What (D70S) lens for low light production indoors
bwilder10h
Registered Users Posts: 36 Big grins
My neice is going to be in a children's play this Spring and I'm looking for recommendations on a good low light lens for this. They do not allow flash and I'm unsure how close I will be able to get to the stage.
A friend recommended the 50mm 1.8 but not having the length to reach the stage concerns me.
I had also considered the Sigma 28-70 2.8 but wanted to ask the experienced before making a decision. I'm a newbie to DSLR...:D
Other recommendations....:dunno
A friend recommended the 50mm 1.8 but not having the length to reach the stage concerns me.
I had also considered the Sigma 28-70 2.8 but wanted to ask the experienced before making a decision. I'm a newbie to DSLR...:D
Other recommendations....:dunno
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I use a 80-200/2.8D AF-S.
Set your D70S to M, use at least 1/200 (or 1/125 if you are very steady), F to wide open (2.8) and do the D70 trick by setting ISO to auto, this will give you the lowest ISO possible for each individual shot. I have also used a tripod, but that is somewhat of a pain.
I have also use the 50/1.8, but that was at shows where I had unlimited access to the stage and venue.
I have also swapped lenses midshow, if I knew the show well enough to know when that was prudent.
FWIW, YMMV
XO,
Mark Twain
Some times I get lucky and when that happens I show the results here: http://www.xo-studios.com
It really depends on your distance...for me nothing beats the 85/1.4 in low light.
http://www.SnortingBullPhoto.com
http://www.sportsshooter.com/cherskowitz
"There's no reason to hurry on this climb...as long as you keep the tempo at the right speed the riders will fall back."
The 70-200 VR is certainly a lens I would like to have, but it's way out of my price range. I also like the 80-200 but it's also fairly expensive.
Since I'm just starting out, I was hoping to stay in the $400 and under range if possible.
Would the difference in the 85mm over the 50mm in the 1.8's really justify the $275+ price in the two.
Do I really need a 1.8?
I'd go with the 85/1.8. It's right in that price range...there's a big difference between a 1.8 and 2.8. And a 50 will give you not nearly enough pull for an indoor play type setting.
http://www.bhphotovideo.com/bnh/controller/home?O=productlist&A=details&Q=&sku=84151&is=USA&addedTroughType=search
http://www.SnortingBullPhoto.com
http://www.sportsshooter.com/cherskowitz
"There's no reason to hurry on this climb...as long as you keep the tempo at the right speed the riders will fall back."
I took this one here:
Click HERE for EXIF
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Great capture there... I fully expect this production to have very similar lighting conditions as your photo that you posted. Yes, it's on an actual stage.
I see you were at 200 f/2.8. Do you think I would be better off with a longer lens like you were using and 2.8 or something like the 85mm 1.8?
My point is you can make up the stops in a lot of places. 1/250 of second at f/4 at ISO 1600 for example.
I wasn't expecting this much light there. You will also notice your meter will be way off because of how dark the backgrounds are. I was in Program mode and told the meter to compensate -2 stops). Got to love how EXIF tells you everything (as I might have forgotten that)!!!
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
http://www.dgrin.com/showthread.php?t=28054
would work very well, and is not that much over budget (he just lowered the price too).
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Duh, yeah I mis-read that big time. Dunno what I was thinking.
The lens DoctorIt is selling is perfect. You can mount a monopod to it and even if the lighting is terrible, you'll have some great shots. I am drooling over that lens right now. My 200mm does not have a mount ring on it, so I am forced to only take horizontal pictures with my monopod.
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Yeah I saw that earlier today and would love to have a zoom over a fixed lens. Concerned that a fixed 85 would be sharper for me than the Sigma though.....
Just came over here to say thanks to Jim.
My impartial $.02: the 85/1.8 is a way better low-light lens, no doubt. That being said, does your neice play field hockey? soccer? On a budget, I've always gone with zooms for the versatility. If the theater and shows are your only shooting concern, use your feet to move up a few rows and get the faster glass, always get faster glass! If this play is all you'll ever shoot indoors, the 85 will be gathering a lot of dust when spring and summer bring you outside.
moderator of: The Flea Market [ guidelines ]
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Thanks for your comments. As you mentioned, the 85 would not be used very often and a zoom would certainly serve me better for sporting events and outdoor shots later. I wish your glass was closer to my stated price range...
I think I'd still go for a 70-200, just go for an f/4 instead and upgrade when $$$ permits (though the nice glass you get, the more you never want to go back... and 2.8 is the way to go).
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
One other thing, I heard the Sigma 28-70 mentioned here... don't do it. The non-HSM Sigma's are no fun.
moderator of: The Flea Market [ guidelines ]
f/2.8 in a zoom like that will be great! Doc, show him some pics!
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Okay, I am sure I hijacked this thread now.... Others please join in. I did want to point out that Doc just lowered his price and his price includes shipping and paypal. Still some over budget, but I am sure you'll be happy with the glass.
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
How much commission is he paying you... just kidding.
I should ask him the same question. On my list of wants is an ultra-wide and 70-200 2.8, so I guess I am trying to live through you.
Another thought on a lens for this project for you, might be an older Nikkor manual focus zoom. I haven't looked, but I imagine you can get a 70-200 2.8 MF for well under your budget and focusing on stage should not be much of an issue?
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
A sidenote: it's a mute point since the optical quality is the important part, but in my opinion, the Sigma looks better than the VR. VR is all skinny and long with a massive hood. Whole thing tapers to the end of the hood, making it look like a big black ice cream cone. Sigma's a bit fatter and has the matte black mean pipe look to it.
Guess I'll have to make do with the ugly cone.
moderator of: The Flea Market [ guidelines ]
It's a mute point anyway because I just sent you the funds for the Sigma
I am looking forward to seeing the images you get with it!
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
That makes two of us.
6lbs of glass and packing peanuts heading your way...
moderator of: The Flea Market [ guidelines ]
That's a good idea. I'm sure someone else could find this info helpful down the road...
I'm really looking forward to getting the new glass. Hopefully it will arrives soon...