What lens to get?
So i posted yesterday about wanting to get the 70-200mm 4/L lens. Now today I went looking and found that I can get the 70-300mm IS USM Lens for about the same price. Looking at the feature it says it uses low dispersion glass and another special coating. So which one is better for me to get for the shootout.
====My Gear=====
Canon 5D Mk.2/Grip || Canon 7D Backup
17-40 f/4L || 70-200 f/2.8L IS || 100mm f/2.8L Macro || 24-70mm f/2.8L
Wedding Photographer
www.cwphotos.net
Canon 5D Mk.2/Grip || Canon 7D Backup
17-40 f/4L || 70-200 f/2.8L IS || 100mm f/2.8L Macro || 24-70mm f/2.8L
Wedding Photographer
www.cwphotos.net
0
Comments
The 70-200/4 is a great piece of glass. L quality, internal focus, fixed aperture. Consider it an entry level L lens.
The 75-300 IS is an outdated carry-around. I had one. Loved it. Would I consider it a "shootout" lens? No. Would I consider a great lens to have in my bag for ~$300? Hell yeah! The IS works great, the focal range is big, and the quality is great. When I toured the Alps on a motorcycle, I brought this lens and my 18-55 kit lens. I got great photos (of course, all outdoors, good light) and carried a tiny bag.
You do know of course that the 75-300 IS has been discontinued and replaced by the 70-300 IS (~$500), right? I don't know how much better this one is, but if you can find a well cared for 75-300 IS, it is a great versatile lens to have.
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You probably mean the new 70-300/4-5.6 IS. I got it instead of the white cannon for a couple reasons.
1. Not white - I don't need that attention/stigma/whatever yet.
2. 300 max instead of 200 max focal length. Even with the 1.4 TC, the L lens only reaches 280, and is down to the same aperture (5.6) as the IS lens. IQ may not be quite as good as the L, but it's close, and more flexible.
3. 3rd gen IS. After getting this lens and using it a bit, I can safely say that IS is an amazing technology, especially on tele lenses.
4. A little smaller when packed, lighter, and takes smaller filters (less $). Sure, the L lens is internal focusing, but the IS lens is easier to stow.
tristansphotography.com (motorsports)
Canon 20D | 10-22 | 17-85 IS | 50/1.4 | 70-300 IS | 100/2.8 macro
Sony F717 | Hoya R72
Canon 5D Mk.2/Grip || Canon 7D Backup
17-40 f/4L || 70-200 f/2.8L IS || 100mm f/2.8L Macro || 24-70mm f/2.8L
Wedding Photographer
www.cwphotos.net
http://www.photozone.de/8Reviews/lenses/canon_70300_456is/index.htm
"The performance of the Canon EF 70-300mm f/4-5.6 USM IS came as a total surprise. Unlike its predecessor the lens is capable to produce a very high performance throughout the zoom range without the significant drop in quality at 300mm typical for most consumer grade lenses in this range. It seems as if the new UD element helps to lift the optical quality significantly. Distortions, CAs as well as vignetting are also very respectable. So in terms of optical quality the EF 70-300mm IS can be almost described as a hidden Canon L lens...."
Erich
Current decision RATING:
70-300 [] 70-200L
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Canon 5D Mk.2/Grip || Canon 7D Backup
17-40 f/4L || 70-200 f/2.8L IS || 100mm f/2.8L Macro || 24-70mm f/2.8L
Wedding Photographer
www.cwphotos.net
http://redbull.smugmug.com
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Canon 20D, Canon 50 1.8 II, Canon 70-200 f/4L, Canon 17-40 f/4 L, Canon 100mm 2.8 Macro, Canon 430ex.
Our pro from Dover at Yosemite said he did most of his shooting with either the 17-40 or the 70-200, FWIW. But the day we were with him, I think I only saw him use the 17-40 (David, you remember?)
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Canon 5D Mk.2/Grip || Canon 7D Backup
17-40 f/4L || 70-200 f/2.8L IS || 100mm f/2.8L Macro || 24-70mm f/2.8L
Wedding Photographer
www.cwphotos.net
for both you need a super-wide, might i suggest the 10-22 :Deal
almost a standard for landscapes *as is the 17-40*
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