ND Filters
blackwaterstudio
Registered Users Posts: 779 Major grins
Now that my tax returns are back I'm looking at picking up a ND filter (or set). I'm not up on the filters so all the help you can give me would be great.
What I'm looking for is something I can use on all my lens so I guess I'll have to either have a step down or step up ring also.
My lhree main lens I use are the 50 1.8, 135L, and 300L
If ya'll could point me in the right direction and give me some idea of what I'll need It would be great.
What I'm looking for is something I can use on all my lens so I guess I'll have to either have a step down or step up ring also.
My lhree main lens I use are the 50 1.8, 135L, and 300L
If ya'll could point me in the right direction and give me some idea of what I'll need It would be great.
0
Comments
Another link and one more
Fred
http://www.facebook.com/Riverbendphotos
Straight NDs can be screw in filters - 4x, 6x 10 x strengths - maybe in 77mm diameter for most Canon lenses
Graduated NDs should not be purchased to thread into a standard filter thread, as this does not allow you to raise or lower the gradient margin to match the scenes light intensity changes. You need a Cokin style mount so you can raise and lower the filter to match the scene. The gradient can be hard to see looking through the viewfinder, and being able to real time raise and lower the filter allows you to identify where the filter effect will show up. Andy captured a shot of me doing this here -
Moderator of the Technique Forum and Finishing School on Dgrin
http://www.singh-ray.com/varind.html
Its a Vari-ND filter and offers 2 - 8 stops just by turning it.
Now, my question is this, since it only comes in 77mm can I get step up rings and make it fit my other two lens?
Moderator of the Technique Forum and Finishing School on Dgrin
You should be able to get stp rings to fit other lens....but that is a solid ND filter and so the effect covers the whole frame....As path finder said, I would suggest COKIN filters especially if you are ever wanting to use a graduated ND filter.
When I was shooting weddings and portraits I quit using screw in filters and went strictly to Ambico and Cokin filters and I did find I need to use with all my lenses and it was much easier to hand hold a filter at times rather than try to screw it in and the Cokin style filter was also cheaper in the respect of buying only one large size and I was good for 35mm or all my 2 1/4 cameras....including my twin lens....so needless to say I have been sold on Cokin style for a very long time....[well over 30 yrs].
Yea its not cheap, but I figure by the time I get all the filters, the holders for each len I'd be close to the $300 anyways.
I passed on graduated ND's. In my opinion they can be faked by bracketing (or shooting in RAW and making multiple 'exposures') and then compositing in post-process by using a gradient fill for the layer mask. In fact I think this gives you more flexibility because it lets you build complex masks that track the horizon. Purists will call this photoshop trickery, I call it getting the job done on my budget.
Get the ND's in the biggest thread you can ever imagine needing and use step down rings. I didn't and am now paying to replace my 58 and 62mm filters w/ 77mm equivalents!
I shoot landscapes primarily with an 82mm CZ 21. I used the var-ND from Singh with my 77mm 17-40 and liked it so much I had a custom one made for my CZ 21. It is expensive, but one filter in the bag covers a whole range of uses - if you are packing a lot of gear or weight matters it's the way to go.
If you need to be above 77mm there just aren't any good ND options out there which will give you more than 3 stops.
I would also agree with the other post that bracketing and HDR or doing your own masking is simply better than graduated ND filters. You will get perfect results (with some practice) and don't have to carry anything extra.
www.finesart.com
NH feel free to demonstrate this if you like. I would love to see how its done with some screen shots to assist.
ok...found it..its the horizon line being graduation fade or sharp fade.
Link to my Smugmug site
Yep that's a good one
And one I didn't miss either
Fred
http://www.facebook.com/Riverbendphotos
It should be noted that on APS sensors the gradation isn't quite as 'sharp.'
Foreground..
Sky..
The mask..
Final product..
Now the foreground and sky shots used here actually came from two seperate bracketed shots, but in some cases you might be able to do the same w/ a single RAW..