharing...
Lee
Studio Photography Lighting and Modeling Workshops For the Discerning Taste
"The only photographer we ought compare ourselves to is the one we used to be"
Great photos! I like the poses and they match your theme nicely.
The quality down a bit on the photos.
Looks like you dropped the quality of the photos when
you saved them for the web.
Take Care,
Chuck
Aperture Focus Photography
http://aperturefocus.com
Thanks Chuck and you are correct they are pretty heavily compressed for webuse. Typically by the time they make it to the models online portfolio they have gone from 17mb Raw files from the D2X to 400 x 600 72 DPI @ less then 50kb which is a pretty big crunch.
Studio Photography Lighting and Modeling Workshops For the Discerning Taste
"The only photographer we ought compare ourselves to is the one we used to be"
They have eyes! Who knew?
Sam
Thanks for the feedback and normally I would agree. In this case however the images were shot for general stock not assingment or art. As such the light was intended to be as flat as I could get it to allow a designer as much flexibility in using the images as possible. If the eyes had catchlights it would indicate specific lighting conditions an as such would limit the designers options in using the images. They would either need to match the light in their design or edit out the catchlights. Adding catchlights in post is of course a quick and simple matter so I leave them flat when ever I can.
I do agree though that catchlights would add a spark of life to the images if they were actually in use.
Thanks,
Studio Photography Lighting and Modeling Workshops For the Discerning Taste
"The only photographer we ought compare ourselves to is the one we used to be"
I do have a comment about the first one though. It doesn't read very well with her arm straight forward like that. I think it would read better her body was turned slightly to her left while keeping her head the same, or something simliar. One way to be sure your photo will read well is to imagine it as a silohuette - if you can't tell what action is happening in it as a silohuette, then it's possible you won't be able to in the real photo either.
Granted, this is not a hard rule - as you could see if you tried to imagine your third photo as a silohuette (you wouldn't tell much from a silohuette but the photo itself is fine), but it does tend to be wise for depicting motion or many emotions.
Tamron AF18-200mm F3.5-6.3 XR Di II LD
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Nikon SB-800 Speedlight
I didn't notice it at first but now that you pointed it out I'm with you. If she raised her hand just a tad and moved it to her left then you would get a more dynamic perspective. This would also let you change the composition a bit to make her a bit less centered and add a bit of space to the right. Since this is for stock, having the extra negative space on the right would be useful.
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